The Last Exorcism Part II - Movie Reviews - Rotten Tomatoes

The Last Exorcism Part II Reviews

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Graham Young
Birmingham Mail
June 7, 2013
Too many things in Part II only happen because this is a film, with telegraphed sound effects travelling as fast as the speed of light. Only in Hollywood do such rules of physics apply.
Full Review | Original Score: 1/5
Rich Cline
Contactmusic.com
June 7, 2013
When you qualify your movie as the "last" anything, a sequel seems a bit out of the question, but these new filmmakers have essentially relegated the 2010 original to a mere backstory.
Full Review | Original Score: 3/5
Anton Bitel
Film4
June 7, 2013
if this ludicrously-titled follow-up sounds like a crass cash-in, ...the devil here is in the details, some of which are strikingly novel.
Martyn Conterio
Little White Lies
June 6, 2013
An inventive Satanic shocker, which is much more than we expected.
Full Review | Original Score: 3/5
Ken McIntyre
Total Film
May 29, 2013
Ashley Bell's nuanced performance and a surprisingly pyrotechnic finale liven up a gloomy sequel.
Full Review | Original Score: 3/5
Top Critic
Dennis Harvey
Variety
March 6, 2013
A generally effective sequel.
Marjorie Baumgarten
Austin Chronicle
March 6, 2013
So many sequences are structured to build to a little jolt, that the pattern becomes predictable and tired. Especially since the first film set a high standard for originality, this sequel, which is helmed by a different creative team, disappoints.
Full Review | Original Score: 1/5
Top Critic
Mark Olsen
Los Angeles Times
March 1, 2013
The Last Exorcism Part II is an effectively unnerving, slow-burn supernatural horror tale.
Full Review | Original Score: 3/5
Top Critic
Andy Webster
New York Times
March 1, 2013
An actress who suggests religious piety, carnal fire and satanic aggression with equal dexterity, Ms. Bell provides a pulse an audience can connect with amid the standard-issue atmospheric accouterments.
Full Review | Original Score: 3/5
Brian Orndorf
Blu-ray.com
March 1, 2013
The director wisely steps back and permits the agitation to sink in slowly -- it's a fright film that's uncharacteristically patient and superbly crafted.
Full Review | Original Score: B
William Bibbiani
CraveOnline
March 1, 2013
Has something on its mind and the testicular and/or ovarian fortitude necessary to go out with an unexpected, cathartic bang.
Full Review | Original Score: 6.5/10
Scott Weinberg
TheHorrorShow
August 24, 2015
An earnest and well-made character-based horror flick that's simply not all that interesting.
David Nusair
Reel Film Reviews
November 24, 2014
...belongs alongside the horror genre's myriad of other needless sequels...
Full Review | Original Score: 2/4
Christopher Runyon
Movie Mezzanine
February 20, 2014
Not a single aspect of this film suggests that anyone involved in the production cared.
Full Review | Original Score: D-
Simon Miraudo
Quickflix
July 28, 2013
What do you call those guys who paint themselves silver and then stand still like statues? This has one of those. A threatening one. So, if that sounds up your alley...
Full Review | Original Score: 1.5/5
Eric Melin
Scene-Stealers.com
July 22, 2013
a tedious, underwhelming cash grab if there ever was one - a cynical attempt to use the iconic bent-over-backwards image of a possessed girl and the name recognition of the first movie to swindle people out of their money.
Full Review | Original Score: .5/4
Phil Villarreal
COED.com
June 18, 2013
There's a lot to be said for restraint in a horror film, but the filmmakers went for too far of an extreme here.
Full Review | Original Score: 2/4
Bill Gibron
Film Racket
June 10, 2013
Gone is the shaky-cam dynamic. Gone is the whole "devil inside" ideal, and gone is any reason to care or watch.
Full Review | Original Score: 1/5
June 10, 2013
It all builds towards another sequel-ready ending, so expect this nonsensically titled series to run and run.
Full Review | Original Score: 1/5
Eddie Harrison
The List
June 10, 2013
Writer/director Ed Gass-Donnelly's film offers little ironic edge or incisive imagery, pushing far too hard with an unpleasant emphasis on sexuality, and ending up as a by-the-numbers rehash of the original film's weakest elements.
Full Review | Original Score: 2/5
Top Critic

New York Times
May 23, 2013
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