Opening

97% Ghostbusters Aug 29
29% As Above/So Below Aug 29
34% The November Man Aug 27
98% Starred Up Aug 27
75% The Congress Aug 29

Top Box Office

92% Guardians of the Galaxy $17.2M
20% Teenage Mutant Ninja Turtles $16.7M
38% If I Stay $15.7M
21% Let's Be Cops $10.8M
18% When The Game Stands Tall $8.4M
34% The Expendables 3 $6.5M
32% The Giver $6.4M
46% Sin City: A Dame to Kill For $6.3M
65% The Hundred-Foot Journey $5.3M
19% Into The Storm $3.8M

Coming Soon

—— Innocence Sep 05
—— The Longest Week Sep 05
—— The Identical Sep 05
67% The House of Magic Sep 05
74% God Help the Girl Sep 05

New Episodes Tonight

—— Jonah From Tonga: Season 1

Discuss Last Night's Shows

88% The Cosmopolitans: Season One
100% Defiance: Season 2
100% Garfunkel and Oates: Season 1
89% The Honorable Woman: Season 1
56% Married: Season 1
39% Rush: Season 1
82% Satisfaction: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

Certified Fresh TV

86% The Bridge (FX): Season 2
91% Doctor Who: Season 8
83% Extant: Season 1
89% The Honorable Woman: Season 1
87% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
73% Murder in the First: Season 1
89% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

The Eye of the Storm Reviews

Guy Lodge
Time Out
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Has taken almost two years to reach the UK; you'd be forgiven for thinking it was far longer, given its sub-Joseph Losey pretensions and doily-like styling.

Full Review Source: Time Out | Original Score: 2/5

April 30, 2013
Walter V. Addiego
San Francisco Chronicle
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Sometimes a feast of acting isn't enough.

Full Review Source: San Francisco Chronicle | Original Score: 2/4

September 14, 2012
David Denby
New Yorker
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A brilliantly acted semi-dud.

Full Review Source: New Yorker

September 10, 2012
Stephen Whitty
Newark Star-Ledger
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Too often the film's moods switch unsuccessfully between the abruptly serious and the broadly bizarre.

Full Review Source: Newark Star-Ledger | Original Score: 2/4

September 7, 2012
Peter Rainer
Christian Science Monitor
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Rush and Davis are two of the best actors in the business, and their brittle gamesmanship and rue holds the screen. But the film is disappointingly lackluster -- a mild squall instead of a storm.

Full Review Source: Christian Science Monitor | Original Score: B-

September 7, 2012
Lou Lumenick
New York Post
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It all feels like a whittled-down miniseries.

Full Review Source: New York Post | Original Score: 2/4

September 7, 2012
Kenneth Turan
Los Angeles Times
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The project's ambitions turn out to be greater than its ability to achieve them.

Full Review Source: Los Angeles Times | Original Score: 2.5/5

September 6, 2012
Manohla Dargis
New York Times
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[A] dramatically unsteady, blustery if likable film, which was adapted by Judy Morris from the Patrick White novel.

Full Review Source: New York Times | Original Score: 3/5

September 6, 2012
Stephanie Zacharek
NPR
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Schepisi orchestrates these vitriolic cat-and-mouse games with great subtlety and skill, and you can almost feel the pleasure he takes in watching these actors do what they do best.

Full Review Source: NPR

September 6, 2012
Joshua Rothkopf
Time Out New York
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The title takes on a depressing literalness; you sense the movie teetering with tonal imbalance, its brilliant cast of savage line-readers forced to turn inward.

Full Review Source: Time Out New York | Original Score: 3/5

September 4, 2012
Nick Schager
Village Voice
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Its portrait of the grotesque über-privileged has considerable bite, bracingly reveling in the greed, selfishness, bitterness, jealousy, neurosis, detachment, and hunger for power and sex ...

Full Review Source: Village Voice

September 4, 2012
Liam Lacey
Globe and Mail
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Sometimes a film just can't live up to all its reputations.

Full Review Source: Globe and Mail | Original Score: 2/4

December 9, 2011
Linda Barnard
Toronto Star
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The subject matter is dark but disjointed, despite the best efforts of the cast.

Full Review Source: Toronto Star | Original Score: 2/4

December 9, 2011
Russell Edwards
Variety
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Geoffrey Rush and Judy Davis bookend a cast consisting of some of Oz's finest thesps, but Schepisi never gets a grip on a script with awkward literary tics.

Full Review Source: Variety

July 26, 2011
Megan Lehmann
Hollywood Reporter
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An intelligent, visually sumptuous drama that embraces the grandeur of the Australian literary classic upon which it's based.

Full Review Source: Hollywood Reporter

July 25, 2011
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