The Dressmaker (2015) - Rotten Tomatoes

The Dressmaker (2015)

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Based on the best-selling novel by Rosalie Ham, this bittersweet, comedy-drama is set in early 1950s Australia. Tilly Dunnage, a beautiful and talented misfit, after many years working as a dressmaker in exclusive Parisian fashion houses, returns home to the tiny middle-of-nowhere town of Dungatar to right the wrongs of the past. Not only does she reconcile with her ailing, eccentric mother Molly and unexpectedly falls in love with the pure-hearted Teddy, but armed with her sewing machine and incredible sense of style, she transforms the women of the town and in so doing gets sweet revenge on those who did her wrong.more
Rating: Unrated
Genre: Drama
Directed By:
Written By: Jocelyn Moorhouse, Rosalie Ham, P.J. Hogan
Runtime:
Apollo Media - Official Site

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Critic Reviews for The Dressmaker

All Critics (52) | Top Critics (2)

Often evoking the dark humour of a Beckett play, with its world a relatively plausible representation of an unforgiving and tragic universe.

Full Review… | May 15, 2016

Director Moorhouse co-wrote with her husband P.J. Hogan, the brains behind the lean, sleek Muriel's Wedding, but this effort seems tone-deaf by comparison.

Full Review… | May 3, 2016
New Zealand Herald

With Myrtle inexplicably running up haute couture outfits for the locals as part of her unclear scheme, the film is as superficial as a catwalk parade.

Full Review… | April 18, 2016
South China Morning Post

The cast is the only winning ensemble "The Dressmaker" needs.

Full Review… | April 15, 2016
Examiner.com

The Dressmaker could've been a strange gem if it didn't fail at pretending to be so many other things. [Full review in Spanish]

Full Review… | March 31, 2016
Blog de cine

All in all, it's good natured, quirky fun of the kind Australian cinema does so well.

Full Review… | March 18, 2016
The National (UAE)

Audience Reviews for The Dressmaker

Unclear about what it wants to be, Dressmaker wavers thematically between wronged-youth-returns-to-better-backward-town redemptive or the ever popular let's-get-the-mongoloids-that-got-us revenge classic (always a popular favorite). It's these jarring shifts in perspective that make the piece hard to accept and one feels a touch manic by the ending. Before that though there are pieces that threaten beauty ... were they left alone.

ApeneckFletcher
Kevin M. Williams

Super Reviewer

I watched what could be considered some very strange films at the Toronto International Film Festival, but I don't think any of them were as weird or out there as Jocelyn Moorhouse's The Dressmaker. This movie, you guys, is completely bonkers. You wouldn't think so given the look of the header photo above and the fact it stars such credible and well-respected actors as Kate Winslet, Hugo Weaving and Judy Davis, but once this thing gets rolling it is both surprising and distracting as to how ridiculous it gets. As I watched the events of the film unfold I couldn't help but to keep writing down again and again how I couldn't believe they were going where they were going and yet, the film kept going...one step further. Now, to be clear, this isn't strange or ridiculous in the sense of bombastic violence or discussing things typically taboo for everyday discussion, but more in the sense of general absurdities. Having not directed a film in nearly twenty years and operating strictly in Australia this would seem to be a fine opportunity to return for Moorhouse and there is plenty of stuff to have fun with here despite the fact I wasn't able to get on board with all of it. With Winslet leading the charge (though she seems slightly miscast) Moorhouse and her ensemble of misfits that make up this small town in Australia endeavor to deliver a perfectly cheeky little screwball comedy that is able to hold a slight amount of substance rather than being completely flippant.

read the whole review at www.reviewsfromabed.com

Philip Price
Philip Price

Super Reviewer

This was exceedingly surprising and turned out to be a great film. A typical mother-daughter revenge story that is both bittersweet and funny, often very funny at times. Definitely better than I thought it would be in terms of Australian films but when it is written by Paul 'Crocodile Dundee' Hogan you know it will be better than most.

Ian Walker
Ian Walker

Super Reviewer

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