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The Science of Sleep (2006)
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Reviews Counted:152
Fresh:105
Rotten:47
Average Rating:6.6/10
Consensus: Lovely and diffuse, Sleep isn't as immediately absorbing as Gondry's previous work, but its messy beauty is its own reward.
Rated: R [See Full Rating] for language, some sexual content and nudity
Runtime: 1 hr 46 mins
Genre: Dramas
Theatrical Release:Sep 22, 2006 Limited
Box Office: $4,572,038
Synopsis: For his first non-documentary film after 2004's ETERNAL SUNSHINE OF THE SPOTLESS MIND, French writer/director Michel Gondry applies his highly inventive cinematic vision to THE SCIENCE OF SLEEP.... For his first non-documentary film after 2004's ETERNAL SUNSHINE OF THE SPOTLESS MIND, French writer/director Michel Gondry applies his highly inventive cinematic vision to THE SCIENCE OF SLEEP. Largely set in the very active subconscious mind of Stephane (Gael Garcia Bernal), the movie bounces back and forth between his vivid dreams and mundane real life, which involves living in a Parisian apartment owned by his mother (Miou-Miou) and working at an office with a strange crew of characters, including the crass Guy (Alain Chabat). When Stephane meets Stephanie, a shy neighbor from next door (played by Charlotte Gainsbourg, the daughter of Gallic crooner Serge Gainsbourg and British singer/actress Jane Birkin), the two form an unusual friendship, one that may or may not lead to romance. Even more than ETERNAL SUNSHINE, THE SCIENCE OF SLEEP is marked by Gondry's whimsical-yet-melancholy aesthetic (honed working on videos by Bjork, the White Stripes, and others), which makes heavy use of stop-motion animation and other playful visual tricks. While the former film was rooted in its American setting (Long Island, NY), SLEEP is a thoroughly European affair steeped in its French setting, with the eccentric Stephane (a transplant from Mexico) alternating between speaking (and even dreaming) in English, French, and Spanish. Although its occasionally over-the-top quirkiness may baffle some viewers, SLEEP's unpredictable and engagingly odd sense of storytelling is sure to intrigue fans of other indie classics such as AMELIE and PUNCH-DRUNK LOVE. [More]
Starring: Gael Garcia Bernal, Charlotte Gainsbourg, Miou-Miou, Alain Chabat
Starring: Gael Garcia Bernal, Charlotte Gainsbourg, Miou-Miou, Alain Chabat, Pierre Vaneck, Sacha Bourdo
Director: Michel Gondry
Director: Michel Gondry
Screenwriter: Michel Gondry
Composer: Jean Michel Bernard
Studio: Warner Independent
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Reviews for The Science of Sleep
...without screenwriter Charlie Kaufman, Gondry is more stylistic flash than substance.
The Science of Sleep is a frantic and funny diversion, but it pales and tires before its time is up. It doesn’t know the meaning of enough.
Dreams are easy to invent, and as easy to forget. The real challenge is to invent stories that have a stake in logic as well as truth.
It's not that The Science of Sleep is a terrible film. It's not. It's just that it doesn't operate properly and there's nothing worse than seeing a film in which obvious design and potential is ultimately unfulfilled.
Gondry seems preoccupied by his technical wizardry rather than making sure his story is keeping perfect time.
the film's wild images and sense of fun are fleeting at best, and start to leak away the second the credits begin to roll
Navel-gazing director Michel Gondry ("Eternal Sunshine of the Spotless Mind") wears his developmentally arrested heart on his sleeve, on his pants, and on his forehead in the most self-indulgent movie of 2006.
Michel Gondry makes more interesting films when he's chasing through screenwriter Charlie Kaufman's playful thoughts than his own.
The hyperactive juvenile whimsy and the stoner dream theories are out of control -- and fascinatingly close to pathology.
As weird and playful as Eternal Sunshine, but not as poetic, romantic or engaging, this structurally messy and visualy busy film is a reflection of Gondry's unbridled and undisciplined imagination--it's the first film based on his own script.
Really nothing more than a phantasmagorical reworking of The Secret Life of Walter Mitty using lots of tacky effects and goofy imagery.
Even though the visual fireworks of Gondry's mind keep you attentive, his clumsy stutterings about love and honesty are painfully underdeveloped.
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