The Sapphires Reviews
Super Reviewer
Super Reviewer
Super Reviewer
Super Reviewer
It's unfairly been labelled "The Australian Commitments" but this is a technically far superior movie. Australia has been producing a lot of quality film-makers and director Blair gives us the sort of good-natured fun movie Hollywood seems to have forgotten how to make. With it's vivid colors, "The Sapphires" recalls the golden age of Hollywood musicals and the first number is a homage to "West Side Story".
O'Dowd is a likeable presence as the loveable rogue who manages the group and introduces them to the joy of soul music. If you're not a fan of soul music you'll struggle to enjoy the movie but, let's face it, if you don't appreciate soul music you'll probably struggle to enjoy life itself.
This year, Australians have given us quality arthouse fare with "Sleeping Beauty" and "The Hunter" and here they successfully take on Hollywood at their own game. "The Sapphires" proves you can be light and breezy without being trite and cheesy. It's cinema you can tap your foot to, how can you not enjoy that?
Super Reviewer
Super Reviewer
Super Reviewer
03-19-2013
The Aboriginal girl group consisting of Gail (Deborah Mailman), Cynthia (Miranda Tapsell) and vocal powerhouse Julie (Jessica Mauboy) are getting nowhere singing country & western covers, but then comes Dave Lovelace (Chris O'Dowd), an Irish boozehound playing piano in dingy pubs. He sees something special in the girls, especially when they tear into a soul number. Adding their snob cousin Kay (Shari Sebbens) and ignoring family wishes to try and pass for white in Melbourne, the girls take their talent on a tour of Vietnam, now calling themselves the Sapphires.
Dave becomes their manager and musical director. As much as he believes in the girls he still has clashes with sharp-tongued Gail (Mailman is a keeper), whose hostility to him conceals her real feelings. As for O'Dowd, he gives a performance like nothing you've ever seen him in. Best known for his role on the Brit comedy The IT Crowd, as well as turns in Bridesmaids and Friends With Kids, O'Dowd is a born scene-stealer, but his performance in The Sapphires is deeper than anything he's ever done, worthy of all kinds of awards. He's funny and nuanced all at once. Sometimes the film tries your patience with clunsy sentiment but it never distracts from The Sapphires themselves rocking out Motown classics. It's an absolute treat.
In short: Set in the late '60s, four Aboriginal sisters dream of becoming pop superstars in Australia, but they must face rampant and destructive racism against Aboriginals. A washed-up, drunken piano player takes the four girls under his wing as they become singers in a USO tour of Vietnam, all in their pursuit of music super stardom.
'The Sapphires' is a sweet, fun, heartwarming but sometimes vulgar drama where the girls are the heart & soul, but rising star Chris O'Dowd ('Bridesmaids, 'The IT Crowd') keeps the story entertaining.
Simply put, this drama explores how far these girls are willing to go to become superstars like 'The Supremes.' The film's first half excellently navigates the Australian racism of the era. While the girls themselves are subjected to racial slurs and second-class citizenship, there is also discrimination within the group itself. Although all four girls in the group are Aboriginal, one of the girls - who had a Caucasian mother - passes for Caucasian herself ... this is perfectly played for dramatic conflict and an illustration of the complexity of Aussie racism.
The movie's second half follows the group as they join a USO tour across the incredibly dangerous terrain of Vietnam. These girls must become more and more professional in their performances as they face the horrors of the Vietnam conflict.
While the girls handle most of the dramatic elements, O'Dowd excellently injects humor in all the right places. In lesser hands, his slovenly and snarky manager could have been a drastic, out-of-place contrast to the earnest efforts of the girls group - but O'Dowd perfectly allows dramatic moments to breathe and knows just how to deliver a comedic jab without seeming inappropriate. He is charming and commands his scenes.
'The Sapphires' looks racism and war directly in the eyes and doesn't shy away from the ugliness of bigotry or violence. These young woman had lived insulated lives in their small Australian communities, however, this story thrusts them into the big city and Vietnam war zones. The film lets the girls experiences speak volumes and change each of the four girls as their journeys move forward.
But it is only the combined effort of the four girls and O'Dowd that results in such a joyous and entertaining film. The film's conflicts never descend into hopeless melodrama. 'The Sapphires' pulls the characters together in their most desperate moments - and its then the film truly shines.
From a narrative point of view, the epilogue-via-textblock was slightly dissatisfying. Biopics should be treated as self-contained narratives with a beginning, middle and end to the story - but the epilogue-via-textblock is a workaround used too often and usually in a matter-of-fact or manipulative manner. Without spoiling how 'Sapphires' ends, the film concludes on an upbeat note, while the epilogue text reveals what became of the girls later on in life. The problem with 'Sapphires' ending, however, is the epilogue carries far more emotional weight than the film's final scene.
Final verdict: This is a true hidden gem of a film - totally worth seeing.
and take a job entertaining troops during the Vietnam War. The screen play was partially written by the son of one of these singers. So, there is some sentimentality involved. But, this is a well made film. And, the singing sequences are very good.
All four of the women have romantic adventures. There is some war time peril. But, mostly, alls well in the end.
If you are looking for an emotional lift; this is the movie for you.
