Average Rating: 6.2/10
Reviews Counted: 26
Fresh: 14 | Rotten: 12
This adaptation of The Cherry Orchard is too tedious to hold interest.
Average Rating: 6.1/10
Critic Reviews: 8
Fresh: 3 | Rotten: 5
This adaptation of The Cherry Orchard is too tedious to hold interest.
liked it
Average Rating: 2.9/5
User Ratings: 635
Renowned Greek filmmaker Michael Cacoyannis wrote and directed this adaptation of the classic final drama by playwright Anton Chekhov, set in 1900. Lyubov Ranevskaya (Charlotte Rampling) left Russia to escape troubling memories of the death of her son. Now her family is riddled with debt and Lyubov and her teenaged daughter Anya (Tushka Bergen) have come home to the family estate, looking for a way to pay their bills. Much to their dismay, the Ranevskayas are forced to sell their land to
PG, 2 hr. 21 min.
Mar 18, 2000 Wide
Feb 25, 2003
Kino International
All Critics (29) | Top Critics (8) | Fresh (15) | Rotten (12) | DVD (2)
Ms. Rampling, still beautiful well into her 50s, has an earth-bound weariness and lively spirit that convey a life fully and tragically lived.
Cacoyannis is perhaps too effective in creating an atmosphere of dust-caked stagnation and labored gentility.
Drags along in a dazed and enervated, drenched-in-the- past numbness.
Looking aristocratic, luminous yet careworn in Jane Hamilton's exemplary costumes, Rampling gives a performance that could not be improved upon.
Any Chekhov is better than no Chekhov, but it would be a shame if this was your introduction to one of the greatest plays of the last 100 years.
Essential viewing for lovers of Chekhov.
The film spars with a light touch and heavy heart among character, social friction and class contradictions.
In capturing the understated comedic agony of an ever-ruminating, genteel yet decadent aristocracy that can no longer pay its bills, the film could just as well be addressing the turn of the 20th century into the 21st.
One of the film's most effective aspects is its Tchaikovsky soundtrack of neurasthenic regret.
Chekhov has never looked or sounded better.
While Cacoyannis' film may not be totally faithful to the master's pen, for literature students and theater lovers, this Cherry Orchard is a rare treat.
The new film of Anton Chekhov's The Cherry Orchard puts the 'ick' in 'classic.'
A sometimes tedious film.
Cacoyannis' vision is far less mature, interpreting the play as a call for pity and sympathy for anachronistic phantasms haunting the imagined glory of their own pasts.
Scrupulously acted (in English), visually perfected and skillfully complemented with Tchaikovsky piano music.
It's not a bit stagy, yet it manages to be dazzling theater.
Gerry plays such a silly part and I don't think I enjoyed this movie as much as I thought I would. Would I see it again? Not too sure.
June 19, 2008
Take my favorite author (Chekhov) and my favorite play (Cherry Orchard) and one of my favorite actresses (Rampling) and ruin the whole thing by missing Chekhov's humor. Such a shame.
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