A barely coherent compendium of Middle East fantasies, fears and doubts.
The Kingdom (2007)
Tomatometer
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Reviews Counted:181
Fresh:92
Rotten:89
Average Rating:5.8/10
Consensus: While providing several top-notch action scenes, The Kingdom ultimately collapses under the weight of formula and muddled politics.
Rated: R [See Full Rating] for intense sequences of graphic brutal violence, and for language.
Runtime: 1 hr 51 mins
Genre: Action/Adventure
Theatrical Release:Sep 28, 2007 Wide
Box Office: $47,456,450
Synopsis: Actor, writer, and director Peter Berg (FRIDAY NIGHT LIGHTS) delivers a fearless, action-packed political thriller with THE KINGDOM. Shot in the Middle East with unsettling immediacy, the hand-held... Actor, writer, and director Peter Berg (FRIDAY NIGHT LIGHTS) delivers a fearless, action-packed political thriller with THE KINGDOM. Shot in the Middle East with unsettling immediacy, the hand-held cameras put viewers right inside the action, while the tension between American FBI agents and their Saudi counterparts maintains an interesting uncertainty about who's "right" and who's "wrong." The bad guys, however, are unmistakable: the film opens with a brutal terrorist attack on an oil company compound in Saudi Arabia, where a visiting FBI agent is killed. Back home in Washington, fellow agents Ronald Fleury (Jamie Foxx, RAY) and Janet Mayes (Jennifer Garner, ALIAS), want revenge, and will do whatever it takes to gain access to the investigation. Fleury all but blackmails a Saudi prince to get clearance against the wishes of a timorous attorney general, and flies overnight to the scene of the crime. Accompanying him are the no-nonsense forensics expert Mayes, Southern-fried bomb authority Grant Sykes (Chris Cooper, ADAPTATION), and Jewish smart aleck Adam Leavitt (Jason Bateman, ARRESTED DEVELOPMENT). Once there, they encounter the resistance of a Saudi government more interested in getting the Americans safely out of the country and avoiding conflict, rather than in solving the crime. They are assigned a smarmy handler with a weak stomach (Jeremy Piven, ENTOURAGE) to make sure they stay out of trouble. The team must navigate a maze of bureaucracy to begin collecting evidence, but they have an unlikely ally in their Saudi escort, Colonel Faris Al Ghazi (Ashraf Barhom, PARADISE NOW), a scrupulous and intelligent officer whom Fleury befriends. Soon enough, procedure and protocol give way to car chases and explosive fire fights, and the current bleak political climate of extremism and violence is portrayed in a stark light with no easy answers. [More]
Starring: Jamie Foxx, Jennifer Garner, Chris Cooper, Jason Bateman
Starring: Jamie Foxx, Jennifer Garner, Chris Cooper, Jason Bateman, Jeremy Piven, Danny Huston
Director: Peter Berg
Director: Peter Berg
Screenwriter: Matthew Michael Carnahan
Producer: Michael Mann, Scott Stuber
Composer: Danny Elfman
Studio: Universal Pictures
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Reviews for The Kingdom
Bottom-feeding action nonsense...Truthfully, I'm not sure what's more offensive, exploiting real-world violence or treating the audience like they're 12 years-old.
A riveting ticking time-bomb of a movie that really works. The last 30 minutes are so intense you won't be able to move.
It's all very wish-fulfillment stuff, but the gratification doesn't end up feeling deep.
The climactic showdown between the baddies who just can't let our heroes go without incident is a non-stop guns-a-blazing assault that Berg delivers with the panache of the great action directors
Convincing technical details gathered for the purpose of a good yarn with only the vaguest connection to the grown-up world.
A surprisingly nuanced exploration of the sincere desire held by many in this country to make the US the good guy around the globe -- the white knight superpower.
none of the three parts of this movie get a sufficient chance to breathe, grow, add some depth and complexity or grab our attention for more than a few minutes at a time.
A high-budget episode of "The A Team" crossed with "24" and a sort of "CSI: Riyadh" until a few minutes at the end try to tack on some larger meaning. It just shows how thin the material in the rest of the film is by contrast.
Although the actors are good, this is a director's movie. Berg keeps the interest and tension at a high level throughout.
The Kingdom serves its purpose as a Hollywood action film, but there are numerous missed opportunities and faults that prevent it from reaching the upper echelon of war films.
The picture is made with a degree of care, and what's surprising about it is the way [director] Berg actually resists making rah-rah jingoistic proclamations instead of relying on them.
From bloody opening to bleak coda, The Kingdom pulls off something unexpected and unsettling: It's a popcorn movie that leaves the taste of ashes in your mouth.
The pacing is just right, shifting deftly between procedural road blocks and high-energy action sequences that wouldn't be out of place in The Bourne Ultimatum.
While it stays well short of a daring political statement, it effectively hints in just about every frame that the U.S. partnership with this greedy, family-run nation of fundamentalist Muslims is a powder keg just waiting to explode.
As an exercise in eye-for-an-eye wish fulfillment, this laser-like focus on the bad guys is something of a relief, although, inevitably, a fiasco in a best-laid-plans sort of way.
The whole movie [feels] like it was designed to be a nearly two-hour counterpoint to the nightly news.
I left the theater completely uncertain about what the filmmakers intended to say about the orgiastic bloodshed they showed me. The Kingdom is an explosion of rage in search of a rationale.
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