An Aboriginal adventure story about forbidden love, sorcery, fear of strangers, and justice that proves that a tale well told is good medicine for all.
Ten Canoes (2007)
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Reviews Counted:57
Fresh:56
Rotten:1
Average Rating:7.7/10
Consensus: Ten Canoes combines adventure, comedy, and anthropology to explore an Aborigine folk tale both fallibly human and legendary. Helmer Rolf de Heer depicts a barely represented oral tradition with a clean style.
Theatrical Release:May 25, 2007 Limited
Box Office: $141,279
Synopsis: A thousand years ago, tribal times in the north of Australia. Ten men, led by old Minygululu, head into the forest to harvest barks for canoe making. It is the season of goose egg... A thousand years ago, tribal times in the north of Australia. Ten men, led by old Minygululu, head into the forest to harvest barks for canoe making. It is the season of goose egg gathering. Minygululu learns that young Dayindi, on his first egg hunting expedition, has taken a fancy to Minygululu's third and youngest wife. Tribal law is in danger of being broken: Minygululu deals with the situation by telling Dayindi an ancestral story, a story that will take a very long time to tell, all through the next days of canoe making and swamp travelling and goose egg gathering. This is that story: Long ago, in mythical times, just after the great flood covered the whole land, Ridjimiraril lives with his three wives, wise Banalandju, jealous Nowalingu and beautiful young Munandjarra, in a camp with others, including Birrinbirrin, a fat man who loves honey. Some distance away, in the single men's camp, lives Yeeralparil, Ridjimiraril's younger brother. Yeeralparil has no wives yet, and none promised, but is keen on that beautiful Munandjarra, who he feels should be his. One day, a Stranger approaches, without warning. The men are alarmed, especially when the Stranger claims he is there to trade in magic objects. He is given food and sent on his way. The sorcerer comes to warn the men of the possible dangers, but declares the camp is safe. Life goes on as normal. After a fight with Banalandju, Nowalingu vanishes. Ridjimiraril is convinced his beloved second wife was taken by the Stranger, but the consensus is that being jealous, she simply ran away. Months later an old uncle reports having seen Nowalingu in a distant camp with the Stranger. The men are galvanised into action: a war party sets off, but without Yeeralparil. Both brothers cannot go... if the older one is killed, the younger one must take over his wives. Yeeralparil hangs around the main camp in the hope of seeing Munandjarra, but Banalandju ensures a safe distance between the two. The war party returns, without Nowalingu: the old uncle's eyes must have deceived him. Ridjimiraril, still convinced it was the Stranger who took Nowalingu, slides into depression, until Birrinbirrin runs into camp with the news that the Stranger has been seen nearby. Ridjimiraril tells Birrinbirrin he's going to talk to the Stranger but grabs his spears and takes off, Birrinbirrin puffing behind. Deep in the bush they see the Stranger, squatting for a shit. Ridjimiraril launches a spear. An inspection of the body, however, reveals that Ridjimiraril has killed the wrong stranger. There are sounds of approaching people. Ridjimiraril breaks the spear off and they quickly hide the body. But they do not hide it well enough. Days later Ridjimiraril and Birrinbirrin are accosted by a group of warriors including the Stranger. They have identified the spearhead in the Stranger's brother's body as having been made by Birrinbirrin, and they want payback. Ridjimiraril confesses, and the location and time for the payback ceremony is agreed to. A sad little procession of men leaves camp for the payback. This time Yeeralparil can go, as only one person is to be speared, either Ridjimiraril or his payback partner. Yeeralparil argues that it should be he, young and nimble, who ought partner his brother. Ridjimiraril agrees, and together the two brothers face the spears from the aggrieved Stranger's tribe. That is the law, and the law must be upheld. Ridjimiraril is speared. Justice done, he is helped back to camp. Banalandju tends his wound, but instead of getting better, as he should, Ridjimiraril declines: it is as if a bad spirit has invaded his body. Even the sorcerer can do nothing. In his last moments before dying, Ridjimiraril staggers to his feet and begins to dance his own death dance...then he collapses and dies. After all the correct ceremony has been performed, Yeeralparil finally moves into the main camp, to be with his Munandjarra. But he's inherited a great deal more than he expected... Minygululu's story is over, the goose egg hunters return home. Dayindi has learnt his lesson, and when opportunity presents, he declines...maybe some day he will have a wife, but it won't be someone else's. [More]
Starring: Crusoe Kurddal, Jamie Gulpilil, David Gulpilil, Richard Birrinbirrin
Starring: Crusoe Kurddal, Jamie Gulpilil, David Gulpilil, Richard Birrinbirrin, Peter Minygululu, Frances Djulibing, Philip Gudthaykudthay
Director: Rolf De Heer, Peter Djigirr
Director: Rolf De Heer, Peter Djigirr
Screenwriter: Rolf De Heer
Producer: Rolf De Heer, Julie Ryan
Studio: Palm Pictures
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Reviews for Ten Canoes
Flows like water, and has a deceptively gentle pull that proves hard to escape.
It's common enough to describe a film as being like no other you've ever seen but in this case it may literally be true.
A fascinating immersion within a highly ritualized Stone Age oral culture that, at least according to tradition, existed almost unchanged for thousands of years before the European arrival.
Provided you're not Puritanical about frontal nudity, this powerful picture based on a myth is otherwise a delight, and a cinematic preservation of a so-called primitive people's oral tradition.
The story often takes a backseat to the characters, their myths and customs, which all seem very convincing.
One of the most surprising things about the movie is how much fun it is. The story Minygululu tells has components as exciting as any American action movie, and the relationships are as compelling as the best melodrama.
Joins "The Fast Runner" and "The Story of the Weeping Camel" as a fascinating glimpse into the daily lives of indigenous peoples.
People in Australia a thousand years ago laughed more spontaneous than we do today and they had no clothes, cell phones, TVs, condos: 'Ten Canoes' is so well told you can believe it.
Alongside the witty tone, the film is brilliantly well-paced and technically exquisite.
The first feature in an Australian Aboriginal language feels authentic to the core as it tells a cautionary tale set 1,000 years ago.
Ten Canoes is more homily than film, an educational exaltation of Australia's Aboriginal past.
It demonstrates conclusively that, yet again, there's nothing new under the sun of humanity, but also makes us wish we'd adopted the "payback" law of these Arafura swamp canoe makers and hunters.
One of the most arresting and original offerings in Cannes this year.
The biggest surprise is the humour. With David Gulpilil's often irreverent and occasional mischievous narration, the dialogue is revealing and at times hilarious. We are taken into a world that we have never seen before.
An enchanting fable rich in authenticity and shot through with unexpected humor.
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September 25, 2007:
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September 23, 2007:
Provided you're not Puritanical about frontal nudity, this powerful picture based on a myth is otherwise a delight, and a cinematic preservation of a so-called primitive people's oral tradition. ![]()
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June 12, 2007:
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