The Comedian (2012)
Average Rating: 5.4/10
Reviews Counted: 15
Fresh: 8 | Rotten: 7
No consensus yet.
Average Rating: N/A
Critic Reviews: 1
Fresh: 0 | Rotten: 1
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User Ratings: 8
Ed is a stand up comedian in his early thirties, he is handsome, charming, witty and lost. Trying to make it on the London comedy circuit, he spends his nights performing in small rooms above pubs and his days making ends meet at a call centre. He lives with Elisa, a beautiful French singer, the two like brother and sister, inseparable, loving and asexual. Ed funny and playful, Elisa soulful and sensitive. One day, on a night bus home, Ed meets Nathan, a young black artist, blunt, honest and
For all its honesty, the film feels frustratingly incomplete, a great character in search of a story.
There's not enough of a story to sustain The Comedian through its frequent lulls, but its lush cinematic style suggests Shkolnik is one to watch.
The film has the whiff of reality, but lacks the imaginative shaping that gives form, meaning and a sort of transcendence to the work of John Cassavetes and Mike Leigh.
There's some interesting material in this dark British drama, but it's so relentlessly grim that we are never able to connect with anyone on-screen. It doesn't help that all of the characters are pretty unlikeable.
The world is reaching out to gay romance right now. But it takes a lot of reaching to like Tom Shkolnik's The Comedian, or even to understand what it is saying.
Shkolnik knows what it is to be shrugging along in the city with not enough money in your pocket, and no idea what to do with yourself.
Just when you think you've got the measure of it, it'll drift off down another mumbly alley of blind uncertainty about what its protagonist thinks he's doing in life.
The meandering life of a London stand-up comic makes for a meandering movie experience.
This improvised drama comedy is charming, poignant and watchable thanks to some exceptionally talented actors, but certain scenes feel a little bloated and contrived.
Moments of inertia aside, Shkolnik's scriptless film makes a bold attempt to capture the staccato rhythms of life.
[L]ends a fresh depth of honesty and intimacy - sometimes sexual, always emotional - to a story that feels familiar on the surface but has rarely been plumbed with such insight or candor.
It is an understated message for a diffident, aimless generation - and an impressive first film from a director happy to daze rather than amaze.
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