The Flowers of War (2011)
Average Rating: 5.5/10
Reviews Counted: 56
Fresh: 23 | Rotten: 33
No consensus yet.
Average Rating: 4.8/10
Critic Reviews: 16
Fresh: 2 | Rotten: 14
No consensus yet.
Average Rating: 3.8/5
User Ratings: 6,234
In 1937, Nanking stands at the forefront of a war between China and Japan. As the invading Japanese Imperial Army overruns China's capital city, desperate civilians seek refuge behind the nominally protective walls of a western cathedral. Here, John Miller (Christian Bale), an American trapped amidst the chaos of battle and the ensuing occupation takes shelter, joined by a group of innocent schoolgirls and thirteen courtesans, equally determined to escape the horrors taking place outside the
Dec 21, 2011 Limited
Jul 10, 2012
Wrekin Hill Entertainment - Official Site
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December 22, 2011:The Humble Beginnings of Christian Bale
Before he was a star, he was a fast-footed pitchman for Pac-Man Cereal.
December 16, 2011:Christian Bale Involved in Skirmish with Chinese Security Guards
You totally read that right.
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Zhang's flamboyant camera choreography and diva-ish flounces of melodrama are vivid but misplaced.
An unsettling mixture of spectacular brutality and sentimentality that might make even Steven Spielberg blush.
The director's grip on the drama is often weakened by his penchant for creating spectacles.
All Zhang's splendor does is foster cognitive dissonance in an audience.
A strange hybrid of "City of Life and Death" and "Father Goose" that nevertheless, in the hands of Zhang Yimou, musters a few striking moments.
The filming techniques cross Saving Private Ryan with Zimou's own Hero and other dynastic, martial arts-driven Chinese epics.
It can look tremendous, even if Zhao Xiaoding's hyper-stylised '90-retro cinematography sits uneasily beside relentless bloodshed and sexual violations.
Bale is forthright and emotional in the role, and with a hint of boyish vulnerability, even reminds us of his 13-year-old self in Spielberg's Empire of the Sun.
Maudlin make-believe in which a molecule of fact has been dropped like vermouth into a martini ...
Zhang gives his fondness for chaste melodrama and shimmering colours full rein: it's a style that suits his courtly martial arts films such as Hero, but this material would have benefited from a more Spielbergian, or perhaps David Lean-ian, approach.
The title alludes to a precious beauty that grows during times of war, but this is just taking things way too far. The colour here is way off.
Impressively directed and beautifully shot, this is a compelling, superbly acted drama that exerts a powerful emotional grip, though it's impossible not to suspect that certain liberties have been taken with the actual events.
It is is impossible not to be moved. Bales sometimes overeggs his Western saviour yet is watchable throughout, imbuing Miller with a nobility that is only explained in the final reel.
As you'd expect, it's beautiful, emotional and exciting, if florid in style. Bale, beauties and English dialogue widen Yimou's appeal.
Um filme que peca ao ouvir a expressão "espetáculo de crueldade" e conferir maior peso à primeira palavra do que à segunda.
Veering from the sensational to the maudlin, this is a compromised epic that panders to the Chinese audience.
...the movie's less-than-engrossing atmosphere [is] compounded by its stagy and distressingly uneventful midsection...
Not only huge and unwieldy, but seemingly unsure of what it wants to do/say/prove.
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