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The Robber (2011)

tomatometer

82

Average Rating: 7.1/10
Critic Reviews: 11
Fresh: 9 | Rotten: 2

No consensus yet.

audience

64

liked it
Average Rating: 3.4/5
User Ratings: 612

My Rating

Movie Info

Directed by Benjamin Heisenberg (Sleeper) and starring established actor Andreas Lust (Revanche), The Robber is slated to open in New York City on April 29, 2011, at the Lincoln Plaza and Cinema Village. The film will expand to other US and Canadian markets during the spring and summer of 2011. Based on a novel by the Austrian author Martin Prinz, and shot on location in Vienna, The Robber was one of the most critically acclaimed films featured at last year's New York Film Festival. The film was

Oct 18, 2011

$82.2k

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All Critics (26) | Top Critics (11) | Fresh (20) | Rotten (7) | DVD (1)

Here is a well-made movie with insufficient interest in its hero.

August 4, 2011 Full Review Source: Chicago Sun-Times
Chicago Sun-Times
Top Critic IconTop Critic

The film boasts several turbocharged chase-and-escape sequences, alongside understated character analysis.

June 9, 2011 Full Review Source: Minneapolis Star Tribune
Minneapolis Star Tribune
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The Robber is powerful stuff.

May 26, 2011 Full Review Source: Philadelphia Inquirer
Philadelphia Inquirer
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"The Robber" is one of the most abstemious thrillers in recent memory.

May 20, 2011 Full Review Source: Washington Post | Comment (1)
Washington Post
Top Critic IconTop Critic

Armed with a screenplay adapted from a Martin Prinz novel based on a true story, writer-director Benjamin Heisenberg has crafted something as serious, quietly determined, and surprisingly compelling as his criminal protagonist.

May 13, 2011 Full Review Source: Boston Globe
Boston Globe
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This story of real-life Austrian criminal Johann Kastenberger is both tranquil and gripping.

May 5, 2011 Full Review Source: Seattle Times
Seattle Times
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Bleak and yet exciting, a fascinating character study built around a pretty unpleasant "hero." If Hollywood could find a star willing to get in spectacular cardio-vascular shape, a lean-mean running machine, I could certainly see a remake...

December 29, 2012 Full Review Source: McClatchy-Tribune News Service
McClatchy-Tribune News Service

The Robber isn't all it could be, but there's a kernel of a great film in it.

October 27, 2011 Full Review Source: Slant Magazine
Slant Magazine

"The Robber" is artfully done but emotionally remote.

June 10, 2011 Full Review Source: St. Louis Post-Dispatch
St. Louis Post-Dispatch

Even if you think you don't like foreign-language films, I bet you'll like this one.

June 10, 2011 Full Review Source: St. Paul Pioneer Press | Comment (1)
St. Paul Pioneer Press

Johann operates with rules of the onscreen gangster ... [Yet he] is a noir protagonist, trapped and doomed by his past.

June 3, 2011 Full Review Source: Film International
Film International

With his taut rhythms, poetic imagery, and assaultive action, Heisenberg transforms the thrills of the genre into an existential fable worthy of Camus.

May 12, 2011 Full Review Source: Boston Phoenix
Boston Phoenix

... the remarkable story of an amazing enigma of a man who gives you no reason to be sympatric toward him but you do, in the end, anyway.

May 11, 2011 Full Review Source: Reeling Reviews
Reeling Reviews

This may be the first art house film that's literally fashioned as a 'roller coaster ride.'

May 11, 2011 Full Review Source: Reeling Reviews
Reeling Reviews

The Robber's race to mediocrity ends with a dying phone call, which among other things is the death of inspiration.

May 9, 2011 Full Review Source: Slant Magazine | Comment (1)
Slant Magazine

A long slog to a poor payoff.

April 29, 2011 Full Review Source: Film Journal International
Film Journal International

To make a protagonist this blank engaging, a filmmaker needs the artistry of Jean-Pierre Melville, or the kineticism of William Friedkin. The Robber's writer-director, Benjamin Heisenberg, has neither.

April 28, 2011 Full Review Source: AV Club
AV Club

Audience Reviews for The Robber

Johann: This is a hold up, let's go.

The Robber may sound like a standard bank robbery/action film from the title and the plot summary, but it is anything but that. For the most part, this is an extremely quiet and slow moving Austrian film. A lot of the runtime is filled watching Johann do different things. He may be training, he may be sitting, he may be "talking" with someone. The film isn't the exciting adrenaline rush you may think it is. 

The Robber follows Johann who is recently released from prison where he was for trying to rob a bank. He's also a runner. He was training the whole time he was in prison. When he gets out, he does marathons and he robs banks. There are some good chase sequences, but they aren't what I'd call "exciting" or "pulse pounding." 

Johann actually quite a boring character. He barely speaks, and when he does it is very dull. Since Johann is our character, who the whole movie is based around; the movie comes off as dull because of that. Now I don't want you to get to much of a wrong impression. The film is pretty well made. It's smart and the ending is extremely well done. I just can't get over the fact that the movie was really, really dull. I was bored basically the whole movie. There are interesting parts, like the chases and like the robberies; but in between is boredom. The relationship between Johann and Erika is poorly done. Erika is also nearly as dull as Johann. 

This is a decent little film that should have been lightyears better. It could and should have been great, but it wasted a lot of its potential. I'm not saying I needed it to be a standard action film, but if you're not going for action, go for something. Nothing is explored here all that much. It's lacking in plot, character, and just about everything else. Yet, it has a watchability factor to it and it is well made, technically speaking. I guess I'm trying to say it is okay, but still a disappointment.
June 27, 2012
blkbomb
Melvin White

Super Reviewer

"I love you, Hans."

Tells the true story of Johann Rettenberger, a marathon athlete who developed robbing banks as a hobby.

REVIEW
Johann is neither a likable person nor is a crazed criminal psychopath which leads the viewer to a unusual predicament in that you start to almost barrack for him. He never hurts anyone, just robs banks and in the interim goes running in marathons. In his face mask and plain clothes, he doesn't even look like he'd hurt a fly. Of course things turn nasty and caught up in the picture is a woman Erika, she, like the audience as events get worse are left with the moral dilemma of choosing an outcome for Johann. Should he get away with it or be caught and serve time? Johann himself never really expresses any real emotion so there is little to understand why he should do what he does, but this adds to the film as it gives the audience more intrigue without throwing in too many questions.

Stylishly the film looks great, some beautiful scenery during one of the marathons are great. And then there are the running sequences, Johann runs a lot, to bank robberies, from robberies and then just for the hell of it. Director Benjamin Heisenberg uses some great camera work to follow Johann on these runs and in one sequence when he is chased by a cop car through a car park, the editing is effective enough to create a tense exciting sequence. The films ends with quietly, in some ways rather sadly, but others may find it a little too predictable. However the film is a great piece of work that makes the audience question itself and it's attitude towards others.
January 1, 2012
LorenzoVonMatterhorn
Lorenzo von Matterhorn

Super Reviewer

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Foreign Titles

  • Der Räuber (DE)
  • The Robber (Der Rauber) (UK)
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