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The Devil Wears Prada (2006)
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Reviews Counted:181
Fresh:136
Rotten:45
Average Rating:6.7/10
Consensus: A rare film that surpasses the quality of its source novel, this Devil is a witty expose of New York's fashion scene, with Meryl Streep in top form and Anne Hathaway more than holding her own.
Theatrical Release:Jun 30, 2006 Wide
Box Office: $124,703,638
Synopsis: A drastic improvement on Lauren Weisberger‘s bestselling novel, THE DEVIL WEARS PRADA showcases Meryl Streep's knack for combining humor and sadness. While likely inspired by notorious VOGUE editor... A drastic improvement on Lauren Weisberger‘s bestselling novel, THE DEVIL WEARS PRADA showcases Meryl Streep's knack for combining humor and sadness. While likely inspired by notorious VOGUE editor Anna Wintour, Streep's Miranda Priestly (head of Runway magazine) is entirely her own creation. Sporting silvery hair, a vast collection of fur coats, an encyclopedic knowledge of all things fashionable, and a killer smile, Miranda is full of wicked charm. With her mature beauty and commanding presence, Miranda is as fascinating to watch as she is intimidating to the constant rotation of assistants thrown her way. When bookish Northwestern grad Andy Sachs (Anne Hathaway) interviews to become Miranda's newest lackey, Miranda hires her not for her lackluster wardrobe but for her intellect. Inside the pristine Runway offices, Andy suffers through a never-ending list of impossible tasks, and is the subject of constant harassment by Miranda's jealous first assistant (Emily Blunt). But to the dismay of her boyfriend (Adrian Grenier) and close friends, Andy slowly finds herself seduced by the glamorous world of fashion, and by Miranda herself. While Andy's transformation comes largely in the form of new designer clothing, the makeover is mental as well. What starts out as a firm belief in fashion's vapidity and in Miranda's heartlessness gradually fades into the suspicion that the boss from hell might just be hiding a soul. While the book villainized its title character, the film gives new depths to her wrath. As Andy trades her undergrad wardrobe for one packed with Prada and Chanel (with help from Stanley Tucci in a brilliant role), viewers are able to savor the work of costume designer Patricia Field. Together with director David Frankel (who also worked on SEX AND THE CITY), Field creates a world of fashion so wonderfully extreme it would be hard for anyone to resist. [More]
Starring: Meryl Streep, Anne Hathaway, Stanley Tucci, Simon Baker
Starring: Meryl Streep, Anne Hathaway, Stanley Tucci, Simon Baker, Emily Blunt, Adrian Grenier, Tracie Thoms, Daniel Sunjata
Director: David Frankel
Director: David Frankel
Screenwriter: Aline Brosh McKenna
Producer: Wendy Finerman, Joseph M. Caracciolo
Composer: Theodore Shapiro
Studio: 20th Century Fox
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Reviews for The Devil Wears Prada
The whole thing is humbug, a giant ad for the industry it affects to critique.
The only thing super about this commonplace, boss-from-hell comedy is its couture and fluffiness, but at least it flies at a quicker clip than the Kryptonian überman's insipid return this week. Are capes in this season?
If ... the heroine is going to be as immune to temptation as Andy is ... then the spiritual dimension better be staggering ... because the narrative will have no suspense.
The biggest problem with the movie, however, is that it tries to make a big deal out of a subject that has been beaten to death in the tabloids and the media.
A very formulaic tale about a naive young woman who nearly loses her soul after being caught up in the woman-eats-woman world of fashion, the book must have obviously lost something in the filmic translation.
There are some witty lines and pretty outfits, but when it comes to diabolical satire, The Devil Wears Prada merely strikes a pose.
A flat comedy that pretends to cluck its tongue at gloss and glitz and the surface tension of lives attuned only to appearances, then spends most of its time drooling over them.
The filmmakers have defanged the entire idea, choosing to turn Andrea's trip to hell and back into a series of pre-digested I heart New York sequences aimed at the average Perez Hilton reader.
mediocre at best, namely because it just doesn't live up to the promise of its title. Priestly may be evil, but she's not the devil
The comic appeal of The Devil Wears Prada is the cinematic equivalent of a size 2 -- wafer-thin and ultimately lacking in meat and substance.
That Andy, so beautiful in her new wardrobe, comes to see this power as superficial and sad rather than desirable is plot-pointy and predictable.
The reason the Streep, Tucci, and Blunt characters work so well is that they all have clear character focuses. But Hathaway's movie heroine, Andy Sachs, is as ambivalent as her name.
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|---|---|
| 36% 36% | Angels & Demons |
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