Average Rating: 6.2/10
Reviews Counted: 105
Fresh: 62 | Rotten: 43
More visually elaborate than the fragmented story can sometimes support, The Fall walks the line between labor of love and filmmaker self-indulgence.
Average Rating: 5.6/10
Critic Reviews: 24
Fresh: 10 | Rotten: 14
More visually elaborate than the fragmented story can sometimes support, The Fall walks the line between labor of love and filmmaker self-indulgence.
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Average Rating: 3.8/5
User Ratings: 99,343
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Visually minded filmmaker Tarsem Singh returns to the director's chair for the first time since The Cell (2000) with this psychologically complex tale of a hospitalized paraplegic with a curious knack for storytelling. Unable to free himself from his sterile confines, the immobile patient's deepest fears form the basis of a dark story that he shares with his young companion -- a little girl who visits his room as she recovers from a nasty fall. As the eerie tale unfolds, reality and fantasy
R, 1 hr. 57 min.
Drama, Action & Adventure, Art House & International, Science Fiction & Fantasy
Sep 9, 2006 Wide
Sep 9, 2008
$2.1M
Roadside Attractions
All Critics (107) | Top Critics (24) | Fresh (64) | Rotten (45) | DVD (7)
...a movie that not only expected me to pay attention, it assumed that I could.
The girl and the hospital patients and staff also turn up in his improvised adventure, extravagantly garbed by costume designer Eiko Ishioka.
An achingly beautiful movie and a triumph of location scouting, with more cosmopolitan spectacle than the past three Indiana Jones and James Bond movies combined.
Sometimes, looking good isn't enough.
That's the trouble with candy, the eye kind or the tooth-decaying variety. It's only after you've made a glutton of yourself that you realize you haven't devoured anything particularly filling.
The Fall is a technically dazzling film that instantly gratifies the eye, but falls short of appeasing the head or the heart with its visual excesses.
So what if the front story is a little contrived?
Often praised -- and rightly so -- for its incredible visuals and nonstop stylishness. I have no problem with that, except that I'm equally taken by its thematic implications.
A long, long trip through the museum
I wonder if it's unforgivable heresy to say The Cell is badly underestimated and due for revisionism while The Fall, despite its relative obscurity, is badly overestimated.
Something like a Sir David Lean epic crossed with trippy offshoots of tall tales of Zorro, Ali Baba and Pecos Bill rolled into one, The Fall is a sun-kissed companion to Guillermo del Toro's Pan's Labyrinth. A brilliant follow-up from Tarsem Singh.
Tarsem has found a home for his endlessly unique visions, and (wouldn't you know?) it's beyond artifice and stealing toward art.
The story Roy tells is involving enough and so beautifully shot (see how many locations you can name) that it's worth seeing for that alone.
One of the most beautiful things ever put on the big screen. On the other hand, the story is far too thin for adults, and far too dark for kids.
The film may look a treat in a static kind of way but the whole is a piece of turgid pictorialism that ends up unbearably dull.
The Fall is probably one of the most visually impressive films of all time. To say it is beautiful is an understatement. The balance or contrast of reality and fantasy is very well executed, it truly is a feast for the senses. It may be let down ever so slightly by the script, which for all its boasts of being filmed
May 2, 2012Super Reviewer
Colorful and strange. The channeled improvisation between child actress Catinca Untaru and Lee Pace is fantastic, adding a dimension of believability and realism to some rather questionable exchanges of dialogue.
January 8, 2009
Super Reviewer
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