La demoiselle d'honneur (The Bridesmaid) (2004)
Average Rating: 7.3/10
Reviews Counted: 51
Fresh: 47 | Rotten: 4
Chabrol has crafted another sophisticated, unsettling thriller about sinister doings among the bourgeoisie.
Average Rating: 7.5/10
Critic Reviews: 20
Fresh: 19 | Rotten: 1
Chabrol has crafted another sophisticated, unsettling thriller about sinister doings among the bourgeoisie.
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Average Rating: 3.3/5
User Ratings: 1,622
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Movie Info
The master of French suspense joins forces with the queen of English suspense fiction for this tense tale of the treacherous love affair between a disturbed bridesmaid and an unsuspecting young man. Philippe (Benoit Magimel) lives in a quiet French town with his hairdresser mother Christine (Aurore Clément) and two younger sisters. Soon after the news breaks about a local girl who has mysteriously vanished, Philippe's mother introduces her children to Gerard (Bernard Le Coq) -- a local
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All Critics (51) | Top Critics (20) | Fresh (47) | Rotten (4) | DVD (5)
A prickly, twisted, mean-spirited, borderline crazy and highly seductive picture.
This 2004 French feature seems concerned not so much with the psychopathology of everyday life as with psychopaths who lurk behind the everyday.
Chabrol arranges his story with a subtle, almost clinical accumulation. And it takes close attention to the movie's seemingly innocuous details to understand his deeper purposes.
Entering his sixth decade, Chabrol remains a master inspector of the criminal heart of the French bourgeoisie.
A superbly unsettling crime drama about a seemingly ordinary family, ravaged by passions that descend on them like a plague.
At age 76 with 54 films to his credit, Chabrol can do little wrong and pretty much whatever he likes.
Chabrol develops the situation with sly restraint, while Eduardo Serra's cinematography generates a palpable sense of provincial menace.
A polished thriller from one of cinema's most accomplished murder mystery fans.
Once again Chabrol tells the tale with an almost clinical detachment and discretion -- the pacing is almost coldly deliberate and the camera often cuts away rather than intrude -- but the upshot is well worth the wait.
Chabrol locates this impressively acted tale in an everyday world with a quietly menacing atmosphere.
A warm cup of milk spiked with acid
A compelling watch.
Brilliantly directed and acted, The Bridesmaid is one of the year's best films.
Only in a Chabrol film can subjects like lust, obsession and family dynamics not lead you to a psychological insight. That's why The Bridesmaid is so much fun to watch. It's scary and seductive, and you're not bothered in the least by that connection.
It's fascinating to watch the level-headed Philip's descent into a relationship with a woman that he knows is insane.
An understated exercise in edge and intensity worthy of favorable comparison to Alfred Hitchcock. A neo-noir masterpiece!
THE BRIDESMAID, shot by the gifted cinematographer Eduardo Serra, isn't on par with some of Chabrol's best work, it is very much in keeping with his themes.
...An adaptation of a Ruth Rendell novel that turns out to be a surprisingly good character piece, in addition to having the usual Chabrol qualities.
Chabrol's film stands as a reminder of the madness that lurks in plain sight.
How does that saying go, 'Always a bridesmaid, never a convicted felon?' Okay, maybe that's not quite right, but it is intriguing and so is this movie.
[Claude Chabrol] may be in the ranks of senior citizens (he's 76 this year) but he's lost none of his youthful audacity and innovation.
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Foreign Titles
- The Bridesmaid (La Demoiselle d'Honneur) (DE)
- The Bridesmaid (UK)










Top Critic
This movie was really like anti-climatic? I guess is the word I'm looking for. Nothing amazing or spectacular happens and you don't see anything happen either. The movie is about a boy and a girl who fall in love- like hardcore love- within a few hours. After like a 1 day relationship they are inseparable and fucking each other every night. The girl is obviously a freak because she talks nonsense and makes up a bunch of stories (which we never find out if they are true or not) like her past jobs, her family life, etc. After a week of their relationship they are madly in love and the girl tells him that he needs to kill someone to prove his love to her. He's caught off guard and laughs it off like it's a joke. Later, he picks up the paper and sees someone was murdered, so he tells the girl he's the one that killed the dead guy (even though he really didn't). She believes him and is oddly fascinated with the murder and wants to know every detail. After she sees he "killed" for her, she decides to do the same and actually goes through with it. Then she tells him she murdered someone else a while back and still has the body, so she's got issues. The movie ends once the boy finds out about the murders, and he realizes their both in deep shit.
The movie doesn't have many settings, which was boring for me. The movie mainly took place in the girl's apartment and the boy's house. I really needed a change of scenery because it was getting so boring seeing them in the same places. I guess that's kind of irrelevant, but it made me dislike the film even more so than I already did.
The characters really annoyed me. The girl obviously is a schizo or has some kind of mental disorder, and the boy probably does also. He falls so hard for the girl and fucks her before he even really knows her name, then he sleeps with a stone statue and....it's weird. He seems to have a solid head on his shoulders at the beginning, but after he meets the girl he does a complete 180.
Anyway, I really didn't like this film mainly because there was no action and there were a lot of questions that probably should have been answered, but weren't. You realize the girl is a psycho, but you never know any of her history it's all a mystery. Everyone the boy asks about her gives sketchy/hazy information, so we're never sure just what her story is. Then at the end, the boy sees the person that the girl killed weeks prior, and tries to get the girl out of the house. The girl however, doesn't want to leave and they go lie down on the bed in the basement where they hear the cops knocking on the door. The movie ends as the boy tells the girl "I'll never leave you". Pretty sappy/boring/disappointing ending ever. I wanted to know what happened afterwards, but the movie ended quite abruptly. I respect what the director was trying to do here, but I kind of hated this film. 90% is way overrated, maybe I just can't appreciate the psychological thriller he was attempting to create, but there was nothing thrilling about it.