Average Rating: 3.6/10
Reviews Counted: 111
Fresh: 16 | Rotten: 95
Though its visuals are unique, The Spirit's plot is almost incomprehensible, the dialogue is ludicrously mannered, and the characters are unmemorable.
Average Rating: 3.4/10
Critic Reviews: 27
Fresh: 2 | Rotten: 25
Though its visuals are unique, The Spirit's plot is almost incomprehensible, the dialogue is ludicrously mannered, and the characters are unmemorable.
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Average Rating: 2.6/5
User Ratings: 119,353
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A resurrected cop does battle with a villain whose quest for immortality threatens an entire metropolis in Sin City creator Frank Miller's adaptation of Will Eisner's acclaimed graphic novel. When a rookie cop is brutally killed and mysteriously brought back to life, he assumes the guise of The Spirit (Gabriel Macht) -- a masked crime fighter who prowls the shadows of Central City on a supernatural mission to keep the urban landscape safe. Upon discovering that his arch nemesis, The Octopus
Dec 25, 2008 Wide
Apr 14, 2009
$19.8M
Lionsgate Films
All Critics (112) | Top Critics (27) | Fresh (17) | Rotten (96) | DVD (4)
What is most striking about The Spirit is how little pleasure it affords, in spite of its efforts to by sly, sexy, heartfelt and clever all at once.
I thought it was sort of cool and corny simultaneously.
Is it campy? Or is it cool? Is it stylized? Or is it corny and cheesy? It doesn't really know.
Someone get this man a decent script.
Denny Colt might have come back from the dead, but The Spirit stays cold on the slab.
It's not easy to make a thriller that's both incredibly convoluted and intensely boring, laboriously narrated yet befuddled, but Miller -- creator and co-director of Sin City -- triumphs on all counts.
The Spirit feels like an extended trip through Frank Miller's personal fantasyland, and it's easy to guess how interesting a film made for an audience of one is going to be to anyone else.
I guess a movie this brassy, sumptuous, and unafraid of what-the-hell effects, gags and visuals isn't enough for a lot of people. I don't really know why.
A blissfully coked-out-of-its-mind spit-take on Eisner and the modern world of superhero cinema, The Spirit is wet bag of hot breath.
If Frank Miller is aiming for camp, he's playing cricket with a sledgehammer
Certifiably, but agreeably, insane, "The Spirit" plays like "Dick Tracy" on brown acid. Dialogue is bleated, not spoken. Artifacts are used as snuggle blankets. And it's aggressively bizarre, but it's the definition of guilty-pleasure entertainment.
No amount of flash can camouflage the career-low performances, the scaffolding where characterisation should be, the pitiful cod '40s dialogue, the monstrously fumbled comedy.
More interested in being a technical marvel than a coherent story.
In this erotic sleuthing laced with backward babes, Sarah does female doormat duty and Eva kicks butt when not baring it, while Scarlett's shrewdie hangs with homicidal fatty clones, like an underworld Madonna bossing an obedient crew of paunchy boy toys.
Mr. Miller you have some explainin' to do...read on->
Soa como uma mistura desajeitada de filme noir e da série de tevê Batman produzida na década de 60.
As an action director Miller is almost as clumsy as Baz Luhrmann, but he's far from naïve, and presumably the delirium of The Spirit is exactly what he intended.
Miller's background as an artist was undoubtedly an important factor in achieving the striking visual effects. It's just when the human characters dominate the action that the film sinks like a stone.
It's a plot from the 'more is more' school of scriptwriting and while the live action crossed with stylised graphic novel effect is sublime, it can't distract from the clunkiness of it all.
The Spirit is hollow, with a convoluted plot, and Miller has clearly opted for visual style over thematic depth.
As it went on, I discovered that it had a kind of appealingly dumb, playful quality.
Miller's directing chops, er, chop, is non-existent, offering up a muck of amateurish posturing, weak storyline and tedious characters. As for the title? Ouch, that's some irony.
Eva Mendes is the new Raquel Welch but even Raquel/Eva can't make this movie work
When you start watching this you get feelings of 'Batman', 'Darkman', 'The Shadow' and 'Dick Tracy' with a splash of 'The Crow' in the looks department, yet all these things cant make it any good. I'll be honest, I really didn't follow this film much atall lol the plot is very messed up, it jumps around with so many
January 8, 2009Super Reviewer
Boy....this was the shits. It's like Frank Miller learned something while watching Robert Rodrigues work his magic on Sin City. And then...he did the exact same thing here...but without the director skills of Robert Rodriguez. And with a boring plot. The visuality is the only impressive thing about this...some of it
September 18, 2011Super Reviewer
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Pictures: Wes Anderson films
Video: Your friendly four minute preview
Trailer: The legend continues!