Critics Consensus: The Mortal Instruments: City of Bones Is a Derivative Fantasy
Plus, You're Next, The World's End, and Blue Jasmine are all Certified Fresh.
This week at the movies, we've got a teenage demon-slayer (The Mortal Instruments: City of Bones, starring Lily Collins and Lena Headey), a band of masked killers (You're Next, starring Sharni Vinson and Nicholas Tucci), some resilient pub crawlers (The World's End, starring Simon Pegg and Nick Frost), and a desperate housewife (Blue Jasmine, starring Cate Blanchett and Alec Baldwin). What do the critics have to say?
The Mortal Instruments: City of Bones
12%
When gauging the potential audience for The Mortal Instruments: City of Bones, a classic Hollywood tagline comes to mind: "You read the book. Now see the movie!" In this case, critics say only those familiar with the source novel will be able make much of an emotional investment in this overstuffed, overlong mashup of familiar fantasy elements. Lily Collins stars as a New York City teenager who discovers that she's from a long line of half-human, half-angel demon-killers; soon, she's on a mission to rescue her mother and stop a powerful object from falling into the wrong hands. The pundits say The Mortal Instruments: City of Bones may appeal to its target audience, but everyone else is likely to find it derivative, confusing, and short on excitement. (Check out this week's Total Recall, in which we count down co-star Lena Headey's best-reviewed movies.)
You're Next
75%
Question: Will horror buffs ever tire of home invasion thrillers? Answer: Not if they're made with the energy and unnerving intelligence that runs through You're Next, which critics say delivers enough bloody fun to rise above its hoary premise. A family get-together at a remote country estate is interrupted when masked, crossbow-wielding psychos start to pick off the house's inhabitants one by one -- that is, until one of them fights back. The pundits say the Certified Fresh You're Next is an energetic mix of black humor and gore that transcends its predictable setup with invention and panache. (Flip through our gallery of memorable movie masks here.)
The World's End
89%
Director Edgar Wright and stars Simon Pegg and Nick Frost have parodied zombie flicks (Shaun of the Dead) and cop-buddy action movies (Hot Fuzz) with a warmth that's hard to resist. The critics say their latest, The World's End, is another winner, one that sends up apocalyptic sci-fi films with wit and empathy. A group of old schoolmates reunite to embark on an epic pub crawl, but during the course of their journey, our heroes notice that something has gone seriously amiss around them. The pundits say the Certified Fresh World's End is an inspired bit of lunacy -- wild, unpredictable, and often disarmingly compassionate. (Watch our video interviews with Wright, Pegg, and Frost.)
Blue Jasmine
91%
Woody Allen's Blue Jasmine goes into wide release this week, and critics say this heartrending tragicomedy boasts an outstanding performance from Cate Blanchett in the title role. Blanchett stars as a well-to-do socialite whose world is upended when her husband's white-collar criminal activities are unveiled. Now destitute, she moves into her sister's cramped apartment, offering unwanted advice while hoping to return to her life of luxury. The pundits say the Certified Fresh Blue Jasmine offers up a strong example of Allen's trademark blend of humor and pathos, and the film is elevated by a fantastic supporting cast.
Also opening this week in limited release:
- Short Term 12, a drama starring Brie Larson as a counselor at a home for at-risk youth who has some relationship issues of her own, is at 96 percent.
- Drinking Buddies, starring Olivia Wilde and Anna Kendrick in a comedy about two co-workers at a brewery who share an attraction despite being in relationships, is at 78 percent.
- Paradise: Faith, a drama about a devoutly religious woman whose estranged husband unexpectedly reenters her life, is at 74 percent.
- Wong Kar Wai's The Grandmaster, starring Tony Leung and Ziyi Zhang in a period biopic about a legendary martial arts master, is at 68 percent.
- The Trials Of Muhammad Ali, a documentary about the boxing legend's political activism, is at 67 percent.
- Una noche (One Night), a drama about two siblings who flee their troubled lives in Havana for a new start in Miami, is at 67 percent.
- Thérèse, starring Audrey Tautou in a period drama about the wife of a rich landowner who chafes at her stifling marriage, is at 59 percent.
- Devil's Pass, a found-footage horror film about a group of students who investigate a mysterious incident in a remote part of Russia, is at 57 percent.
- The Frozen Ground, starring Nicolas Cage and John Cusack in a thriller about a cop on the trail of an elusive serial killer, is at 55 percent (check out our video interview with Cage and co-star Vanessa Hudgens).
- Scenic Route, starring Josh Duhamel and Dan Fogler in a drama about two old friends who get confrontational when their car breaks down in an isolated spot, is at 54 percent.
- Savannah, starring Jim Caviezel and Chiwetel Ejiofor in a drama about a rich southerner who perfers the outdoors to the trappings of wealth, is at zero percent.




King Simba
I liked Shaun of the Dead and loved Hot Fuzz, so I'm really looking forward to the completion of the trilogy with The World's End.
I had a feeling Mortal Intruments would go the way of Eragon. Based on a book series that got okay reviews but was criticized for its lack of originality, filled with so many characters that the movie (both cases helmed by a pretty weak choice for a director) ended up cutting and changing so much that fans of the book get pissed, while those who haven't read the book find it making little sense. Hopefully, Catching Fire and Ender's Game end the young adult adaptations this year on a high note. Can't do worse that what came before them.
Aug 22 - 04:48 PM
Movie Person
You should look forward to The World's End, it's a blast. Not quite as good as the last two, but a fine film, nevertheless. I'm a bit iffy on Ender's Game, as this stuff is very easily messed up, and I haven't seen the first Hunger Games.
Aug 22 - 05:27 PM
Michaelr Dunklin
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Aug 26 - 10:59 AM
Bradly Martin
With Peter being excluded completely from the Ender's Game film, I think the rather darker tones of war, death, glory, and the burden a soldier carries after the war is over will be long gone. Since I felt the Hunger Games film was way better than the book I think it's safe to say that the Catching Fire movie (based on the weakest of the books in my opinion of course) will be Much better as a film.
Aug 22 - 07:28 PM
Carly Roach
The Hunger Games film was better than the book? No way. Not even close. The directing and cinematography were terrible...90 minutes of handheld camera and unmotivated extreme close-ups. It was great to see the film come to life, but it was largely disappointing. It felt like a film school application. Looking forward to the new director on Catching Fire.
And how can they write Ender's Game without Peter? It will remove the dichotomy of the bully brother and the sensitive sister, both of whom affected Ender in one way or another...that's disappointing. :/
Aug 23 - 05:47 AM
Lyle Bandoquillo
Agree/Disagree: I agree that the Hunger Games film was superior to the books, but disagree about Catching Fire -- definitely the best of the trilogy IMO! And since I absolutely abhor Mockingjay, I hope they take some good creative license.
Aug 23 - 06:12 PM
Bradly Martin
Carly and Lyle, I just didn't like Katniss Narrative. The lack of Katniss Narrative replaced by Jennifer Lawrence Show don't tell acting was what I felt superior. Catching fire isn't a "Bad" booking. I just felt it was a little slow and surprisingly repetitive. It was like a second season of a tv series where you have to wonder why all the characters are repeting the same character arches. Didn't you allready complain and learn all this Katniss? was my constant criticism. I hope they both have original Scores again!
Aug 23 - 10:49 PM