Evil Dead Reviews
Super Reviewer
Super Reviewer
NOTE: Stay behind after the credits!
Super Reviewer
Super Reviewer
Alvarez nails it visually and creates a stellar atmosphere. Acceptably made horror movies are a rarity these days, and beautiful looking, technically sound ones are even harder to come by. "Evil Dead" is such a film. From it's disorienting opening credits shot, to it's foggy exteriors, and dark brooding interiors, this film looks great. The quality of the production draws us in. Most important in a film like this though is the gore, and on this level (for a wide release), the film is bested by few others. This is pretty much as vicious as mainstream horror gets. Things become pretty messy pretty quick. The blending of ques-inducing prosthetics and integrated digital effects is superb. Gore hounds will be pleased.
The cast is also game, especially the two leads. Shiloh Fernandez is a solid presence and hero; he's not Bruce Campbell, but he holds his own. Jane Levy (of TV "Suburgatory") announces herself as a great new talent. She's the center of the film's advertising campaign for a reason. Levy shifts between playing vulnerable, to distressed, and menacing with ease. She's truly the films strongest asset next too Alvarez's razor sharp direction. The film pits Fernandez and Levy as siblings, which is not only a smart play against the usual horror setup, but brings welcome emotional weight as well.
Unfortunately, "Evil Dead" stumbles a bit on it's own good intentions. It tries to appeal to both modern horror fan and both casual and hardcore aficionados of the Raimi originals. The blending isn't always harmonious.
Alvarez makes it clear that his vision for the film lies within the visceral instead of the camp. He nails this on a technical level but throughout feels the need to evoke the humor of the original trilogy. This feels like a cop out. Everything about the production hints at a serious movie, including it's setup. The humor in the latter half feels forced as if not to upset fans of "Evil Dead 2" in particular. I like the visual nods to that classic, but the tonal shift undermine what Alvarez seemingly set out to do (and what early hype had promised). It needs to be mentioned that "Evil Dead" IS NOT scary in the least (advertising be damned). This is majorly disappointing, but it's style and spectacle are in the right place, and that goes a long way. A shame then that it makes compromises to be something it's not.
Various nods abound, but Alvarez should have evoked Raimi's pacing, since it is pacing that is EVIL DEAD's biggest flaw. In the 1981 franchise starter (and in it's sequel), the film never let up after the "grueling terror" commenced. Here, we go from messy set piece to the next with prolonged tension-breaking gaps in between. It's as if the characters forget just how dire their situation is, and instead opt to sit around a wait to get butchered! It's like riding one of those haunted carnival coasters, only to have it break down every couple of minutes and spoil the momentum. A role reversal in the film's final stretch also felt like a cheat.
For horror pictures specifically, I can forgive a heap of flaws as long as the film delivers ample entertainment value, style, and an attempt at characterization and a quality narrative. In this way "Evil Dead" is one of my favorite films of the genre in sometime.
Despite not being "the most terrifying film you will ever experience" or as good as the films that inspired it, "Evil Dead" shakes up multiplex horror with stellar carnage, phenomenal technical merrits, and characters who are actually well rendered.
Super Reviewer
INITIAL THOUGHTS (4/4/13): Jane Levy was spectacular as both a deadite and a mortal, it was nice seeing her out of her comfort zone. Many references to the originals, like Natalie washing her possessed hand under a faucet, shot exactly how it was in EVIL DEAD II. I also don't have to explain: "I'm sorry, baby". And how awesome was it to use the original film's audio when Mia is initially possessed. The gore is gory, the laughs are plentiful, and the soundtrack is vibrant. They should not have cut out "we're gonna get you". It made the film somewhat less enjoyable and the fact that it was in every trailer made it very irritating. Jane Levy didn't have enough time as a deadite to say all of the one-liners they wrote for her in the script. The film seemed somewhat incomplete, probably because of the cuts they made to ensure an R-rating. Also, nothing surprised me because the red-band trailer revealed every gross thing the film had to offer. This should have been twenty minutes longer and kept the original ending that was in the script.
Super Reviewer
Super Reviewer
Super Reviewer
Nate's Grade: C+
Super Reviewer
As the movie opens, five good-looking twenty-somethings go off to stay in some secluded cabin wayyy up in the woods somewhere. "Why?", you ask? It's not to party, but to help one of their friends recover from a drug addiction. While they sit around, comforting her, the dog uncovers a blood-stained trap door under the rug, that leads down into a pit filled with animal carcasses and an evil book. One of the particularly bright kids opens up the book, bleeds on it, and then recites the ancient resurrection passage that is clearly marked "do not read". Of course you know what happens after that. What you don't know is just how indifferent it all seems. As limbs are hacked off and eyeballs stabbed with needles, the characters seem less involved with what's going on up on the screen than the audience is expected to be. Look, I'm not making a value judgement: if you get off on seeing people sadistically murdered, or even if you're terrified by it, fine, but can't filmmakers just come up with new ideas instead of retreading the same waters over and over and over again? I didn't enjoy this re-make, and if it's not going to be better than the original, why bother with it at all?
Super Reviewer
Super Reviewer
The acting in this one was decent though nothing special. The pacing and effects were just okay. The plot was very straight forward, no twists or surprises. There were a few really large detractors for me. The relationships between the friends seemed forced. The dead dog puppet looked so fake I nearly laughed. The contraption David rigs up to defibrillate his sister back to life is completely ludicrous. All those things can be overlooked though if your expectations are not too high to begin with. It's one of those movies I would watch on late night TV if nothing better was on.
To compare it to the original Evil Dead:
There is absolutely no humour in this one at all. There are only two very thin homages to the original at the end. None of these characters have anywhere near the on screen charisma that Bruce Campbell's Ash had. The basic reason for the friends to be at the cabin and their staying when things get weird is much better in the new movie. The tree rape is in the new movie though significantly changed and very brief.
This new version will never be the cult classic the original was because it does not stand out in any way from the tons of other horror movies with the same premise. All in all it is just average.
Super Reviewer
That is not to say that the second half of the film doesn't contain parts which some would consider "fun". There are a few well directed creepy visuals and the grotesque makeup here is simply superb (the best part of the movie). Furthermore, and quite shockingly, this reboot is not just another mindless big budget torture-porn gorefest, like 2003's "The Texas Chainsaw Massacre"...well, let me reword that. In the spirit of "The Evil Dead" franchise, which is essentially predicated on violence and campy gore, this reboot isn't as maliciously gory as advertised, but still earns its R rating.
That said, almost all campy moments in the second half are clearly examples of too little too late, as nothing remotely funny (or interesting) happens until almost an hour in. There are also some nice callbacks to the original, including the infamous POV shots where the camera barrels through the woods, chasing after a screaming woman. But in the same breath I should make mention that the tree rape scene from the original is totally ruined here. I know what you're saying. How does someone screw up a tree raping scene?! And yet...
Critics of this critique may say that I went into this film with many biases, being that I am such a fan of the original. But to those I would say: I strongly believe that even the people who enjoyed "Evil Dead" (for what it is) or God forbid, haven't seen the original, will still surely forget about it by the time the next Paranormal Activity comes out. In fact, if not for a rather suspenseful final 10 minutes, which may be the bloodiest in recent years, this movie would have been completely forgettable.
Side Note: The trailers are more memorable than anything in this film. Oh, and by the way, you know the part in the trailer when the "possessed girl" utters the infamous line "we're going to get you, not another peep, time to go to sleep"? Yeah, that's not in this film.
The Acting: I won't mention anything about the acting, only because the acting in a movie like this isn't important AT ALL!
Final Thought: Even though "Evil Dead" does spark from time to time, it can't seem to ignite or let alone sustain any sort of suspenseful, campy or terrifying atmosphere. From its far too serious for its own good tone, to an exposition that is way too drawn out (especially for fans of the original) to its failed attempts to go the "Drag Me to Hell" (make situations and visuals so over-the-top that they are intentionally humorous) route, as a whole, this film should be considered a watchable disappointment. I will go so far as to say that "Evil Dead" was so shrug inducing that it is no wonder why Sam Raimi gave it his seal of approval, as he must have seen this reboot as no threat to overshadow his original classic.
Written by Markus Robinson, Edited by Nicole I Ashland
Follow me on Twitter @moviesmarkus
Super Reviewer
The camera work, practical effects and sound design all work beautifully. This is gleeful gore done right, and something that needs to be seen with a big audience clapping and gasping the whole way through.
Super Reviewer
Super Reviewer
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Super Reviewer
After failing to produce a remake of their own, Sam Raimi and Bruce Campbell handpicked the makers of a new Evil Dead. I started noticing the trailers in January, and I was immediately excited. The tone of the previews was sinister. My anticipation grew, as I wondered if this would be a full-blown and terrifying version of the Evil Dead, the one that I'd always wanted.
I'm happy to report that I wasn't disappointed. Not even close. This movie more than exceeded my expectations.
Fede Alvarez's version of the Evil Dead aims right for the jugular. After briefly becoming acquainted with the characters, the viewer is exposed to an all out assault on the senses. The picture is visually spectacular in it's wretchedness, with the content to match. What's offered is an all out barrage of downright brutality. The viewer is smothered in terror. Just when you think you've caught your breath from one episode of violence, at a cataclysmic pace, you're immediately confronted with another abomination. The hour-and-a-half is a claustrophobic journey, with no relief. Unlike the originals, there is no campy laughs to be derived from the proceedings, it is designed solely to make you uncomfortable.
The re-imagining of the Evil Dead is the best Horror movie that I've seen in a very long time. It's absolutely perfect.
If you're a fan of paranormal stupidity, where you jump when a door slams, you might want to sit this one out. You'll only embarrass yourself when you squirm out of the theater with soiled panties. If you don't like the idea of the originals being remade, sit in your Mom's basement watching the old ones in your Yoda pajamas. This doesn't require your approval. I give this movie the highest possible recommendation, if you think you can stomach it. Even if you don't enjoy it, I guarantee you'll cringe.
