The King (2006)



Critic Consensus: This disturbing film about the past coming back demanding its due evokes classical tragedy, but is ultimately too heavy-handed.

Movie Info

A young man exacts a thorough revenge against the father who abandoned him in this independent drama. Elvis (Gael García Bernal) is a young man in his early twenties who, after finishing a hitch in the Navy, learns that his biological father was Pastor David Sandow (William Hurt), a man of the cloth who has never taken responsibility for siring a child out of wedlock. Elvis travels to Corpus Christi, TX, to confront Sandow about his past; the pastor asks Elvis to let him break the news to his … More

Rating: R (for strong sexuality involving a teen, some violence and language)
Genre: Drama
Directed By:
Written By: James Marsh, Milo Addica
In Theaters:
On DVD: Oct 10, 2006
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as Elvis Valderez

as Pastor David Sandow

as Malerie Sandow

as Paul Sandow

as Twyla Sandow

as Deck Officer
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Critic Reviews for The King

All Critics (85) | Top Critics (32)

A showcase for big ideas that winds up feeling empty.

Full Review… | July 7, 2006
Denver Post
Top Critic

The King suffers from an overbearing sense of its own self-importance.

Full Review… | June 24, 2006
Time Out
Top Critic

It really is reprehensible and disgusting, not only because we've seen far too many sociopaths in movies over the past 20 years, but because it deals with horrid clichés and presents them as something indie-hip and morally provocative.

Full Review… | June 23, 2006
Seattle Times
Top Critic

Chilling and compelling.

June 23, 2006
Philadelphia Inquirer
Top Critic

The degree to which this film is unsettling is testimony to the strength of the acting and direction.

Full Review… | June 13, 2008
Eye for Film

Red States' worst nightmare rules on screen.

Full Review… | May 3, 2007
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Audience Reviews for The King


Somehow against all odds The King is dark yet somehow fulfilling. Bernal is terrific in a role where he hides who he really is. His actions seem to come off with no malicious intent despite the obvious destruction they could cause. It makes for an extremely creepy and twisted protagonist. This isn't someone who lurks in the shadows or gives you the evil eye from a distance, no twiddling of mustaches either. The revenge aspect is handled brilliantly to the point where it doesn't feel like a revenge film. It starts off with very gritty hand held camera work but as the film progresses to a more suburban local the camera settles and bright greens make it look like a pleasant world. This is also the time that religious aspects enter the film. Hurt has created an eden and left his past sins behind him but Bernal is a snake. The final integration of the King into the family environment is heartbreaking on all accounts as the metaphorical wrecking ball is just off in the distance. It's excellent stuff and crafted with care and passion without ever being heavy handed or inaccessible.

Luke Baldock

Super Reviewer


Interesting, but the dialogue seems somewhat clunky in places to me. Perhaps that's due to the upbringing of the characters, but I'm not sure. The cinematography and music are beautiful, but I don't think I like the film. It's a good film, I just don't engage with it very well. Still, what a way to conduct revenge.

Kylie B

Super Reviewer


[font=Century Gothic]In "The King", Elvis(Gael Garcia Bernal) has just been released from the navy and is heading home. Home in this case is Corpus Christi, Texas where his illegitimate father, David Sandow(William Hurt), is now a very successful preacher, married with a family of his own. His son, Paul(Paul Dano), is about to graduate high school and has been accepted at Baylor University, but not before trying to persuade his high school to teach intelligent design. His daughter, Malerie(Pell James), is a couple of years younger than Paul. David refuses to have anything to do with Elvis and does not tell his family about him. This does not stop Elvis from actively pursuing Malerie...[/font]

[font=Century Gothic]"The King" is a good movie which is reminiscient of the morally ambiguous movies that Francois Ozon and Michael Haneke have made. It is unclear what Elvis' motives are or what he hopes to gain but it is clear that he does throw a wrench into David's carefully cultivated life. David is not a hypocrite but somebody who truly believes in God.(He distances himself from Elvis because he views him just as the result of a past indiscretion. Whether or not there is anything racist in his attitude is another question.) He does follow a stereotypical conservative behavior pattern in driving an SVU and hunting with his son while his daughter cooks and cleans. But in this film, Texas is pictured as being much more secular than its stereotype. [/font]

Walter M.

Super Reviewer

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