Viewers not attuned to his heartfelt, bombastic Richard Wagner-by-way-of- 2001: A Space Odyssey lyricism might be better off looking elsewhere. But they'll never see anything else quite like it.
The Fountain (2006)
Tomatometer
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Reviews Counted:187
Fresh:96
Rotten:91
Average Rating:5.9/10
Consensus: The Fountain -- a movie about metaphysics, universal patterns, Biblical symbolism, and boundless love spread across one thousand years -- is visually rich but suffers from its own unfocused ambitions.
Rated: PG-13 [See Full Rating] for some intense sequences of violent action, some sensuality and language.
Runtime: 1 hr 36 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:2006
Box Office: $10,046,093
Synopsis: It's been a long, strange trip since Darren Aronofsky last invited viewers into his cinematic world--six years in fact--but THE FOUNTAIN is sure to enchant, beguile, and inspire intense debate... It's been a long, strange trip since Darren Aronofsky last invited viewers into his cinematic world--six years in fact--but THE FOUNTAIN is sure to enchant, beguile, and inspire intense debate among his patient fans. During the frustrating gap since 2000's REQUIEM FOR A DREAM, Aronofsky has struggled to bring THE FOUNTAIN to the screen, principally because leading man Brad Pitt dropped out of the project. The complex tale is split into three different time periods, beginning in the 16th century, when a conquistador named Tomas (Hugh Jackman) strives to find the Tree of Life. The second part of the story finds Jackman playing a Buddha-like character who zips through outer space and dreams of a woman named Izzi (Rachel Weisz). And the third part, which consumes most of the film's screen time, is set in the present day and sees Jackman playing a doctor named Tommy, who is married to the terminally-ill Izzi. In this third section Tommy strives to find a cure for Izzi's brain tumor, and makes some progress after experimenting on a monkey with a substance discovered in a tree in South America. Meanwhile, Izzi has been writing a book that she calls THE FOUNTAIN, but has left the final chapter for Tommy to write. As Aronofsky pushes and pulls his sepia-tinted film between the three time periods, he weaves a deeply thoughtful, special effects-laden story that touches on themes of mortality and self, and requires a great deal of work from the director's audience. Movies such as Kubrick's 2001 and Tarkovsky's SOLARIS come to mind as Aronofsky gets deep into philosophical waters, and the various story strands of THE FOUNTAIN are as inconclusive and open to interpretation as the films that have clearly influenced it. The film makes for uneasy and sometimes confusing viewing, but will find its audience among intrepid souls who are fully prepared to let go and immerse themselves in Aronofsky's peculiar, daring, and thoughtful cinematic universe. [More]
Starring: Darren Aronofsky, Hugh Jackman, Rachel Weisz, Ellen Burstyn
Starring: Darren Aronofsky, Hugh Jackman, Rachel Weisz, Ellen Burstyn, Ethan Suplee, Cliff Curtis, Sean Gullette, Mark Margolis, Donna Murphy, Sean Patrick Thomas, Stephen McHattie
Director: Darren Aronofsky
Director: Darren Aronofsky
Story: Ari Handel
Producer: Arnon Milchan, Iain Smith, Eric Watson
Studio: Warner Bros.
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Reviews for The Fountain
Whether Laughable Folly or Fool's Errand or (Possible) Head-Scratching, Noggin-Expanding Masterwork, there's never a moment where it's anything less than sincere.
Most people will probably find it pretentious, or too vague, or boring, or even silly. But give it a chance.
A tagline has been affixed to the campaign -- 'What if you could live forever?' -- and it has a certain resonance, especially after seeing the film, which makes 96 minutes seem like eternity.
Anybody could see that Aronofsky was one of the few American filmmakers who saw the cinema past as a jumping-off point, not a toy store to plunder. His films were full of promise; and more, they delivered on their promises.
Uma fábula filosófica que pode ser encarada como filhote contemporâneo de obras como 2001 Uma Odisséia no Espaço, de Kubrick, e Solaris, de Tarkovsky.
I'm perfectly content to float with [Aronofsky] even if he doesn't solve the riddles of the universe.
The Fountain is "Love, Aronofsky Style:" it's his meditation on life and death - specifically, the mechanisms by which we cope (or don't) with loss...
Though not difficult to understand, Aronofsky takes too seriously the prescription that in movies you should showand not tell, resulting in meager character development.
The Fountain is a challenging film about humanity's mad struggle to find a cure for our condition, and Aronofsky is clearly a man on a spiritual journey.
It's that faith in [Aronofsky's] artistic vision -- a faith that's evident during every second of The Fountain -- that sustains the movie even when you have no idea what the hell is going down.
As deeply emotional and damnably frustrating as any work of pure individual vision must be.
Ambitious and unsatisfactory, The Fountain exists at an intriguing place between being nothing and something else.
To dismiss this out of hand is to miss the overriding passion that Aronofsky pours into every frame of his wildly uneven but always watchable epic.
It's tough to kick a mewing kitten, even one this stupid and ugly.
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December 05, 2008:
Aronofsky Hopes for "Reassembly" of The Fountain ![]()
Darren Aronofsky is basking in the glow of positive reviews for "The Wrestler," but he still hasn't quite let go of "The Fountain" -- and he'd like to put together a... More...
November 21, 2007:
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This weekend For the first time this decade, a new release seems set to take over the number one spot during the busy Thanksgiving holiday weekend at the North American box... More...
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