[Director] Sasanatieng engages the viewer's emotions fully in the squaring away of the eternal triangle, involving young people who emerge as three-dimensional individuals even though they are archetypal.
Tears of the Black Tiger (2000)
Tomatometer
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Reviews Counted:59
Fresh:45
Rotten:14
Average Rating:6.6/10
Consensus: With a vibrant pastel color scheme and stylized action sequences, Tears of the Black Tiger is a bizarre, yet thoroughly entertaining Thai western.
Theatrical Release:Jan 12, 2007 Limited
Synopsis: TEARS OF THE BLACK TIGER takes a journey back to a lost past – the heroic years of Thai genre cinema, when influences from Hollywood and everywhere else were subsumed into rollicking Thai... TEARS OF THE BLACK TIGER takes a journey back to a lost past – the heroic years of Thai genre cinema, when influences from Hollywood and everywhere else were subsumed into rollicking Thai melodramas for an audience of avid fans. Sasanatieng's film is a brilliant pastiche of vanished themes, styles and characters, almost all of them easily recognizable as variants on the prototypes from other popular cinemas. But the film's project is not simply nostalgic. Sasanatieng uses the tricks and tropes of film style from the 1960's- iris shots, wipes, obvious back-projection – but combines them with a startling, modernist approach to color and storytelling. The result is not only unique in Thai cinema but also an entirely new way of looking at genre entertainment. TEARS OF THE BLACK TIGER offers nostalgia as future shock. When Dum, a young peasant boy, falls in love with Rumpoey, the daughter of a wealthy family, they vow that, whatever happens, they will one day be together. When they meet again ten years later, their rekindled passion is thwarted by the murder of Dum's father by outlaws and by Rumpoey's betrothal to a smooth-talking police captain. Dum soon transforms himself into the gunslinging bandit, "Black Tiger," in order to infiltrate the gang who murdered his father. Fate will reunite the lovers one more time, but will they be able to continue their romance? Or will tragedy strike again? --© Magnolia Pictures [More]
Starring: Chartchai Ngamsan, Stella Malucchi, Suppakorn Kitsuwan, Arawat Ruangvuth
Starring: Chartchai Ngamsan, Stella Malucchi, Suppakorn Kitsuwan, Arawat Ruangvuth, Sombati Medhanee, Suwinit Panjamawat
Director: Wisit Sasanatieng
Director: Wisit Sasanatieng
Producer: Nonzee Nimibutr
Composer: Amornbhong Methakunavudh
Studio: Magnolia Pictures
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Reviews for Tears of the Black Tiger
...more dazzling and more fun than anything else that's opened in this rapidly aging year.
The goofing begins to wear thin by the end of Tears' two hours, but even its excessive length is of a piece with the movie, which takes over-the-top to a new level of overness.
The result is something so old it's new, so corny it's funny. And while Tears of the Black Tiger is nothing more than entertaining, at least it's that.
Inspires the same happy, incredulous feeling as when Jackie Chan first bent the laws of nature or Chow Yun-Fat introduced the two-gun two-step.
Despite its layers of references and patina of kitsch, the movie is sincere at its core, inspiring indulgence of its tinted-sepia flashbacks of childhood meet cutes and its over-the-top, mustache-twirling rival (Kitsuwon).
It's watchable, but eventually wears you down with its over-the-top cleverness.
For at least half its length, it's quite unlike anything else you've seen.
What should be a zippy, good-natured parody of genre elements instead becomes a labored, almost oppressively stylized cinematic pastiche that's only sporadically engaging.
Sometimes, if a director deliberately makes a horrible movie, it's acclaimed as genius.
What the story lacks in snap, it makes up for in sincerity. [The film's] melodrama is so poker-faced and its gore so explicit (if phony-looking) that it's hard to tell whether you're dealing with the Thai Todd Haynes or the Thai Sam Peckinpah.
Mostly this is the kind of relentlessly postmodern "fun" best served in small portions, and preferably on dessert plates.
A delirious fever dream of pulp-western conventions by way of 1950s Hollywood melodrama.
What makes Tears a must-see are its day-glo colors, stylized gunfights, music that sounds as if Ennio Morricone had written it for one of Leone's spaghetti Westerns, and hyperbolic dialogue.
Director Wisit Sasanatieng uses every trick imaginable to create surreal postmodern nostalgia. Has he wound up with pure camp, or a cult classic? As he clearly understands, the best B-movies are both.
Black Tiger is dreamy-eyed nostalgia with all the tacky dubbing, ridiculous outfits, and blown-out violence that affords it.
The uncut Tears of the Black Tiger is more powerful than the cut version, not least for the way it shows that [director Wisit] Sasanatieng, even amid all the craziness, takes care to tie up even the loopiest plot details.
There may be crazier movies than this Thai cowboy melodrama of betrayal and forbidden love, but I can't think of one that is quite so mad about its own craziness.
Goodness knows there are enough winking genre references in Tears of the Black Tiger to fill an encyclopedia of film, but does anyone care, short of self-congratulating movie critics?
Latest News for Tears of the Black Tiger
January 11, 2007:
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