The Silence (2013)
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as Peer Sommer
as Timo Friedrich
as Krischan Mittich
as Elena Lange
as David Jahn
as Julia Friedrich
as Matthias Grimmer
as Ruth Weghamm
as Karl Weghamm
as Jana Gläser
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Critic Reviews for The Silence
Twisted, sad and undeniably disturbing, "The Silence" is a study in the sick ways of men.
A story of obsession, of the permanence of loss, of how deeds of the past haunt us, closing over our heads like water. It leaves you shivering, yet thrilled; waiting anxiously for this talented new filmmaker's next work.
"The Silence" is framed as a multi-character police procedural, but like "Mystic River" and "Zodiac," its inquiries probe deeper and darker.
Its measured pacing whispers art while its lurid subject matter screams commerce.
Audience Reviews for The Silence
Not devoid of flaws but still rich in complexity and with an exquisite cinematography, this is an engaging crime thriller centered on a gallery of characters whose lives are thrown upside down when a criminal investigation brings up latent issues of a sordid long-gone past.
A good, slow boiling thriller, that shows different viewpoints of a disastrous situation. Tough subject matter, but well done. Good acting, decent cinematography, and leaves you wondering...but not in the way that I hate. I hate the no answer endings. This ending is clear, but leaves you wondering what the future holds...
In 1986, an eleven year old girl goes missing and is eventually found murdered. On the 23rd anniversary of her murder, her mother Elena(Katrin Sass) goes by the spot to pay her respects, only to find another girl, Sinikka(Anna-Lena Klenke), has now gone missing under similar circumstances. David Jahn(Sebastian Blomberg) is the detective assigned to the case, even though he has just gotten back from bereavement leave. And Mittich(Burghart Klaussner), the detective from the original case, is retired and barred from the crime scene.
And the award for the creepiest German language movie not made by Michael Haneke goes to...but in all seriousness "The Silence" takes an already tired sub-genre like the missing kid and, while simultaneously paying respect to and subverting its cliches, turns it all on its head into a stunning and devastating movie about loss that works on so many levels. The least of which is how the movie gets the languorous state of summer so right. In that setting, the movie expertly tells this multi-faceted mystery from several points of view of its flawed, damaged and dangerous characters. That's not to mention it also finding the perfect moment to end on.
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