Gainsbourg has anti-film presence. Why is she in movies hiding from the camera and not wearing makeup or combing her hair?
The Science of Sleep (2006)
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Reviews Counted:152
Fresh:105
Rotten:47
Average Rating:6.6/10
Consensus: Lovely and diffuse, Sleep isn't as immediately absorbing as Gondry's previous work, but its messy beauty is its own reward.
Rated: R [See Full Rating] for language, some sexual content and nudity
Runtime: 1 hr 46 mins
Genre: Dramas
Theatrical Release:Sep 22, 2006 Limited
Box Office: $4,572,038
Synopsis: For his first non-documentary film after 2004's ETERNAL SUNSHINE OF THE SPOTLESS MIND, French writer/director Michel Gondry applies his highly inventive cinematic vision to THE SCIENCE OF SLEEP.... For his first non-documentary film after 2004's ETERNAL SUNSHINE OF THE SPOTLESS MIND, French writer/director Michel Gondry applies his highly inventive cinematic vision to THE SCIENCE OF SLEEP. Largely set in the very active subconscious mind of Stephane (Gael Garcia Bernal), the movie bounces back and forth between his vivid dreams and mundane real life, which involves living in a Parisian apartment owned by his mother (Miou-Miou) and working at an office with a strange crew of characters, including the crass Guy (Alain Chabat). When Stephane meets Stephanie, a shy neighbor from next door (played by Charlotte Gainsbourg, the daughter of Gallic crooner Serge Gainsbourg and British singer/actress Jane Birkin), the two form an unusual friendship, one that may or may not lead to romance. Even more than ETERNAL SUNSHINE, THE SCIENCE OF SLEEP is marked by Gondry's whimsical-yet-melancholy aesthetic (honed working on videos by Bjork, the White Stripes, and others), which makes heavy use of stop-motion animation and other playful visual tricks. While the former film was rooted in its American setting (Long Island, NY), SLEEP is a thoroughly European affair steeped in its French setting, with the eccentric Stephane (a transplant from Mexico) alternating between speaking (and even dreaming) in English, French, and Spanish. Although its occasionally over-the-top quirkiness may baffle some viewers, SLEEP's unpredictable and engagingly odd sense of storytelling is sure to intrigue fans of other indie classics such as AMELIE and PUNCH-DRUNK LOVE. [More]
Starring: Gael Garcia Bernal, Charlotte Gainsbourg, Miou-Miou, Alain Chabat
Starring: Gael Garcia Bernal, Charlotte Gainsbourg, Miou-Miou, Alain Chabat, Pierre Vaneck, Sacha Bourdo
Director: Michel Gondry
Director: Michel Gondry
Screenwriter: Michel Gondry
Composer: Jean Michel Bernard
Studio: Warner Independent
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Reviews for The Science of Sleep
This may be the cinema's most sustained depiction of a dream state. But after the first five minutes you can’t tell if what we're seeing is really happening or just another of Stephane's REM moments.
the film's wild images and sense of fun are fleeting at best, and start to leak away the second the credits begin to roll
What Eternal Sunshine did with magic and whimsy, The Science of Sleep accomplishes with confusion and pretentiousness.
Sweet, crazy, and tinged with sadness, Michel Gondry's new feature The Science of Sleep is a wondrous concoction.
The Science Of Sleep is a collection of lovely little moments and inspired effects with not much holding them together.
Michel Gondry's beguiling new film is so profoundly idiosyncratic, and so confident in its oddity, that any attempt to describe it is bound to be misleading.
In the end, after your time with it, you'll recall it with a smile, remembering its childish wonderment and mischievous sense of humor.
The Science of Sleep is an odd combination of elements, a misty-eyed and even mystical romance with a core of painful emotional realism.
...without screenwriter Charlie Kaufman, Gondry is more stylistic flash than substance.
The Science of Sleep is a frantic and funny diversion, but it pales and tires before its time is up. It doesn’t know the meaning of enough.
Dreams are easy to invent, and as easy to forget. The real challenge is to invent stories that have a stake in logic as well as truth.
It's not that The Science of Sleep is a terrible film. It's not. It's just that it doesn't operate properly and there's nothing worse than seeing a film in which obvious design and potential is ultimately unfulfilled.
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