The Night Listener, a movie with lots of heart but no heartbeat.
The Night Listener (2006)
Tomatometer
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Reviews Counted:130
Fresh:52
Rotten:78
Average Rating:5.5/10
Consensus: This psychological thriller compels by blurring the line between truth and fiction; unfortunately, the film itself gets muddled in a hazy account of Maupin's original novel.
Rated: R [See Full Rating] for language and some disquieting sexual content
Runtime: 1 hr 31 mins
Genre: Dramas
Theatrical Release:Aug 4, 2006 Wide
Box Office: $7,766,987
Synopsis: Inspired by a real-life experience of author Armistead Maupin (on whose book the film is based), THE NIGHT LISTENER is a dark drama that derives its strengths as much from the places it doesn't go... Inspired by a real-life experience of author Armistead Maupin (on whose book the film is based), THE NIGHT LISTENER is a dark drama that derives its strengths as much from the places it doesn't go as the places it does. Spare and tense, it tells the story of Gabriel Noone (Robin Williams), a storyteller with a national late-night radio show. Gay and recovering from a breakup with his much younger lover, Jess (Bobby Cannavale), Gabriel is experiencing writer's block. His life takes on a strange new wrinkle, though, when a literary agent (Joe Morton) passes on a manuscript he's received from a young fan of Gabriel's--an AIDS-stricken 14-year-old boy, Pete (Rory Culkin), who has written a detailed account of the prolonged sexual abuse he suffered at the hands of his parents and their friends. Gabriel develops a friendly phone relationship with the boy, but soon senses that something is unusual about Pete and his caretaker, Donna (Toni Collette), and ventures to Wisconsin to figure out exactly what's going on. With its pure and streamlined narrative, THE NIGHT LISTENER sidesteps the showy pitfalls that derail many modern thrillers. Fueled by subdued performances from Williams, whose manic energy is all but invisible, and Collette, whose chameleon-like brilliance has never been more in evidence, the film has obvious echoes of Hitchcock, as well as strange parallels to 2005's JT LeRoy literary scandal. Once Noone arrives in Wisconsin, an all-enveloping sense of unease starts in on a slow burn, and remote locations are used to great effect. Williams has a scene in a hospital that couldn't be further from PATCH ADAMS, and by the quiet conclusion, you will be wondering if maybe you should be a little less trustful of strangers, especially if they're big fans of your work. [More]
Starring: Robin Williams, Toni Collette, Bobby Cannavale, Joe Morton
Starring: Robin Williams, Toni Collette, Bobby Cannavale, Joe Morton, Rory Culkin, Sandra Oh, John Cullum
Director: Patrick Stettner
Director: Patrick Stettner
Screenwriter: Armistead Maupin, Terry Anderson, Patrick Stettner
Producer: Robert Kessel, Jeff Sharp, John N. Hart, Jill Footlick
Composer: Peter Nashel
Studio: Miramax Films
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Reviews for The Night Listener
This not-great movie, like the not-great book it's based on, is worthwhile because it puts us in the kind of uncomfortable place where we're forced to examine our own beliefs.
There's more to this story than meets the eye -- or ear -- especially when Collette, magnetic in her intensity, appears as a figure straight out of Vertigo or North by Northwest.
Where the hero of Maupin's novel learns some valuable lessons about love and faith, the film strikes a darker, even angry tone that's far more understandable and, in the end, far more convincing.
The Night Listener reveals itself in a grippingly quiet and enigmatic style reminiscent of Hitchcock.
The Night Listener is quirky and a little spooky, with a smart, literate script and polished direction from Patrick Stettner.
Director Patrick Stettner chooses to film the latter bits of Gabriel's [Williams] mundane investigation as a full-blown psychological thriller, and it mostly works.
The thriller is suspenseful enough, with a spooky mood and some real shocker moments, but the audience has to be willing to forgive its lack of rationality, as well as its totally cryptic conclusion.
Noone [Williams] is a lethargic, beaten, humorless man, and the film is plugged into the same lifeless energy source.
The Night Listener, based on a real event in the life of novelist-turned-screenwriter Armistead Maupin, is a tranquil and alluring little thriller that makes up in earnestness what it lacks in surprises.
Although it may not satisfactorily work all of its many ideas out, The Night Listener does thoughtfully explore the myriad games people play -- on themselves as well as others -- in the universal search for gratifying affection.
Based on a novel by Armistead Maupin, which was based in turn on an episode in Mr. Maupins life, The Night Listener explores a shadowy region between truth and fiction.
To me, the movie is of interest only for its embrace -- of the eternal ambivalence with which writers tap the lives of people they know and/or love for their work.
The Night Listener has much to recommend it, but I find myself less than enthusiastic precisely because this movie made me feel so lousy.
The Night Listener should have been a better film than it is and I can only think to blame Williams' lacklustre performance for ultimately letting the audience down.
More intriguing than enthralling, more creepy than disturbing, The Night Listener runs a tidy 80 minutes yet still feels stretched.
Williams' solemn one-note performance, which we've seen variations of before in his 'serious films,' Insomnia and Good Will Hunting, ruins what should be a ghoulishly entertaining game of cat and mouse.
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