Average Rating: 7.4/10
Reviews Counted: 14
Fresh: 12 | Rotten: 2
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Critic Reviews: 4
Fresh: 4 | Rotten: 0
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Terence Stamp is known only as "The Visitor" in Pier Paolo Pasolini's Teorema. The mysterious stranger insinuates himself into the home of a wealthy Italian family, where he exerts a curious, sensual spirituality over everyone in the household. He then proceeds to seduce everyone in the family (male and female) including the maid, which gives each person some sort of unique epiphany. Because he reveals so little about his innermost thoughts, "The Visitor" becomes all things to all people. What
Sep 7, 1968 Wide
Oct 4, 2005
Continental Motion Pictures
All Critics (14) | Top Critics (4) | Fresh (12) | Rotten (3) | DVD (4)
The narrative, almost silent in the first half, is unusually clear for a film by Pasolini. Performance by all members of the cast are praiseworthy, though Stamp dominates the first half and Betti, the second.
The movie itself is the message, a series of cool, beautiful, often enigmatic scenes that flow one into another with the rhythm of blank verse.
I don't feel ready to write about this mysterious film; perhaps, a week from now, I'll decide it is very bad, a failure. But perhaps it is the most brilliant work yet by that strange director, Pier Paolo Pasolini.
Apart from his final feature, Salo, this is probably Pier Paolo Pasolini's most controversial film, and to my mind one of his very best.
A heavily symbolic and highly intellectual look at the bourgeois milieu and the effect that a mysterious visitor, Stamp, has on one specific family.
You'll either find it brilliant, or maddening. And neither response would be wrong.
What would be pretentious and strained in the hands of most directors, with Pasolini takes on an intense air of magical revelation.
A must-see for fans of Terence Stamp and his magical British package. Others beware.
Highly regarded in some quarters, Pier Paulo Pasolini's Teorema is basically a film about Terence Stamp's crotch.
earnest experiment, but it's simply too obtuse to be a success, and too undercooked (not to mention sloppily put together) to make much of an impact
A magical lyrical work about the improbable.
A fascinating, infuriating, cryptic allegory featuring a performance from Terence Stamp as memorable as his brilliant blue stare.
Arresting and profound! The film begins with the ending. Stamp acts as an awakener to the pseudo-existence of the bourgeoisie. Stamp's character can be summarized by a Nick Cave lyric: I found god and all of his devils inside h(im). The second half of the film, or upon Stamp's departure, is lingeringly complex. Upon
January 5, 2012Super Reviewer
A very Christian rumination: what is the meaning of life? Pasolini poetically, lyrically offers the Book of Ecclessiates by Solomon (" ... everything is vanity ") for consideration. Made in the Sixties it reflects some of the counter- cultural ideas that were sweeping through the affluent West at that time.
July 30, 2011Super Reviewer
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