When Zygmunt Sawicki (Jerzy Stuhr) and his wife take in a stray circus camel, his larger-than-life presence transforms their tiny Polish town -- until the citizens begin to turn against the couple and their unusual pet. Penned by Krzysztof Kieslowski during the height of Communist political oppression in the 1970s, this whimsical allegorical tale slyly makes a case for individuality within an intolerant, conformist society.
Beyond its initial one-joke concept and heavy-handed allegory, The Big Animal doesn't have much to say, and even at 72 minutes it seems a bit padded out.
Adapted from a script written in the 1970's by Krzysztof Kieslowski, Jerzy Stuhr's film is a small, charming fable about individual idiosyncrasy and social uniformity.
The crisp, elegant black-and-white cinematography by Academy Award nominee Pawel Edelman (The Pianist) is well-matched to the simplicity of the narrative.
It's a modest film...but Stuhr's sure hand with his material and the effective performances make it a memorable parable about the spark of individuality.
The Big Animal unfolds rather like a fable of modern life, demonstrating how the small community's intolerance increases with the fervor of Zygmunt's unexplained devotion.
ever wanted a Camel, Watch this and you might just wish you had one. Beleive this is a Polish Film, Subtitles, so bear with it and enjoy. If you see it get it.
March 8, 2008
Bruce Bruce
Super Reviewer
A small travelling circus abandons a two-humped camel outside of a village in rural Poland. It wanders into the yard of a quiet middle-aged couple named Zygmunt and Marysia. They decide to keep it. Zygmunt proudly leads his new pal through town on a leash. The adults make good-natured jokes and the children are
delighted. At first, that is. Soon, the other townspeople want to use the camel for money-making purposes. The photographer wants to rent it for photo-shoots. The mayor wants to feature it in a mini-zoo to attract visitors to the village. The police want to shear it to make coats. Zygmunt considers these requests to be exploitive and so he refuses, choosing to keep his much-beloved camel as purely a pet. Then the townspeople turn on him. There are taxes levied and petitions signed and summonses to appear before the village board. "What if everyone wanted to keep a camel?" they ask him, by way of explaining the sudden opposition. It's "useless to the community", they claim. Now Zygmunt is ostracized when he takes his camel on its daily walks thru town. He's all but forced out of the town orchestra. Parents pull their children out of the school run by Marysia. But Zygmunt and Marysia don't give in to the pressure. They build their friend a little camel house adjacent to theirs. They feed him lettuce through the kitchen window while they eat their own dinner. Marysia knits him a blanket with holes for his humps to poke through. Zygmunt plays the clarinet for him. They treat him like a kind of surrogate camel-child. I found this movie to be really sweet and sad. It's the first one that's made me feel any sort of emotion in a while, other than disappointment. Based on a screenplay from the 70's, I've read that it's really meant to be a satire of communist Poland. Perhaps. But historical context aside, the rejection by society of ideas and people who don't quite fit in seems timeless.
No quotes approved yet for The Big Animal. Logged in users can submit quotes.
Submit a Quote from 'The Big Animal'
A quote can be a single line from one character or a memorable dialog between several characters. Please make your quotes accurate. Quotes will be submitted for approval by the RT staff.
Example:
Luke: Alright. I'll give it a try. Yoda: No. Try not. Do or do not. There is no try.
Top Critic
