The real star is Berg, who with his fairly short list of directing credits has proven to be one of the more reliable and versatile talents working behind the camera today.
The Kingdom (2007)
Tomatometer
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Reviews Counted:181
Fresh:92
Rotten:89
Average Rating:5.8/10
Consensus: While providing several top-notch action scenes, The Kingdom ultimately collapses under the weight of formula and muddled politics.
Rated: R [See Full Rating] for intense sequences of graphic brutal violence, and for language.
Runtime: 1 hr 51 mins
Genre: Action/Adventure
Theatrical Release:Sep 28, 2007 Wide
Box Office: $47,456,450
Synopsis: Actor, writer, and director Peter Berg (FRIDAY NIGHT LIGHTS) delivers a fearless, action-packed political thriller with THE KINGDOM. Shot in the Middle East with unsettling immediacy, the hand-held... Actor, writer, and director Peter Berg (FRIDAY NIGHT LIGHTS) delivers a fearless, action-packed political thriller with THE KINGDOM. Shot in the Middle East with unsettling immediacy, the hand-held cameras put viewers right inside the action, while the tension between American FBI agents and their Saudi counterparts maintains an interesting uncertainty about who's "right" and who's "wrong." The bad guys, however, are unmistakable: the film opens with a brutal terrorist attack on an oil company compound in Saudi Arabia, where a visiting FBI agent is killed. Back home in Washington, fellow agents Ronald Fleury (Jamie Foxx, RAY) and Janet Mayes (Jennifer Garner, ALIAS), want revenge, and will do whatever it takes to gain access to the investigation. Fleury all but blackmails a Saudi prince to get clearance against the wishes of a timorous attorney general, and flies overnight to the scene of the crime. Accompanying him are the no-nonsense forensics expert Mayes, Southern-fried bomb authority Grant Sykes (Chris Cooper, ADAPTATION), and Jewish smart aleck Adam Leavitt (Jason Bateman, ARRESTED DEVELOPMENT). Once there, they encounter the resistance of a Saudi government more interested in getting the Americans safely out of the country and avoiding conflict, rather than in solving the crime. They are assigned a smarmy handler with a weak stomach (Jeremy Piven, ENTOURAGE) to make sure they stay out of trouble. The team must navigate a maze of bureaucracy to begin collecting evidence, but they have an unlikely ally in their Saudi escort, Colonel Faris Al Ghazi (Ashraf Barhom, PARADISE NOW), a scrupulous and intelligent officer whom Fleury befriends. Soon enough, procedure and protocol give way to car chases and explosive fire fights, and the current bleak political climate of extremism and violence is portrayed in a stark light with no easy answers. [More]
Starring: Jamie Foxx, Jennifer Garner, Chris Cooper, Jason Bateman
Starring: Jamie Foxx, Jennifer Garner, Chris Cooper, Jason Bateman, Jeremy Piven, Danny Huston
Director: Peter Berg
Director: Peter Berg
Screenwriter: Matthew Michael Carnahan
Producer: Michael Mann, Scott Stuber
Composer: Danny Elfman
Studio: Universal Pictures
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Reviews for The Kingdom
It's a frenetic, often incomprehensible film, full of rapid cutting, giant close-ups and muttered dialogue.
Everyone knows that assaults on cherished American symbols never end well for the assailants.
The Kingdom is topical, but remove the setting, and you're left with a relatively brain-dead thriller.
"The Kingdom" is a frenetically-paced action thriller that doesn't slow down until the final frames.
When it's got the pedal to the metal, which is a substantial fraction of the running time, The Kingdom delivers the goods.
Taut and focused, The Kingdom delivers solid action and a smattering of sarcastic political commentary.
...Peter Berg directs with the flailing fervor he usually displays...
Absurdly gung-ho but no less enjoyable thriller, providing you don't take the flag-waving politics too seriously.
http://www.thisislondon.co.uk/film/film-23339226-details/The+Kingdom/filmReview.do?reviewId=23414945
And that’s the problem. The Kingdom isn’t awful – the relentless pace, thumping soundtrack, twisting plot and shaky camera-work all see to that.
If this mix doesn't entirely work, it's perhaps because there are so few surprises – the forensic elements of the investigation would be wrapped up in minutes by CSI's boffins. Still, it's possible to respect the effort while doubting the achievement.
Intelligent films about US involvement in the Middle East can be counted on the broken fingers of one hand, and this one makes Syriana look like Citizen Kane.
Rambo meets Syriana in this bloated action-thriller, which tries to be gung-ho and PC at the same time.
A cut above the bullish jingoism that would have characterised a film of this ilk at the beginning of this decade.
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