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Movies / On DVD / The Celestine Prophecy
The Celestine Prophecy

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The Celestine Prophecy (2006)

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Reviews Counted:23

Fresh:1

Rotten:22

Average Rating:2.4/10

Consensus: Adapted from the bestselling self-help tome, The Celestine Prophesy is indifferently directed and acted, and its plotting is virtually tension-free.

Rated: Not Rated

Runtime: 1 hr 39 mins

Genre: Dramas

Theatrical Release:Apr 21, 2006 Limited

Box Office: $1,036,886

Synopsis: John Woodson has reached a crossroads in his life. After losing his job teaching history at a local high school, he finds himself facing an uncertain future. Disillusioned and temporarily... John Woodson has reached a crossroads in his life. After losing his job teaching history at a local high school, he finds himself facing an uncertain future. Disillusioned and temporarily rudderless, he is about to experience a dramatic and profound metamorphosis. John's phone rings with a call from an old girlfriend (Charlene), a journalist who just happens to be in town on a brief layover after covering a story in Peru. Over dinner, she explains to John that she couldn't stop thinking of him when she visited a beautiful retreat called Viciente where a dedicated group of people is studying a set of ancient scrolls. There, she met a priest named Father Jose, who explained that this manuscript is s a prophecy, written sometime before the birth of Christ. The scrolls consisting of 9 insights predict a time when violence and unrest in the world would lead to a new awakening, arising within all religious traditions, that moves humanity toward a deeper experience of spirituality, and redefines human life and culture in the 21st century. That time is now. She goes on to tell him that for some reason she feels he should go to Peru, and see for himself. At first somewhat cynical, he's amused when his mail includes a travel brochure on Peru. Curious, he calls the travel agency and finds an available seat on a flight the following day. Impulsively, he books it. On the plane, he meets a fellow passenger, a professor who not only knows the priest his friend had mentioned, but also was involved with the authentication of the scrolls. Apparently written in 5 or 6 B.C., the scrolls were found in a wooden box that the professor confirmed as having been created in the 1600s. It's led him to believe that someone in the early Franciscan Church, inspired by Pope Celestine the Fifth, had buried them. Eight scrolls were discovered. The ninth was yet to be found. After leaving the professor and checking into his hotel, John stretches his legs after the long flight from Atlanta and strolls around the darkened streets of Lima. By chance, he meets Father Jose. Their brief conversation is interrupted by the sudden arrival of armed men. Jose commands John to leave as he deals with Robert Jensen, a high level operative who confronts the priest about the whereabouts of the missing ninth scroll. As Jose is held at gunpoint, John races for help. Joined by the professor he met on the plane, John returns to the scene and finds nothing except a little beggar girl who reaches out to him. At that moment, armed agents of some kind kidnap the professor, and John is left to fend for himself. As police sirens wail, a stranger suddenly pulls John to safety. The man, Wilson James, explains that he is a guide who was with Father Jose when he discovered the scrolls. The danger they are facing is real. Rather than take John to the American Embassy or back to his hotel, Wil insists that he accompany him, coincidentally or perhaps not, to Viciente. On the road, Wil tells John more about the scrolls and the insights they contain. John is dumbfounded at the series of coincidences that have led him here. Wil explains that John is beginning to experience the manifestation of the first spiritual insight the prophecy says we're going to discover, the realization of how events shape our lives and seem to be moving us somewhere for a reason. John grapples with the information confronting him. His dreams are filled with visions of a little girl and ancient ruins that are strangely familiar. Moving on, Wil and John arrive at the crest of an exquisite panorama, hauntingly similar to what he saw in his dreams. They have arrived at the Celestine Ruins, the very place where the first eight scrolls were found. On the edge of a hillside is a mission built by Cardinal Sebastian, (the highest-ranking church official in a country where church and state struggle for power and rebels roam the mountains a short distance away. They travel along rutted roads to arrive at the mystical oasis known as Viciente. Welcomed by Miguel, Wil introduces John to Julia, a dear friend who excitedly tells them that they have just learned that the missing ninth insight may not be on a scroll after all. It is said that it will just appear. John may be joining them at a most auspicious time. As John explores the extraordinary beauty of his surroundings, it is apparent to Julia that if he is here to help, he has to learn the rest of the insights quickly. She is the next to suggest that he acknowledge the synchronicity that brought him here, and begin to open up to a higher level of perception. He notices a beautiful woman named Marjorie (Sarah Wayne Callies), whom he had spotted at the airport in Lima. Rather than receive him with the grace he met in Julia, Marjorie recoils from his controlling energy. Unaware of what he's doing, but willing to yield, he allows Julia to show him how to see the energy operating around him, and explains that to open up fully, he must stop his controlling of others. Only then can he complete his destiny here. Suddenly, the sanctity of Viciente is invaded. Forced to flee and take the scrolls for safekeeping, the women are separated from John and Wil. Out on the road, they meet again only to be caught in crossfire between the military and angry rebels, each side as volatile and threatening as the other. The adventure heightens as he is then separated from Will, pursued by the military, and at the moment of his greatest despair, finally opens up to the new perception of beauty the prophecy is describing. Now he must follow his destiny, and find the remaining ninth scroll. In a riveting ending, he in finally reunited with the young girl who guides them all back to the Celestine ruins, where in a transformation of color and light, the future of humankind is revealed. --© Celestine Films [More]

Starring: Matthew Settle, Thomas Kretschmann, Sarah Wayne Callies, Annabeth Gish

Starring: Matthew Settle, Thomas Kretschmann, Sarah Wayne Callies, Annabeth Gish, Hector Elizondo, Joaquim de Almeida, Robyn Cohen, Obba Babatunde, Jürgen Prochnow, John Aylward

Director: Armand Mastroianni

Director: Armand Mastroianni
Screenwriter: James Redfield, Barnet Bain
Composer: Nuno Malo

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Release:

Dec 19, 2006

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Reviews for The Celestine Prophecy

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1 - 20 (sorted by source)
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The movie is self-conscious and lacks dramatic tension, and the dialogue sounds like people reading passages from James Redfield's novel ...

Full Review Source: Arizona Republic | comment Comment
04/28/06
Bill Muller
Bill Muller
Arizona Republic
Top Critic Icon Top Critic

Spiritual epiphany is tough to convey onscreen, and near impossible in the hands of wooden actors.

Full Review Source: Austin Chronicle | comment Comment
05/20/06
Kimberly Jones
Kimberly Jones
Austin Chronicle

How's this for a prophecy: This earnest but hokey adaptation of James Redfield's New Age best-seller won't last more than a few weeks in theaters.

Full Review Source: Boulder Weekly | comment Comment
05/19/06
Thomas Delapa
Thomas Delapa
Boulder Weekly

If "The Da Vinci Code" were based on New Age theories similar to those in "What the Bleep Do We Know?" -- and if it were terrible -- the result would be "The Celestine Prophecy Movie."

Full Review Source: Capital Times (Madison, WI) | comment Comment
06/30/06
Rob Thomas
Rob Thomas
Capital Times (Madison, WI)

Celestine functions both as a thriller and a spiritual film.

Full Review Source: Contra Costa Times | comment Comment
04/21/06
Randy Myers
Randy Myers
Contra Costa Times

The film does have some decent production values, but the story fails to generate much tension, perhaps because the external forces that oppose the protagonist are drawn without subtlety.

Full Review Source: Denver Rocky Mountain News | comment Comment
04/21/06
Robert Denerstein
Robert Denerstein
Denver Rocky Mountain News
Top Critic Icon Top Critic

A thrill-less thriller.

Full Review Source: Deseret News, Salt Lake City | comment Comment
05/26/06
Jeff Vice
Jeff Vice
Deseret News, Salt Lake City

Just about the best thing that can be said for this spiritual potboiler is that it is not much worse than The Da Vinci Code.

Full Review Source: Eye for Film | comment Comment
07/03/07
Anton Bitel
Anton Bitel
Eye for Film

This is just dogma delivered in the blunt tones of an old classroom hygiene film.

Full Review Source: Film Journal International | comment Comment
03/01/07
Frank Lovece
Frank Lovece
Film Journal International

One would think that since the book sold 14 million copies, Hollywood would have bought the film rights waay back then , but they didn't I can now see why.

Full Review Source: Greenwich Village Gazette | comment Comment
08/11/06
Eric Lurio
Eric Lurio
Greenwich Village Gazette

... tedious and ill-made claptrap it makes staring at your hands seem like four-star entertainment by comparison.

Full Review Source: Houston Chronicle | comment Comment
08/12/06
Amy Biancolli
Amy Biancolli
Houston Chronicle

The Celestine Prophecy Movie never transcends either the look or the feel of a cult recruitment film crossed with a Christian-network infomercial.

Full Review Source: L.A. Weekly | comment Comment
07/20/06
Ernest Hardy
Ernest Hardy
L.A. Weekly

Armand Mastroianni brings James Redfield's huge bestseller to the screen with all the care it deserves ... which is none.

Full Review Source: Los Angeles CityBeat | comment Comment
07/20/06
Andy Klein
Andy Klein
Los Angeles CityBeat

The movie is flatly acted and extremely ill-paced, lacking any sense of urgency, momentum or fun.

Full Review Source: Los Angeles Times | comment Comment
07/21/06
Mark Olsen
Mark Olsen
Los Angeles Times

Believer and skeptic alike can agree on one thing: It is a transcendentally awful movie.

Full Review Source: Minneapolis Star Tribune | comment Comment
05/25/06
Colin Covert
Colin Covert
Minneapolis Star Tribune

[The film is] arguably as effective as Ambien at inducing sleep, but possible side effects include uncontrollable laughter.

Full Review Source: New York Post | comment Comment
08/12/06
Lou Lumenick
Lou Lumenick
New York Post
Top Critic Icon Top Critic

A delectable fusion of New Age babble and luridly bad filmmaking based on the best-selling 1993 book by James Redfield.

comment Comment
08/10/06
Manohla Dargis
Manohla Dargis
New York Times

So clumsily made on every level -- acting, dialogue, decor, lighting, editing, scoring -- that it would never have found its way into theaters if there weren't the name of a best-seller to slap on it.

Full Review Source: Oregonian | comment Comment
06/02/06
Shawn Levy
Shawn Levy
Oregonian

James Redfield’s best seller hits the big screen with a dull thud.

Full Review Source: Sacramento News & Review | comment Comment
08/07/08
Jonathan Kiefer
Jonathan Kiefer
Sacramento News & Review

The film is clumsy -- not merely unconventional but awkward in its narrative development and dialogue.

Full Review Source: San Francisco Chronicle | comment Comment
04/21/06
Mick LaSalle
Mick LaSalle
San Francisco Chronicle
Top Critic Icon Top Critic
 
 
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