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Tears of the Black Tiger (2000)
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Reviews Counted:59
Fresh:45
Rotten:14
Average Rating:6.6/10
Consensus: With a vibrant pastel color scheme and stylized action sequences, Tears of the Black Tiger is a bizarre, yet thoroughly entertaining Thai western.
Theatrical Release:Jan 12, 2007 Limited
Synopsis: TEARS OF THE BLACK TIGER takes a journey back to a lost past – the heroic years of Thai genre cinema, when influences from Hollywood and everywhere else were subsumed into rollicking Thai... TEARS OF THE BLACK TIGER takes a journey back to a lost past – the heroic years of Thai genre cinema, when influences from Hollywood and everywhere else were subsumed into rollicking Thai melodramas for an audience of avid fans. Sasanatieng's film is a brilliant pastiche of vanished themes, styles and characters, almost all of them easily recognizable as variants on the prototypes from other popular cinemas. But the film's project is not simply nostalgic. Sasanatieng uses the tricks and tropes of film style from the 1960's- iris shots, wipes, obvious back-projection – but combines them with a startling, modernist approach to color and storytelling. The result is not only unique in Thai cinema but also an entirely new way of looking at genre entertainment. TEARS OF THE BLACK TIGER offers nostalgia as future shock. When Dum, a young peasant boy, falls in love with Rumpoey, the daughter of a wealthy family, they vow that, whatever happens, they will one day be together. When they meet again ten years later, their rekindled passion is thwarted by the murder of Dum's father by outlaws and by Rumpoey's betrothal to a smooth-talking police captain. Dum soon transforms himself into the gunslinging bandit, "Black Tiger," in order to infiltrate the gang who murdered his father. Fate will reunite the lovers one more time, but will they be able to continue their romance? Or will tragedy strike again? --© Magnolia Pictures [More]
Starring: Chartchai Ngamsan, Stella Malucchi, Suppakorn Kitsuwan, Arawat Ruangvuth
Starring: Chartchai Ngamsan, Stella Malucchi, Suppakorn Kitsuwan, Arawat Ruangvuth, Sombati Medhanee, Suwinit Panjamawat
Director: Wisit Sasanatieng
Director: Wisit Sasanatieng
Producer: Nonzee Nimibutr
Composer: Amornbhong Methakunavudh
Studio: Magnolia Pictures
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Reviews for Tears of the Black Tiger
An oddity, all right: you may find it of interest once. I doubt if you'll want to see its like again.
While I admire the cleverness of its mockery, and suspect it will gain some genuine cult status, it feels like a hollow exercise in style and a joke that goes on for far too long.
If the story were as captivating as the color palette, we'd all be crying tears for the Black Tiger.
The goofing begins to wear thin by the end of Tears' two hours, but even its excessive length is of a piece with the movie, which takes over-the-top to a new level of overness.
Whether this period setting carries any significance would require more contextualisation than I can offer.
The early scenes are interesting and enjoyable. And then the novelty wears off, but the film doesn’t end.
Sometimes, if a director deliberately makes a horrible movie, it's acclaimed as genius.
Goodness knows there are enough winking genre references in Tears of the Black Tiger to fill an encyclopedia of film, but does anyone care, short of self-congratulating movie critics?
Delirious and oddball at once, it's like a plate of meringues -- delicious at first, but soon everything tastes the same, and after a while you get sick.
The movie is a long time coming, but the wait for the self-absorbed film to end seems even longer. Maybe the Black Tiger's tears are of frustration.
It's watchable, but eventually wears you down with its over-the-top cleverness.
What should be a zippy, good-natured parody of genre elements instead becomes a labored, almost oppressively stylized cinematic pastiche that's only sporadically engaging.
After the novelty wears off, the lack of depth grows irritating; it's like watching a feature-length soft-drink commercial. I've rarely seen a movie where so much gory violence has so little emotional impact.
A delirious fever dream of pulp-western conventions by way of 1950s Hollywood melodrama.
There may be crazier movies than this Thai cowboy melodrama of betrayal and forbidden love, but I can't think of one that is quite so mad about its own craziness.
It is nice just to sit back and let the day-glo colours wash over you, marvelling at the high-spirited energy.
Inspires the same happy, incredulous feeling as when Jackie Chan first bent the laws of nature or Chow Yun-Fat introduced the two-gun two-step.
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