The Curse of the Mummy's Tomb (1964)
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as Adam Beauchamp
as Alexander King
as John Bray
as Annette DuBois
as Hashmi Bey
as Inspector MacKenzie
as Prof. DuBois
as The Mummy
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Critic Reviews for The Curse of the Mummy's Tomb
With so much misfiring in The Curse of the Mummy's Tomb, the absence of even a satisfyingly creepy mummy is an absolute film-killing flaw.
Audience Reviews for The Curse of the Mummy's Tomb
While definitely not as much a first-rate production as Hammer's first Mummy, Curse of the Mummy's Tomb has some great camerawork, nice supporting performances, and an intriguing mummy plot. Archaeologists financed by an American P. T. Barnum type find a lost tomb and open it despite the curse that says whosoever is present at its opening should die. Hammer production values prevail with lush costumes and sets. George Pastell(from the original) is back as yet another Egyptian naysayer out to prove that the British had no right to take and break the sacred nature of treasure and memory of forgotten kings. Michael Ripper, Jack Gwillim, and Fred Clark excel in their supporting roles, clearly out-performing the rather tiresome and boring leads of Terence Morgan, Ronald Howard, and Jeanne Roland. Clark gives an impressive performance(as well as very affable one) as the American out to turn his mummy find into carnival magic, taking the show to the "American Heartland" for a dime a peep. The story is not the fastest paced story around, but once the mummy's casket gets opened people die. Definitely worth a look for the mummy fan. 5 Stars 7-6-13
More slow-walking eerie but dull Mummy moments, in technicolor. The characters are decent, The Mummy is still rather cool, and there are some fun jumps and creepy moments. Otherwise, there isn''t much here to remember.
Members of an expedition that uncovered the mummy of Ra-Antef find themselves under a curse that results in their deaths. This follow-up to Hammer Films' "The Mummy" starring Peer Cushing and Christopher Lee is mostly a disappointment. With a title like The Curse of the Mummy's Tomb, you would reasonably expect the promise of a mummy on the loose killing people. Ultimately, that's what occurs, but it takes too long for the main plot to get going. The mummy does not appear until well into the movie, and other than a gruesome opening murder, the first half of the movie is one of inaction and mostly annoying dialogue.
However, when the mummy appears, he doesso with vengeance. Director Michael Carreras' handling of the film's horror sequences were excellent. The mummy here comes off as something more than a walking prop, as was portrayed in the Universal films of the 1930s. It comes off as much more ominous, menacing. Its several scenes of violent murders of several expedition members, especially one scene where a skull is crushed under the weight of the mummy's foot, are notably gruesome for the time, if graphically tame by current standards.
The cast is a little uneven. While Terence Morgan and Ronald Howard could not equal the screen presence of Peter Cushing and Christopher Lee, they're perfectly adequate. Jeanne Roland, whose sole talent apparently was as horror film eye candy was cast as the requisite damsel in distress. Fred Clark lends the film a bit of comedic relief as an amoral overbearing American businessman looking to profit from the mummy's discovery.
On the plus side, the film looked and sounded great, with its widescreen, full-color cinematography highlighting the Egyptian tombs and artifacts. The musical score by Carlo Martinelli was dramatic. The reuse of Franz Reizenstein's score for the 1959 Mummy didn't hurt the film.
This followup to "The "Mummy" is a disappointment that could have used a rewrite of the first half of the movie.
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