The movie might have gotten a dramatic boost from its topical theme, indirect as it is. Unfortunately, it's not one-tenth as interesting as what you can see at home during a nightly cable surf as U.S. war policy is debated.
If it were better done, Tears would be offensive: the villains are evil, faceless, baby-murdering Muslims. But the movie is so shoddy and one-dimensional that it's just a dreary, predictably violent bore.
Tears of the Sun has a title that makes no sense whatsoever. The film's message, on the other hand, makes too much sense -- it's simplistic and reactionary and designed to get hearts pumping but not minds thinking.
The audience's tears are more likely to result from boredom, irritation at Hans Zimmer's wretched fake-world-music score and inadvertent amusement at the thunderously earnest dialogue and Ms. Bellucci's awkward line readings.