... tedious and ill-made claptrap it makes staring at your hands seem like four-star entertainment by comparison.
The Celestine Prophecy (2006)
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Reviews Counted:23
Fresh:1
Rotten:22
Average Rating:2.4/10
Consensus: Adapted from the bestselling self-help tome, The Celestine Prophesy is indifferently directed and acted, and its plotting is virtually tension-free.
Theatrical Release:Apr 21, 2006 Limited
Box Office: $1,036,886
Synopsis: John Woodson has reached a crossroads in his life. After losing his job teaching history at a local high school, he finds himself facing an uncertain future. Disillusioned and temporarily... John Woodson has reached a crossroads in his life. After losing his job teaching history at a local high school, he finds himself facing an uncertain future. Disillusioned and temporarily rudderless, he is about to experience a dramatic and profound metamorphosis. John's phone rings with a call from an old girlfriend (Charlene), a journalist who just happens to be in town on a brief layover after covering a story in Peru. Over dinner, she explains to John that she couldn't stop thinking of him when she visited a beautiful retreat called Viciente where a dedicated group of people is studying a set of ancient scrolls. There, she met a priest named Father Jose, who explained that this manuscript is s a prophecy, written sometime before the birth of Christ. The scrolls consisting of 9 insights predict a time when violence and unrest in the world would lead to a new awakening, arising within all religious traditions, that moves humanity toward a deeper experience of spirituality, and redefines human life and culture in the 21st century. That time is now. She goes on to tell him that for some reason she feels he should go to Peru, and see for himself. At first somewhat cynical, he's amused when his mail includes a travel brochure on Peru. Curious, he calls the travel agency and finds an available seat on a flight the following day. Impulsively, he books it. On the plane, he meets a fellow passenger, a professor who not only knows the priest his friend had mentioned, but also was involved with the authentication of the scrolls. Apparently written in 5 or 6 B.C., the scrolls were found in a wooden box that the professor confirmed as having been created in the 1600s. It's led him to believe that someone in the early Franciscan Church, inspired by Pope Celestine the Fifth, had buried them. Eight scrolls were discovered. The ninth was yet to be found. After leaving the professor and checking into his hotel, John stretches his legs after the long flight from Atlanta and strolls around the darkened streets of Lima. By chance, he meets Father Jose. Their brief conversation is interrupted by the sudden arrival of armed men. Jose commands John to leave as he deals with Robert Jensen, a high level operative who confronts the priest about the whereabouts of the missing ninth scroll. As Jose is held at gunpoint, John races for help. Joined by the professor he met on the plane, John returns to the scene and finds nothing except a little beggar girl who reaches out to him. At that moment, armed agents of some kind kidnap the professor, and John is left to fend for himself. As police sirens wail, a stranger suddenly pulls John to safety. The man, Wilson James, explains that he is a guide who was with Father Jose when he discovered the scrolls. The danger they are facing is real. Rather than take John to the American Embassy or back to his hotel, Wil insists that he accompany him, coincidentally or perhaps not, to Viciente. On the road, Wil tells John more about the scrolls and the insights they contain. John is dumbfounded at the series of coincidences that have led him here. Wil explains that John is beginning to experience the manifestation of the first spiritual insight the prophecy says we're going to discover, the realization of how events shape our lives and seem to be moving us somewhere for a reason. John grapples with the information confronting him. His dreams are filled with visions of a little girl and ancient ruins that are strangely familiar. Moving on, Wil and John arrive at the crest of an exquisite panorama, hauntingly similar to what he saw in his dreams. They have arrived at the Celestine Ruins, the very place where the first eight scrolls were found. On the edge of a hillside is a mission built by Cardinal Sebastian, (the highest-ranking church official in a country where church and state struggle for power and rebels roam the mountains a short distance away. They travel along rutted roads to arrive at the mystical oasis known as Viciente. Welcomed by Miguel, Wil introduces John to Julia, a dear friend who excitedly tells them that they have just learned that the missing ninth insight may not be on a scroll after all. It is said that it will just appear. John may be joining them at a most auspicious time. As John explores the extraordinary beauty of his surroundings, it is apparent to Julia that if he is here to help, he has to learn the rest of the insights quickly. She is the next to suggest that he acknowledge the synchronicity that brought him here, and begin to open up to a higher level of perception. He notices a beautiful woman named Marjorie (Sarah Wayne Callies), whom he had spotted at the airport in Lima. Rather than receive him with the grace he met in Julia, Marjorie recoils from his controlling energy. Unaware of what he's doing, but willing to yield, he allows Julia to show him how to see the energy operating around him, and explains that to open up fully, he must stop his controlling of others. Only then can he complete his destiny here. Suddenly, the sanctity of Viciente is invaded. Forced to flee and take the scrolls for safekeeping, the women are separated from John and Wil. Out on the road, they meet again only to be caught in crossfire between the military and angry rebels, each side as volatile and threatening as the other. The adventure heightens as he is then separated from Will, pursued by the military, and at the moment of his greatest despair, finally opens up to the new perception of beauty the prophecy is describing. Now he must follow his destiny, and find the remaining ninth scroll. In a riveting ending, he in finally reunited with the young girl who guides them all back to the Celestine ruins, where in a transformation of color and light, the future of humankind is revealed. --© Celestine Films [More]
Starring: Matthew Settle, Thomas Kretschmann, Sarah Wayne Callies, Annabeth Gish
Starring: Matthew Settle, Thomas Kretschmann, Sarah Wayne Callies, Annabeth Gish, Hector Elizondo, Joaquim de Almeida, Robyn Cohen, Obba Babatunde, Jürgen Prochnow, John Aylward
Director: Armand Mastroianni
Director: Armand Mastroianni
Screenwriter: James Redfield, Barnet Bain
Composer: Nuno Malo
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Reviews for The Celestine Prophecy
Armand Mastroianni brings James Redfield's huge bestseller to the screen with all the care it deserves ... which is none.
Just about the best thing that can be said for this spiritual potboiler is that it is not much worse than The Da Vinci Code.
The movie is self-conscious and lacks dramatic tension, and the dialogue sounds like people reading passages from James Redfield's novel ...
Based on the best-selling self-help book, the movie shares the book's chief flaw, which is that it's so awkwardly put together that it's hard to concentrate on the interesting ideas it may contain.
Believer and skeptic alike can agree on one thing: It is a transcendentally awful movie.
Anyone unfamiliar with the book's basic ideas will probably choke on their popcorn, agog at so much windy spiritual mumbo-jumbo floating in a woozy stew of action-adventure absurdity.
One would think that since the book sold 14 million copies, Hollywood would have bought the film rights waay back then , but they didn't I can now see why.
The Celestine Prophecy Movie never transcends either the look or the feel of a cult recruitment film crossed with a Christian-network infomercial.
This is just dogma delivered in the blunt tones of an old classroom hygiene film.
Spiritual epiphany is tough to convey onscreen, and near impossible in the hands of wooden actors.
[The film is] arguably as effective as Ambien at inducing sleep, but possible side effects include uncontrollable laughter.
A delectable fusion of New Age babble and luridly bad filmmaking based on the best-selling 1993 book by James Redfield.
The movie is flatly acted and extremely ill-paced, lacking any sense of urgency, momentum or fun.
The film is clumsy -- not merely unconventional but awkward in its narrative development and dialogue.
If "The Da Vinci Code" were based on New Age theories similar to those in "What the Bleep Do We Know?" -- and if it were terrible -- the result would be "The Celestine Prophecy Movie."
The film does have some decent production values, but the story fails to generate much tension, perhaps because the external forces that oppose the protagonist are drawn without subtlety.
... indifferent direction douses whatever conviction gave the novel its ardent following.
| Tomatometer Percentage | Movie |
|---|---|
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| Tomatometer Percentage | Movie |
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