The Driver's Seat (1975)

The Driver's Seat

TOMATOMETER

No Tomatometer score yet...

No critic reviews yet...

AUDIENCE SCORE

Critic Consensus: No consensus yet.


Movie Info

A beautiful but mysterious woman goes on a journey that has dangerous consequences for her and those around her in this offbeat, arty drama from Italian filmmaker Giuseppe Patroni Griffi. Lise (Elizabeth Taylor) is a woman edging into middle age who is nearing the end of her emotional rope. Needing some time away from her job and responsibilities, Lise flies to Rome, and on the flight she meets Bill (Ian Bannen), an eccentric health food enthusiast who makes it clear he wishes to seduce her, and … More

Rating: R
Genre: Drama, Mystery & Suspense, Classics
Directed By: , ,
Written By: Raffaele La Capria, Giuseppe Patroni Griffi
In Theaters:
On DVD: May 31, 2005
Runtime:

WATCH IT NOW

Cast


as Bill

as Mrs. Helen Fiedke

as English Lord

News & Interviews for The Driver's Seat

Friend Ratings

No Friends? Inconceivable! Log in to see what your friends have to say.

Login

Critic Reviews for The Driver's Seat

All Critics (3)

Fans of Taylor may like this, but they would have to be a group with amazingly low standards.

Full Review… | March 23, 2011
TV Guide's Movie Guide

A must see for Liz Taylor fans and for those who love bad movies.

Full Review… | February 27, 2006
Ozus' World Movie Reviews

Hilariously ghastly camp that rivals the likes of Valley of the Dolls or Mommie Dearest with its wild, no-holds-barred over-the-top lunacy.

Full Review… | December 30, 2005
Film Threat

Audience Reviews for The Driver's Seat

½

"It takes one day to dye, another to be born..." Elizabeth Taylor reportedly said those words to her director Griffi when she came on the set the day after she left Burton for their first divorce. So with that mindset she went to work on one of her most unusual, daring and controversial films. From the moment "The Diver's Seat" begins you know you are in a strange place. In Europe the movie was called "Idendikit" so, with two names tagged to it thus making it schizophrenic from the first it easily falls into the realm of the ambiguous art film genre of the late 60's and early 70's.
It's star, Elizabeth Taylor, appears here in one of her most remote and dangerous roles. She plays Lise a woman who is consumed by insanity and the desire to find the ultimate lover, the be all and end all of boyfriends you might say.
As the film opens you are presented with a shattered view of a woman on the edge of something terrible. The camera moves past bald mannequins in a disjointed way. Is this Lise's view of others or is it a reflection of her ultimate fate? Upon being told to take a holiday from work after causing a scene in the office the film opens with her preparations to take flight to Rome. The film jump cuts from past to present as the police in Rome try to reconstruct her final fatal holiday in terrorist gripped Rome. Even Rome comes off as off kilter. This is not the Rome of Audrey Hepburn or Marcello Mastroianni but a city one hardly recognizes from the lack of typical filming locations one associates with "Made In Rome!" movies.
Director Giuseppe Patroni Griffi succeeds in presenting a uniquely Italian cinema verite film of the Muriel Spark novel. This is a unique film and very much of it's day. Its non-linear, experimental, almost documentary style will be hard to get into for any one not used to movies of this sort. But it is well worth the effort. So strange and challenging a film it is that it left the opening night audience at the 1974 Cannes Film Festival in stunned silence.
The cast is well chosen and gives some oddly memorable performances. Ian Bannan as the macrobiotic sex-nut who tires to pick up Lise on the plane to Rome seems almost as mad as she is. It is a wickedly off kilter wild-eyed performance. The charming and always wonderful Mona Washbourne is sweetly touching as the woman who befriends the mad Lise and in doing so leads her to meet the man of her dreams.
But the glue that holds it all together is provided by Miss Taylor who tops off her short list of insane characters from Susanna Drake to Catherine Holly with this daring and shocking portrait of Lise. She opens up as an actress that at the time would have been unthinkable to most of her contemporaries from the old M.G.M. days. That's one of the wonderful things about her film career. She came from an era in old Hollywood where she was trained and groomed to be glossy and perfect. But as times changed so did she and in doing so became much more than an MGM glamour girl, she became an actress with guts. In "The Driver's Seat" she shows her chops as an actress and her willingness to accept challenges in her roles and in Lise she found a great one. One stunning image of her is when in her loud madwoman dress and raccoon painted eyes she challenges the airport security to frisk her. In that scene she seems totally there, totally gone, and totally in control as an actress.

MGMboy
Michael Smith

The Driver's Seat Quotes

There are no approved quotes yet for this movie.

Discussion Forum

Discuss The Driver's Seat on our Movie forum!