The Loneliest Planet (2012)
Average Rating: 6.9/10
Reviews Counted: 61
Fresh: 43 | Rotten: 18
The source material that inspired The Loneliest Planet may be brief, but this adaptation of a Tom Bissell short story compensates with studious, finely detailed filmmaking, haunting visuals, and thought-provoking subtext.
Average Rating: 6.7/10
Critic Reviews: 21
Fresh: 16 | Rotten: 5
The source material that inspired The Loneliest Planet may be brief, but this adaptation of a Tom Bissell short story compensates with studious, finely detailed filmmaking, haunting visuals, and thought-provoking subtext.
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Average Rating: 2.6/5
User Ratings: 4,004
Movie Info
Alex and Nica are young, in love and engaged to be married. The summer before their wedding, they are backpacking in the Caucasus Mountains in Georgia. The couple hire a local guide to lead them on a camping trek, and the three set off into a stunning wilderness, a landscape that is both overwhelmingly open and frighteningly closed. Walking for hours, they trade anecdotes, play games to pass the time of moving through space. And then, a momentary misstep, a gesture that takes only two or three
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Cast
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Gael García Bernal
Alex -
Hani Furstenberg
Nica -
Bidzina Gujabidze
Dato
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All Critics (61) | Top Critics (21) | Fresh (43) | Rotten (18)
You have to see The Loneliest Planet, for it is one of those works that prepares you for life, that make you wary, alive and responsible, and which ... well, you'll never forget it.
You hope for these characters, and that hope carries the film.
Though it's not without virtues, "The Loneliest Planet" may try the patience of even the most dedicated lovers of art film.
Why expend more energy on the film than its makers did?
Loktev has written and directed with a haunting emphasis on the shortcomings of some interpersonal communication.
I can't deny that her scheme is dramatically effective, though I left the movie more conscious of the scheme than the drama.
Writer/director Julia Loktev, a New York filmmaker born in Russia, skilfully uses stillness and the vastness of the Caucasus Mountains to frame her trio of characters in psychological quicksand.
Frankly, I've greatly enjoyed discussing the film, whereas I merely tolerated the experience of actually watching it.
Audiences used to actively engaging with cinema will find much to relish about The Loneliest Planet.
Scoring a popular hit on the film festival circuit, director Julia Loktev elicits superb performances from a minimal cast.
This load of tediously existential nonsense from writer/director Julia Loktev has been bizarrely celebrated as a profound artistic and feminist (?) statement, but make no mistake: it's ridiculously wannabe-cerebral codswallop.
...simmering just beneath its quiet, beautiful surface are endless questions to do with relationships and trust, and how they're tied to our expectations regarding masculinity.
Although short stories usually make terrific source material for films, in this case the adaptation suggests that this is not one of those instances
Curiosity triggers our interest at first, but eventually, the tedious nature of the drawn-out exposition is akin to watching grass grow
An elliptical, often baffling relationships drama about trust and reconciliation
An exceptionally thorny and pleasing little behavioral study.
This is one of those films where very little happens very slowly, but there are a couple of dramatic scenes which change the complexion of the film.
Loktev's persistent use of long takes with little dialogue renders it a repetitive exercise that's more pretentious than profound.
With Brontes' camera sometimes right up in their faces, the actors create an intense intimacy that's a thrill to experience. They also share a palpable sexual chemistry that fires up this drama.
An intriguing film, that has a sense of poignancy, sparse dialogue and offers a deep suspicion of love if it's untested.
The languid, observational style of director Julia Loktev will frustrate those expecting stuff to, like, happen more, but it has its real rewards.
Nothing hurts quite as much as self-doubt, and The Loneliest Planet is carpeted in it.
It's alive; it requires active participation and curiosity; and it speaks eloquently to the best possibilities of film as a medium for conversation and reflection.
A relationship drama as radically bifurcated as Tropical Malady and as trenchantly insightful as Everyone Else.
Audience Reviews for The Loneliest Planet
Super Reviewer
But what the audio of the movie does not pick up oddly enough is usually the sound of conversation, not only between the lovers as they trek in this microcosm of a relationship where trust is paramount, but also in the way curious people of different cultures exchange information about each other, even if Alex and Nica have drifted far enough away that English is no longer the lingua franca. Out of the drips and drabs of talk that we do get, it can be inferred that Nica, having traveled a great deal already in her young life, is ready to settle down at the age of 30 before hauling her future kids all over the place to see her favorite sights.
Super Reviewer
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- Nica: I take my BITCH to the BEACH.
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Foreign Titles
- Un planeta solitario (ES)






Top Critic
The truth is "The Loneliest Planet" is a hard film to review because it is contingent on one scene (really one physical movement) an hour into the picture, that I can't really talk about. But what I can say is that the latter half of the movie (after the big scene) although consists of Bernal and Furstenberg continuing to walk around the Caucasus Mountains (mostly in silence) is quite a moving piece of cinema that does show off Loktev's Malick-esque directorial skills.
On the other hand, this film is not for everybody. What will ultimately hold this back for many, will be the (at times) too Independent for its own good feel of the entire picture, as Loktev holds on shots for minutes at a time where nothing seems to be going on, and spends a lot of time filming characters ad-libbing their dialogue. Other issues may come down to the free flowing (slow) pacing of "The Loneliest Planet", which may leave many walking out of this movie questioning: Was Loktev's introspective inquiries really worth the journey?
Final Thought: In my opinion this sort of Avant-garde piece about a couple under duress is very much a film geared more towards female audiences. That is to say, the main focus is not Bernal. He is only the vehicle that helps show the nature of the male counterpart. The real star of the show here is Furstenberg, who displays the complex prospective of a female outlook on relationships exceptionally well, and thusly what she goes through should be more fully understood by female audiences. That is not to say that men will not enjoy this film, but for most men, "The Loneliest Planet" may be too hard of a pill to swallow. Plus, if you are currently a male in a relationship, this is one movie that may only serve to plant the seed of an awkward conversation (which in turn, probably is the point).
Written by Markus Robinson, Edited by Nicole I. Ashland
Follow me on Twitter @moviesmarkus