Babbit clumsily underlines emotional moods.
The Quiet (2006)
Tomatometer
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Reviews Counted:92
Fresh:20
Rotten:72
Average Rating:4/10
Consensus: This psychological thriller's talented cast is undercut by leaden pacing and a problematic plot.
Rated: R [See Full Rating] for strong and disturbing sexual content, a scene of violence, language, drug content and brief nudity.
Runtime: 1 hr 36 mins
Genre: Dramas
Theatrical Release:Aug 25, 2006 Limited
Box Office: $289,969
Synopsis: Jamie Babbitt (GILMORE GIRLS) makes his feature debut with this suburban melodrama tinged with the trappings of exploitation films and Gothic horror. Dot (Camilla Belle, THE CHUMSCRUBBER) is a deaf... Jamie Babbitt (GILMORE GIRLS) makes his feature debut with this suburban melodrama tinged with the trappings of exploitation films and Gothic horror. Dot (Camilla Belle, THE CHUMSCRUBBER) is a deaf and mute girl with a troubled past: her mother died when she was seven, and now her deaf father has been run over by a truck. Things get much worse for Dot, however, when she moves in with the Deer family, who make no attempt to hide their dark secrets from her. Patriarch Paul Deer (Martin Donovan) is having an incestuous relationship with his cheerleader daughter, Nina (Elisha Cuthbert, LOVE, ACTUALLY), who spends much of her time lashing out at the new addition to the family. Mother Olivia remains oblivious, shrouded in a haze of pills. Slowly, the two girls come to a tenuous understanding with one another, united in the secrets they share. The shocking conclusion is unexpectedly lurid given the quietness of the film's first half, and the two actresses carry the material beautifully. The coldly lit interior of the family home, which is undergoing renovations, ,creates an utterly creepy backdrop and sets the mood for this tone poem of suburban distress. [More]
Starring: Elisha Cuthbert, Camilla Belle, Edie Falco, Martin Donovan
Starring: Elisha Cuthbert, Camilla Belle, Edie Falco, Martin Donovan, Shawn Ashmore
Director: Jamie Babbitt
Director: Jamie Babbitt
Screenwriter: Abdi Nazemian, Micah Schraft
Composer: Jeff Rona
Studio: Sony Pictures Classics
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Reviews for The Quiet
The stupider things get, the more seriously it takes itself -- and the more seriously it takes itself, the funnier it is.
Speaks queasy volumes about the refracted manner in which the sexualization of female adolescents is viewed as a form of perverse entertainment.
Babbit overplays her hand, heavily hinting at every mystery, and by the midpoint the film is just a long dive into the inevitable.
A weirdly unsatisfying movie...when you find yourself taken aback and moved to giggle all at once, it will mostly be out of a feeling of unease and embarrassment.
I can't think of a human activity I'd recommend less than watching this hackneyed, straining-to-be-lurid domestic drama.
a disturbing drama that is as riveting to watch as it is challenging to contemplate
[Babbit] basically waltzes through this mundane material without so much a titillating revelation that feels grounded in substantial decadence.
[Falls] back on angsty, adolescent clichés about how sick and shallow suburbia is. It may be, sometimes. But it's still not quite as sick and shallow as this.
Intentionally slow-paced, Babbit’s taut direction gives Cuthbert a mean-spirited thriller as an acting showcase. And, Falco does an impressive nude scene!
The world's most inappropriate Harlequin romance novel: a heavy-breather of a potboiler for Judy Blume's audience of babysitters and old men in long coats.
An unconvincing and uninvolving psychological thriller about the ugly reality festering behind the pristine façade of a 'respectable' upper-middle class family.
The Quiet's attractive young cast, erotically charged dialogue, and occasional chills make the movie a whole lot kickier than might be expected.
A repugnant little indie black comedy, poorly acted in hideous-looking digital video, guaranteed to send audiences fleeing for the nearest shower.
A screamingly bad melodrama whose message seems to be that people who think they're talking to a deaf person admit things they wouldn't admit to themselves. Silence, please.
What should be a sustained mood piece instead flops around uncertainly, trading in understated strength for noisy diversion.
As the incestuous abusive father, Martin Donovan is as creepy and scary as a Monogram-era Bela Lugosi.
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