The Lords of Salem (2013)

"The Lords of Salem" is the horror film equivalent of 101 minutes of foreplay with no payoff. And while I do appreciate the hyper-creepy and very potent atmosphere which writer/director Rob Zombie creates throughout, it still doesn't change the fact that the story is D.O.A and the visuals are all over the place. "The Lords of Salem" is unfortunately what happens when Rob Zombie has a semi-interesting idea, but is given full control.

Side Note: The fact that Sheri Moon Zombie (Rob Zombie's wife) has to be in every one of his films lets you know the caliber of acting here. But allow me to bypass that flaw for a second, while I address the more prevalent hindrances which keep "The Lords of Salem" from being the blasphemous mind f**k it should have been.

Synopsis: This predictable "Rosemary's Baby"-esque plot concerns a female radio DJ living in modern day Salem, Massachusetts, whose life, after playing a song by a mysterious band called The Lords (which is undoubtedly the creepiest aspect of the film) becomes intertwined with a coven of witches.

Zombie's filmmaking flaws are the same as they've always been. His dialogue is at times cringe inducing and his stories aren't very deep. In saying that, "The Lords of Salem" may be the purist Zombie film he's ever made. And while lovers of "The Devil's Rejects" may be intrigued by this, these same people will undoubtedly be disappointed when it is discovered that "The Lords of Salem" has a greater issue than just a flawed story and campy dialogue.

The real issue with "The Lords of Salem": There are a few films in the "history of film" which can be said to contain stunning looking sequences and still be considered terribly flawed or downright unwatchable movies. The number #1 example of this would be Stanley Kubrick's "Eyes Wide Shut", and maybe #2 would be, um, I don't know..."Beasts of the Southern Wild" or something like that. Anyway, an argument could (and should) be made for "The Lords of Salem" being in the top 10 of said list. This film contains sequences which had me in awe, but then comes Sherri Moon with dread locks, riding a goat, followed by then another scene which looks unbelievably beautiful and then comes masturbating zombie priests. The entire movie is like that. Uneven, nonsensical visuals are thrown in the audience's direction like it's the thing to do, even when their symbolisms don't seem to be understood by anybody but Zombie himself. Also, Zombie's obsession with grotesque nudity plays a reoccurring role, early and often, as naked witches (in other words, naked old ladies) bombard the screen for long stretches. And "ain't nobody got time for that!"

Most of this film is filled with unpleasant imagery that is more repulsive than scary. But, as I alluded to before, Zombie does succeed masterfully in creating a horror film that for almost 90 minutes of its 101 minute runtime is pretty much all suspense; with a creepy atmosphere that had my skin crawling. To this I will say that Zombie has evolved into a "real director" who will (from time to time) come through with some masterfully constructed shots which are aesthetically quite impressive, but that still doesn't mean anybody should be subjected to the rest of "The Lords of Salem", which is for the most part a silly little film.

Final Thought: Zombie has always displayed an obvious love for cinema (hell, in this film there is a huge mural of an infamous scene from "Le voyage das la lune" on the wall of the protagonist's bedroom) and "The Lords of Salem" may be his most visually advanced film yet, but the bland storyline, clunky script and lack of scares in conjunction with the weirdest visuals of any horror film in recent history, will be the reason this film will lose a lot of its audiences way before the arrival of the demonic chicken baby in the third act. So, while there is "something" here, I can't (in good conscious) recommend that anyone sit through "The Lords of Salem" unless you are interested in wading through some intense weirdness, for only about five absolutely stunningly filmed sequences. In the end, as misguided as "The Lords of Salem" was, my consensus is still: Rob Zombie the director is still better than Rob Zombie the musician.

Written by Markus Robinson, Edited by Nicole I. Ashland

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