Michel Gondry's beguiling new film is so profoundly idiosyncratic, and so confident in its oddity, that any attempt to describe it is bound to be misleading.
The Science of Sleep (2006)
Tomatometer
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Reviews Counted:152
Fresh:105
Rotten:47
Average Rating:6.6/10
Consensus: Lovely and diffuse, Sleep isn't as immediately absorbing as Gondry's previous work, but its messy beauty is its own reward.
Rated: R [See Full Rating] for language, some sexual content and nudity
Runtime: 1 hr 46 mins
Genre: Dramas
Theatrical Release:Sep 22, 2006 Limited
Box Office: $4,572,038
Synopsis: For his first non-documentary film after 2004's ETERNAL SUNSHINE OF THE SPOTLESS MIND, French writer/director Michel Gondry applies his highly inventive cinematic vision to THE SCIENCE OF SLEEP.... For his first non-documentary film after 2004's ETERNAL SUNSHINE OF THE SPOTLESS MIND, French writer/director Michel Gondry applies his highly inventive cinematic vision to THE SCIENCE OF SLEEP. Largely set in the very active subconscious mind of Stephane (Gael Garcia Bernal), the movie bounces back and forth between his vivid dreams and mundane real life, which involves living in a Parisian apartment owned by his mother (Miou-Miou) and working at an office with a strange crew of characters, including the crass Guy (Alain Chabat). When Stephane meets Stephanie, a shy neighbor from next door (played by Charlotte Gainsbourg, the daughter of Gallic crooner Serge Gainsbourg and British singer/actress Jane Birkin), the two form an unusual friendship, one that may or may not lead to romance. Even more than ETERNAL SUNSHINE, THE SCIENCE OF SLEEP is marked by Gondry's whimsical-yet-melancholy aesthetic (honed working on videos by Bjork, the White Stripes, and others), which makes heavy use of stop-motion animation and other playful visual tricks. While the former film was rooted in its American setting (Long Island, NY), SLEEP is a thoroughly European affair steeped in its French setting, with the eccentric Stephane (a transplant from Mexico) alternating between speaking (and even dreaming) in English, French, and Spanish. Although its occasionally over-the-top quirkiness may baffle some viewers, SLEEP's unpredictable and engagingly odd sense of storytelling is sure to intrigue fans of other indie classics such as AMELIE and PUNCH-DRUNK LOVE. [More]
Starring: Gael Garcia Bernal, Charlotte Gainsbourg, Miou-Miou, Alain Chabat
Starring: Gael Garcia Bernal, Charlotte Gainsbourg, Miou-Miou, Alain Chabat, Pierre Vaneck, Sacha Bourdo
Director: Michel Gondry
Director: Michel Gondry
Screenwriter: Michel Gondry
Composer: Jean Michel Bernard
Studio: Warner Independent
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Reviews for The Science of Sleep
In the end, after your time with it, you'll recall it with a smile, remembering its childish wonderment and mischievous sense of humor.
The Science of Sleep is an odd combination of elements, a misty-eyed and even mystical romance with a core of painful emotional realism.
A creative, original work by a filmmaker with a fantastic visual flair who refuses to stick to any typical cinematic patterns, even if it's sometimes to a fault.
Nothing much happens, but a lot goes on. It perfectly captures the feeling of what it's like to be young, creative, lost, idealistic and maladjusted, and it recognizes the overlap between the urge to create things and the longing for love.
Gondry fails to come up with a story to support his visual whimsy. But his flights of fancy are intriguing on their own, and his two lead actors captivate throughout.
I loved Science, but in its final minutes I felt that I had a one-way ticket to a cul-de-sac. The scenery is something, though.
There is nothing scientific about this enchanting little story, but it does create a dream world pretty fascinating to visit.
We see the world as Stephane sees it... This world is a surprising and sweet place to be, kind of like when you're driving and you switch on the radio and the perfect song unexpectedly comes on.
[Gondry's] passion for cinematic invention is giddy and palpable, with the rudimentary charms of fellow Frenchman and turn-of-the-century filmmaker Georges Melies.
It is captivating, but confusing and a bit scattershot, like a patchwork quilt of idle thoughts, fantasies and reveries.
Pouring every impulse, inspiration and outlandish image at hand into his project, [Gondry] creates a dream world as visually delightful as it is merrily illogical.
Like Eternal Sunshine and Gilliam's Brazil, it demands to be seen more than once and is impossible to sum up in one review.
The Science of Sleep doesn't tell a story so much as it unravels. A journey through a young man's dreams and desires, it's at once lyrical, strange, and resistant to interpretation.
To me, the movie feels like a small but ingeniously crafted gift, like the stuffed horse Stéphane outfits with a tiny motor for his beloved's pleasure.
In the moment, Gondry and Bernal almost manage to give quirky a good name.
As the movie progresses, we’re presented with one of the best portrayals of the innate awkwardness of first love I can ever remember seeing.
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