The Ford brothers' zombie apocalypse is the better for being told so straight - although its adherence to Romero's shuffling conventions does not extend to the film offering any coherent contemporary social commentary.
The Dead is not the great zombie film I was hoping for but it does deliver a more grown-up horror film that eschews gimmicky shakycam and CGI to try and tell a real story, and for that I am appreciative.
The low-budget zombie movie market may have long since reached saturation point, but this one displays some talent, style, intelligence and imagination, proving that in the right hands there's still plenty of life in the genre yet.
The Ford brothers' take on this tradition offers a fair number of shocks and the arm-chomping that is de rigueur mortis for this genre. Yet it has things to say, mostly by implication, before a finish that took me by surprise.