What makes the film more than fairly good fluff is Streep's performance.
The Devil Wears Prada (2006)
Tomatometer
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Reviews Counted:181
Fresh:136
Rotten:45
Average Rating:6.7/10
Consensus: A rare film that surpasses the quality of its source novel, this Devil is a witty expose of New York's fashion scene, with Meryl Streep in top form and Anne Hathaway more than holding her own.
Theatrical Release:Jun 30, 2006 Wide
Box Office: $124,703,638
Synopsis: A drastic improvement on Lauren Weisberger‘s bestselling novel, THE DEVIL WEARS PRADA showcases Meryl Streep's knack for combining humor and sadness. While likely inspired by notorious VOGUE editor... A drastic improvement on Lauren Weisberger‘s bestselling novel, THE DEVIL WEARS PRADA showcases Meryl Streep's knack for combining humor and sadness. While likely inspired by notorious VOGUE editor Anna Wintour, Streep's Miranda Priestly (head of Runway magazine) is entirely her own creation. Sporting silvery hair, a vast collection of fur coats, an encyclopedic knowledge of all things fashionable, and a killer smile, Miranda is full of wicked charm. With her mature beauty and commanding presence, Miranda is as fascinating to watch as she is intimidating to the constant rotation of assistants thrown her way. When bookish Northwestern grad Andy Sachs (Anne Hathaway) interviews to become Miranda's newest lackey, Miranda hires her not for her lackluster wardrobe but for her intellect. Inside the pristine Runway offices, Andy suffers through a never-ending list of impossible tasks, and is the subject of constant harassment by Miranda's jealous first assistant (Emily Blunt). But to the dismay of her boyfriend (Adrian Grenier) and close friends, Andy slowly finds herself seduced by the glamorous world of fashion, and by Miranda herself. While Andy's transformation comes largely in the form of new designer clothing, the makeover is mental as well. What starts out as a firm belief in fashion's vapidity and in Miranda's heartlessness gradually fades into the suspicion that the boss from hell might just be hiding a soul. While the book villainized its title character, the film gives new depths to her wrath. As Andy trades her undergrad wardrobe for one packed with Prada and Chanel (with help from Stanley Tucci in a brilliant role), viewers are able to savor the work of costume designer Patricia Field. Together with director David Frankel (who also worked on SEX AND THE CITY), Field creates a world of fashion so wonderfully extreme it would be hard for anyone to resist. [More]
Starring: Meryl Streep, Anne Hathaway, Stanley Tucci, Simon Baker
Starring: Meryl Streep, Anne Hathaway, Stanley Tucci, Simon Baker, Emily Blunt, Adrian Grenier, Tracie Thoms, Daniel Sunjata
Director: David Frankel
Director: David Frankel
Screenwriter: Aline Brosh McKenna
Producer: Wendy Finerman, Joseph M. Caracciolo
Composer: Theodore Shapiro
Studio: 20th Century Fox
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Reviews for The Devil Wears Prada
...the great Meryl Streep...has an estimable field day playing the wolf in designer clothing.
I was there... It was the mid ‘90’s, and I was but a lowly assistant at fashion conglom Bergdorf Goodman, corner of 5th and Haute Couture.
Streep creates panic with gestures measured in millimeters -- a lifted eyebrow, a pursed lip, just removing her sunglasses or tilting her head with the white meringue of a hairstyle that wouldn't dare get mussed. She is terrifying, mesmerizing, hilarious,
Meryl Streep inspires both terror and a measure of awe as the imperious editor of a glossy fashion magazine in the screen version of Lauren Weisberger's best-selling novel.
"Sex and the City" fashion porn married to The Princess Diaries 'tween ugly-duckling uplift.
It is the fashionista ethic, as embodied in the Priestly character, that keeps 'The Devil Wears Prada' fascinating--like turning over a rock and watching the worms crawling about underneath.
Fun, flirty, spirited, sexy, you can't take your eyes off it. You've gotta have it. And then just as powerfully as it bursts onto the scene and commands your attention, it dies.
In many ways The Devil Wears Prada suffers from some of the same unreality that marred Sex & the City.
Streep makes it work. Streep makes it fun. Best known for her dramatic brilliance, Streep has done strong comedic turns in the past, and this performance is a reminder of that, and then some.
Saying The Devil Wears Prada is superior to the book on which it is based is like saying that devouring chocolate is better than seeing its grimy residue smudged on a napkin.
Zings with unzipped quips about the insular universe of rag mags, where the length of a hemline and color of a season are accorded moral significance.
The film is delightful -- what Sex and the City could have been with intelligence and real wit instead of rote bitchiness.
The laughs were largely missing from the whiny book -- which is to this movie what Wrangler jeans are to John Galliano's fall collection.
The Devil Wears Prada is crisper, less self-righteous and mercifully shorter than its intermittently funny but interminable source.
Consider The Devil Wears Prada an attractive makeover of the original [book].
Killer cast, killer clothes, killer laughs. And best of all, you don't have to know the difference between Donna Karan and Donna Summer to delight in the film's wicked workplace politics.
Wearing an ill-fitting top of insincerity matched with clunky, hypocritical heels, 'The Devil Wears Prada' is in dire need of a makeover.
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