In the end, there's so very much that's charming and inventive about Gondry's highly personal film that you're willing to forgive its storytelling lapses and immerse yourself in The Science of Sleep.
The Science of Sleep (2006)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:152
Fresh:105
Rotten:47
Average Rating:6.6/10
Consensus: Lovely and diffuse, Sleep isn't as immediately absorbing as Gondry's previous work, but its messy beauty is its own reward.
Rated: R [See Full Rating] for language, some sexual content and nudity
Runtime: 1 hr 46 mins
Genre: Dramas
Theatrical Release:Sep 22, 2006 Limited
Box Office: $4,572,038
Synopsis: For his first non-documentary film after 2004's ETERNAL SUNSHINE OF THE SPOTLESS MIND, French writer/director Michel Gondry applies his highly inventive cinematic vision to THE SCIENCE OF SLEEP.... For his first non-documentary film after 2004's ETERNAL SUNSHINE OF THE SPOTLESS MIND, French writer/director Michel Gondry applies his highly inventive cinematic vision to THE SCIENCE OF SLEEP. Largely set in the very active subconscious mind of Stephane (Gael Garcia Bernal), the movie bounces back and forth between his vivid dreams and mundane real life, which involves living in a Parisian apartment owned by his mother (Miou-Miou) and working at an office with a strange crew of characters, including the crass Guy (Alain Chabat). When Stephane meets Stephanie, a shy neighbor from next door (played by Charlotte Gainsbourg, the daughter of Gallic crooner Serge Gainsbourg and British singer/actress Jane Birkin), the two form an unusual friendship, one that may or may not lead to romance. Even more than ETERNAL SUNSHINE, THE SCIENCE OF SLEEP is marked by Gondry's whimsical-yet-melancholy aesthetic (honed working on videos by Bjork, the White Stripes, and others), which makes heavy use of stop-motion animation and other playful visual tricks. While the former film was rooted in its American setting (Long Island, NY), SLEEP is a thoroughly European affair steeped in its French setting, with the eccentric Stephane (a transplant from Mexico) alternating between speaking (and even dreaming) in English, French, and Spanish. Although its occasionally over-the-top quirkiness may baffle some viewers, SLEEP's unpredictable and engagingly odd sense of storytelling is sure to intrigue fans of other indie classics such as AMELIE and PUNCH-DRUNK LOVE. [More]
Starring: Gael Garcia Bernal, Charlotte Gainsbourg, Miou-Miou, Alain Chabat
Starring: Gael Garcia Bernal, Charlotte Gainsbourg, Miou-Miou, Alain Chabat, Pierre Vaneck, Sacha Bourdo
Director: Michel Gondry
Director: Michel Gondry
Screenwriter: Michel Gondry
Composer: Jean Michel Bernard
Studio: Warner Independent
Get This Movie
Reviews for The Science of Sleep
Gondry's vision is a little more hermetic than Kaufman's, as well as less cynical and world-wise. Those differences give The Science of Sleep an air of breathless wonder, but they also make it feel a little immature as well.
The movie does have a dreamlike quality. But it's like one of those dreams where you're late for work and you can't find your shoes.
With Science, [Gondry] conjures up some of the most surreal visual images you'll see in a movie this year.
The soul of Gondry’s work, it seems to me, is neither its soaring flights of visual fancy nor its sometimes crude slapstick, but rather its pained understanding of a generation hopelessly tongue-tied when it comes to matters of the heart.
The Science Of Sleep is a collection of lovely little moments and inspired effects with not much holding them together.
[Gondry] understands the bittersweet pleasures of unrequited love, how love unattained is always love untainted. Possibility perpetually exists. Dream logic? Perhaps.
That the film does not have a coherent narrative to sustain it is not as unforgivable as the fact that there is no emotional entry point.
It remains a testament to the triumphant nature of Gondry's imagination that reality in this movie feels less real than the fantasies. You're encouraged to mistake one for the other. In some circles, that's called cinema.
The most definitive, most expressive, most imaginative, most thorough, most beautiful cinematic cogitation of romance, ever. And a big middle finger to everyone who disagrees.
Ultimately, The Science Of Sleep is about the dividing line between whimsy and simple immaturity.
A decent portrait of a shy man whose dreams liberatehim from the everyday.
The film has no shape, but while we watch, Gondy makes sure we're lovingly distracted with his individual, inventive moments.
Michel Gondry's introverted and untethered whimsy becomes oppressive, and very quickly boring. ... 'The Science of Sleep' drifts away into woozy inconsequence.
Michael Gondry seems to know what he is doing, layering the Gael Garcia Bernal charm factor with some edge.
...without screenwriter Charlie Kaufman, Gondry is more stylistic flash than substance.
Gondry seems preoccupied by his technical wizardry rather than making sure his story is keeping perfect time.
[Its] surreal reach is unfettered, and as with Stephane's dreams it defies its own boundaries, mirroring a distressed human being's attempt to get a grip on wildly passionate emotions.
one of those movies art house lovers will champion, but the film drives me mad with efforts that end up being too cute by half, if they were ever cute in the first place.
Latest News for The Science of Sleep
February 21, 2008:
Box Office Guru Preview: Vantage Point Aims For #1 Debut
A terrorist attack is played out through multiple perspectives in the high-octane political thriller Vantage Point which leads the four-pack of new openers which also includes... More...
January 10, 2007:
Golden Tomato Awards: "Casino Royale," "The Queen" Best-Reviewed of 2006
The 8th Annual Golden Tomato Awards were announced today, and "Casino Royale" and "The Queen" are the best reviewed wide and limited releases, respectively.... More...
October 09, 2006:
Box Office Wrapup: Leo and Matt Face Off at #1 with The Departed
Martin Scorsese scored the best opening of his career, and his first number one film in fifteen years, with the star-studded gangster thriller "The Departed," which... More...
October 02, 2006:
Box Office Wrapup: Open Season Shoots Up #1 Opening
Ashton Kutcher ambushed the top two spots at the North American box office this weekend playing an animated mule and a Coast Guard rookie in Open Season and The Guardian,... More...
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Around The Network
- The Science of Sleep at Rotten Tomatoes
- The Science of Sleep at IGN
- The Science of Sleep at AskMen
Fresh Links
Featured

Techland lists the best Sci-Fi films of this decade.

Moviefone takes a look back at the biggest stinkers of the past 10 years.

The Me and Orson Welles star answers reader questions on TIME.com.

Hollywood.com's C. Robert Cargill offers his thoughts on what the best decade for film was.

In the AV Club's "Scenic Routes," Mike D'Angelo reminisces about the Tim Burton film.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic


