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The Last Exorcism Part II Reviews

Page 1 of 4
Graham Young
Birmingham Mail

Too many things in Part II only happen because this is a film, with telegraphed sound effects travelling as fast as the speed of light. Only in Hollywood do such rules of physics apply.

Full Review Source: Birmingham Mail | Original Score: 1/5

June 7, 2013
Rich Cline

When you qualify your movie as the "last" anything, a sequel seems a bit out of the question, but these new filmmakers have essentially relegated the 2010 original to a mere backstory.

Full Review Source: | Original Score: 3/5

June 7, 2013
Anton Bitel

if this ludicrously-titled follow-up sounds like a crass cash-in, ...the devil here is in the details, some of which are strikingly novel.

Full Review Source: Film4

June 7, 2013
Martyn Conterio
Little White Lies

An inventive Satanic shocker, which is much more than we expected.

Full Review Source: Little White Lies | Original Score: 3/5

June 6, 2013
Ken McIntyre
Total Film

Ashley Bell's nuanced performance and a surprisingly pyrotechnic finale liven up a gloomy sequel.

Full Review Source: Total Film | Original Score: 3/5

May 29, 2013
Dennis Harvey
Top Critic IconTop Critic

A generally effective sequel.

Full Review Source: Variety

March 6, 2013
Marjorie Baumgarten
Austin Chronicle

So many sequences are structured to build to a little jolt, that the pattern becomes predictable and tired. Especially since the first film set a high standard for originality, this sequel, which is helmed by a different creative team, disappoints.

Full Review Source: Austin Chronicle | Original Score: 1/5

March 6, 2013
Mark Olsen
Los Angeles Times
Top Critic IconTop Critic

The Last Exorcism Part II is an effectively unnerving, slow-burn supernatural horror tale.

Full Review Source: Los Angeles Times | Original Score: 3/5

March 1, 2013
Andy Webster
New York Times
Top Critic IconTop Critic

An actress who suggests religious piety, carnal fire and satanic aggression with equal dexterity, Ms. Bell provides a pulse an audience can connect with amid the standard-issue atmospheric accouterments.

Full Review Source: New York Times | Original Score: 3/5

March 1, 2013
Brian Orndorf

The director wisely steps back and permits the agitation to sink in slowly -- it's a fright film that's uncharacteristically patient and superbly crafted.

Full Review Source: | Original Score: B

March 1, 2013
William Bibbiani

Has something on its mind and the testicular and/or ovarian fortitude necessary to go out with an unexpected, cathartic bang.

Full Review Source: CraveOnline | Original Score: 6.5/10

March 1, 2013
Christopher Runyon
Movie Mezzanine

Not a single aspect of this film suggests that anyone involved in the production cared.

Full Review Source: Movie Mezzanine | Original Score: D-

February 20, 2014
Simon Miraudo

What do you call those guys who paint themselves silver and then stand still like statues? This has one of those. A threatening one. So, if that sounds up your alley...

Full Review Source: Quickflix | Original Score: 1.5/5

July 28, 2013
Eric Melin

a tedious, underwhelming cash grab if there ever was one - a cynical attempt to use the iconic bent-over-backwards image of a possessed girl and the name recognition of the first movie to swindle people out of their money.

Full Review Source: | Original Score: .5/4

July 22, 2013
Phil Villarreal

There's a lot to be said for restraint in a horror film, but the filmmakers went for too far of an extreme here.

Full Review Source: | Original Score: 2/4

June 18, 2013
Bill Gibron
Film Racket

Gone is the shaky-cam dynamic. Gone is the whole "devil inside" ideal, and gone is any reason to care or watch.

Full Review Source: Film Racket | Original Score: 1/5

June 10, 2013

It all builds towards another sequel-ready ending, so expect this nonsensically titled series to run and run.

Full Review Source: Scotsman | Original Score: 1/5

June 10, 2013
Eddie Harrison
The List

Writer/director Ed Gass-Donnelly's film offers little ironic edge or incisive imagery, pushing far too hard with an unpleasant emphasis on sexuality, and ending up as a by-the-numbers rehash of the original film's weakest elements.

Full Review Source: The List | Original Score: 2/5

June 10, 2013
Philip French
Observer [UK]

It's dreary, formulaic stuff that even manages to make a Mardi Gras parade look dull.

Full Review Source: Observer [UK]

June 9, 2013
Derek Malcolm
This is London

A movie that doesn't go for the spectacular but slowly and surely a dullness pervades.

Full Review Source: This is London | Original Score: 2/5

June 7, 2013

New York Times
Top Critic IconTop Critic
May 23, 2013
Page 1 of 4
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