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Tex represented the first film adaption of a novel by "teen angst" specialist S. E. Hinton. Matt Dillon stars as Tex McCormick, an Oklahoma farm boy who drifts into bad company and a dangerous lifestyle after his mother dies and his father deserts him. His older brother Mason (Jim Metzler) struggles to keep his sibling on the straight and narrow, but he too has a cross to bear: his crippling lack of self-worth. Surprisingly, the film was produced by the Disney company, which heretofore had painted a more upbeat portrait of teen-age life. Dillon would go on to appear in two more Hinton adaptations, while Tex supporting player Emilio Estevez would show up in an additional three. S.E. Hinton herself appears in the small role of Mrs. Barnes, a schoolteacher. … More
as Tex McCormick
as Mason McCormick
as Jamie Collins
as Mrs. Johnson
as Cole Collins
as Johnny Collins
as Lem Peters
as Coach Jackson
as Bob Collins
as Fortune Teller
as Ms. Carlson
as Ride Operator
as Ride Operator
as Doctor in Hospital
as Mrs. Germanie
as Girl on Bike
as Mrs. Barnes
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Critic Reviews for Tex
Dillon, though occasionally annoying, turns in a decent performance, as do Jim Metzler as his brother and Meg Tilly as his girlfriend.
Writers Charlie Haas and Tim Hunter (latter making his directing debut) seem intent on incorporating every conceivable adolescent and adult trauma into their script.
A stirring, memorable early performance by Dillon
There is a shock of recognition almost from the beginning of Tex, because we're listening to the sound of American voices in an authentically American world.
This is a film that accomplishes everything that it attempts, and does so expertly. On its own terms, it is a success through and through.
Tex explores the stressful relationship between two brothers living without adult supervision.
Like Hinton's novels, Hunter has directed a compassionate and astute depiction about growing up.
Audience Reviews for Tex
you git chur horse back, boy... why she's da one done convinced you to tell yer brother you love him.More
Matt Dillon has never been more subtly expressive and transparent, and maybe only funnier in Singles; Jim Meltzer is actually funny here as a straight man; there is some great camerawork and lighting. S.E. Hinton seems to be dealing with more Judy-Blume type issues here, so the movie works like a neorealist afterschool special.More
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