You'll have to forgive the pun, but it simply lacks bite.
Teeth (2008)
Tomatometer
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Reviews Counted:62
Fresh:51
Rotten:11
Average Rating:6.7/10
Consensus: Smart, original, and horrifically funny, Teeth puts a fresh feminist spin on horror movie tropes.
Rated: R [See Full Rating] for disturbing sequences involving sexuality and violence, language and some drug use.
Runtime: 1 hr 34 mins
Genre: Horror/Suspense
Theatrical Release:Jan 18, 2008 Limited
Box Office: $182,599
Synopsis: Writer-director Mitchell Lichtenstein's feature debut is a horror comedy combining elements of atom-age 1950s horror films with mythology and feminist theory. The result is a smart, sassy B-movie... Writer-director Mitchell Lichtenstein's feature debut is a horror comedy combining elements of atom-age 1950s horror films with mythology and feminist theory. The result is a smart, sassy B-movie satire--funny, gross, and with a high squirm factor. A risky idea that could well have turned into a lower-tier Troma production, TEETH is a unique and surprising creation. Dawn (Jess Weixler) lives the life of a normal suburban teenager, except for the two nuclear reactors looming over her house. A goody two-shoes by any measure, she leads the local chapter of a chastity group, lecturing younger children on saving themselves for marriage. She finds herself stirred in unexpected ways, however, by new member Tobey (Hale Appleman). Dawn lets herself get closer to him than she has to anyone else, but when he rapes her, she discovers---in the most grisly way---that she is a true incarnation of the vagina dentata myth. As Dawn attempts to come to terms with her emerging sexuality and her second set of choppers, more men with bad intentions fall victim to their worst nightmare. Lichtenstein, sometime actor and the son of artist Roy Lichtenstein, reportedly first heard of the vagina dentata myth while studying under Camille Paglia, and his take on it proves to be as frightening (and bloody) as one would expect. As Dawn, Weixler is winning, and watching her transformation from meek to empowered is a blast to watch. A handful of wincingly gory sequences will have horror fans howling, but there are layers to the film for those willing to peel them back. Cult favorite GINGER SNAPS, which examined menstruation as a metaphor for lycanthropy, is an obvious cousin and great candidate for a double feature, but TEETH is completely its own. [More]
Starring: Jess Weixler, John Hensley, Josh Pais, Hale Appleman
Starring: Jess Weixler, John Hensley, Josh Pais, Hale Appleman, Ashley Springer, Vivienne Benesch, Lenny Von Dohlen, Nicole Swahn, Adam Wagner
Director: Mitchell Lichtenstein
Director: Mitchell Lichtenstein
Screenwriter: Mitchell Lichtenstein
Producer: Joyce Pierpoline, Mitchell Lichtenstein
Composer: Robert Miller
Studio: Roadside Attractions
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Reviews for Teeth
Though good for a few laughs, the one-note Teeth is just another trite rape-revenge fantasy.
A game, disarming lead performance from Jess Weixler, who won a jury acting prize at Sundance, goes some way toward making palatable this mish-mash.
In one of the great light bulb ideas that could only happen in association with making movies, along comes Teeth to bite us hard. If you think the rhetorical illustration of the events defy logic, just wait to actually sink your own teeth into it.
Lichtenstein takes the myth of vagina dentata and gives it a kitsch horror/comedy makeover, to surprisingly smart and sassy effect.
Every time the scary music kicks in and another dumb male clutches his crotch, the theater bursts into uncertain giggles like a needed release
After Dawn comes to understand her remarkable genital gift, it's pretty much one can-you-top-this gross-out scene after another.
a witty satire that explores the state of the (female) body politic, spread-eagled between the puritanical and the priapic in a culturally confused America.
This is an incredibly unique, dark, smart, and humorous story of a woman discovering what she is capable of.
Much like Dawn's ill-fated gyno visit, a peek beneath the folds of this clever and surprisingly amusing little horror comedy holds a few surprises for curious gay viewers.
Teeth works so well and is so original for at least the first half that it makes the slight fumble near the end zone forgivable.
Campy, shameless and sophisticated, Lichtenstein's debut is gutsy and original.
Writer/director Mitchell Lichtenstein tosses in thematic elements of incest and pedophilia as so much narrative hamburger helper, but by then the movie has already worn out its welcome.
It's definitely not for Aunt Minnie, but cult movie mavens will appreciate director Mitchell Lichtenstein's willingness to push the boundaries of bad taste.
In Teeth, Mitchell Lichtenstein makes the old v.d. the centerpiece of a gory female-revenge black comedy.
Daring, funny and unabashedly Indie, Teeth is an original and ingenious creation. Grab a bunch of men and go see it, just make sure they have enough room to cross their legs.
[Keeps] the viewer entertained with a mix of suspense and humor, but not exactly 'date night' material, because it's doubtful anyone will be having sex right after seeing it.
Latest News for Teeth
January 13, 2009:
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January 23, 2008:
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