Chris Smith's low-key coming-of-age film/slice of contemporary Indian life takes forever to get where it's going, which turns out to be pretty much nowhere.
The Pool (2008)
Tomatometer
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Reviews Counted:35
Fresh:34
Rotten:1
Average Rating:7.5/10
Consensus: Beautifully crafted with loosely drawn characters and a lilting, natural pace, Chris Smith's The Pool features a universal message to which everyone can relate.
Theatrical Release:Sep 5, 2008 Limited
Synopsis:
A filmmaker who returns to Sundance in a new guise is a familiar enough occurrence, but to return with gifts as uniquely rendered as Chris Smith has with The Pool is rare in any year. In the same...
A filmmaker who returns to Sundance in a new guise is a familiar enough occurrence, but to return with gifts as uniquely rendered as Chris Smith has with The Pool is rare in any year. In the same vein as his latest documentary work, Smith's creative acumen focuses on the gulf between the rich and poor, sharing its insights, observations, poignancy, and truth in a deceptively simple narrative.
The Pool is the story of Venkatesh, a "room boy" working at a hotel in Panjim, Goa, who sees from his perch in a mango tree a luxuriant garden and shimmering pool hidden behind a wall. In making whatever efforts he can to better himself, Venkatesh offers his services to the wealthy owner of the home. Not content to simply dream about a different life, Venkatesh is inquisitive about the home's inhabitants-indeed about the world around him-and his curiosity changes the shape of his future.
Remarkably cogent and affecting, this is inspired storytelling distinctive for its ability to transmit a complete viewpoint in just a phrase or brief conversation. Working in Hindi with young actors and in a country obviously not his own, Smith has nevertheless created a superbly incisive portrait that will take a place on a global stage. --© Official Site
Starring: Nana Patekar, Venkatesh Chavan, Jhangir Badshah, Ayesha Mohan
Starring: Nana Patekar, Venkatesh Chavan, Jhangir Badshah, Ayesha Mohan
Director: Chris Smith
Director: Chris Smith
Producer: Kate Noble
Composer: Didier Leplae, Joe Wong
Studio: Cinetic Media
Reviews for The Pool
Reality and fiction fuse like watercolors in this quietly compelling narrative feature.
A lovely, warm, unforced film that gives you time to get to know its characters and isn't propelled by any artificial narrative conventions, or for that matter by any Dickensian social outrage.
The Pool takes viewers on a journey to Goa that is startling not only in the lush physical beauty it reveals but also in the subtle, finely wrought emotions it stirs.
Shimmers silently. A quietly remarkable film, for its seeming simplicity, its careful rhythms, and its interest in a place and its spirit.
By pushing himself far outside his Midwestern comfort zone and working with non-actors in a language he doesn't speak, Smith has created a fable with universal appeal.
The Pool conveys a sense of having been made, not found, but Smith avoids mawkishness and has an ear for how young people speak and relate to one another.
Such a different movie from the Americana Chris Smith has covered in his previous films ... but it's a refreshing departure that gives us a different glimpse at the people of India than we've seen in common Bollywood fare.
One of the weirdest, most original entries in this year's dramatic competition--American indie set in Goe with Hindu actors--The Pool should divide film critics, but a closer look beneath the surface reveals consistent themes in Smith's growing oeuvre
Patekar's ability to convey stoic forbearance with so little apparent effort, is one of the marvellous rewards of this intricately textured and compelling film.
A quiet, quirky, well-observed fiction about aspiration and connection.
It's a movie about a time, a place and a situation that isn't going to change soon. [Director] Smith takes his time to establish the people, the landscape and the striking contrast between the lives of the very rich and the very poor.
This unassuming yet hugely ambitious undertaking reveals a filmmaker with an impressive range and depth of feeling that is only now becoming apparent.
For his keenly observant narrative feature debut, documentary filmmaker Chris Smith and writer Randy Russell have deftly transposed Russell's short story The Pool from Iowa to the Indian state of Goa, in the small city of Panjim.
The resonant, beautifully naturalistic drama The Pool is a return to the familiar subject of haves and have-nots for director Chris Smith.
The Pool is beautiful to look at, and, for what it conveys about human nature, to experience.
Many directors claim to value local color, but few have gone as far, or achieved such impressive results, as has Chris Smith in The Pool.
Latest News for The Pool
January 28, 2007:
Sundance Awards: "Padre Nuestro," "Grace is Gone" Among Competition Winners
Results are in for this year's Sundance festival winners, including awards for John Cusack's "Grace is Gone," Christopher Zalla's "Padre Nuestro," NASA... More...
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