The Sugarland Express (1974)
Critics Consensus: Its plot may ape the countercultural road movies of its era, but Steven Spielberg's feature debut displays many of the crowd-pleasing elements he'd refine in subsequent films.
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After establishing himself with the classic made-for-TV thriller Duel, director Steven Spielberg was given a crack at a theatrical feature. Adapted by Spielberg, Hal Barwood and Matthew Robbins from a true story, The Sugarland Express stars Goldie Hawn as the wife of convict William Atherton. In danger of losing her child to the authorities, Hawn helps Atherton bust out of jail, hoping that he'll help her keep her baby. Taking police officer Michael Sacks hostage, the couple speeds across America in their beat-up car, followed every inch of the way by a flashing-light convoy of police vehicles. Deceptively light-hearted for the most part, the film unexpectedly--and effectively--deepens into melodrama and tragedy as it draws to a close. On the strength of this film, Spielberg was assigned to a little something called Jaws, while scripters Barwood and Robbins went on to pen the script for the engaging baseball picture The Bingo Long Travelling All-Stars and Motor Kings. … More
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Critic Reviews for The Sugarland Express
If the movie finally doesn't succeed, that's because Spielberg has paid too much attention to all those police cars (and all the crashes they get into), and not enough to the personalities of his characters.
The Sugarland Express is not terribly original - Bonnie and Clyde, Badlands and The Getaway are indelibly marked in its DNA - but shows an already dazzling young filmmaker honing his skills and vision.
Steven Spielberg in Malickland, with dolly and zoom and a wagonload of familial issues
Reflecting the zeitgeist of mid-1970s America, this early Spieleberg picture is still one of his strongest, dealing with alienation, anarchy, and lack of control; Goldie Hawn gives an uncharacteristicaly forceful dramatic performance.
One of the most purely fun and slyly political films Spielberg has ever made. One of Hawn's best performances.
[W]ould be mostly forgotten melodrama if it hadn't been directed by a kid named Steven Spielberg...
Features real attention to the sort of character dynamics that would serve subsequent [Spielberg] titles.
a fine example of the fugitives-on-the-run genre, holding its own alongside Thelma and Louise, Bandits, The Defiant Ones, and to a lesser extent Badlands and Bonnie and Clyde
Masterful command of atmosphere and tone, great, understated performances.
With this first theatrical feature, Steven Spielberg proved he had the right stuff to become America's purest and most accomplished film entertainer.
Audience Reviews for The Sugarland Express
While not his first film ever, this was the feature length theatrical debut of a nice guy named Steven Spielberg. Based on actual events, this film tells the story of an outlaw couple who take a highway patrolman hostage in an ill-conceived but desperate effort to keep their child from being taken away from them and adopted. It's not long before they are accompanied by a convoy of law enforcement and media, and stir up support from just about every averge citizen they cross paths with as they journey across Texas.
This film very much fits into the zeitgeist of the time period, and it really reminded me of a movie that was released a year later...a little movie called Dog Day Afternoon. Whereas that film was a brilliant masterpiece, this one is really fun and entertaining, but almost too absurd to really take seriously, even though it is based on real life. Maybe there should have been a couple fewer scenes of cars scrashing or swerving, and a bit more time spent on developing the characters and their personalities better.
The film is uneven and a little rough, but Im not sure who to really blame here. Spielberg had experience making films, so who knows? I will say though that it's cool seeing a pre-Ghostbuster William Atherton, and 70s era Goldie Hawn. They both give pretty good performances (especially Hawn), as do Ben Johnson and Michael Sacks. The music is quite nice, and the cinematography is pretty good too.
Besides what I've already mentioned the film also is a tad unfocused and a bit dated, yet it has a very charming quality to it, and it's certainly not boring. It has some issues, but I like it enough to give it a mild recommendation, so you should give it a shot.
"Every cop in the state was after her. Everybody else was behind her."
Lou-Jean, a blonde woman, tells her husband, who is imprisoned, to escape. They plan to kidnap their own child, who was placed with foster parents. The escape is partly successful, they take a hostage, who is a policeman and are pursued through to Texas...
Although he began his rise with the now-classic 1971 made-for-TV thriller Duel, The Sugarland Express, released in early 1974, is Steven Spielberg's first actual big-screen foray.
Loosely based on an actual incident that occurred in Texas in 1969, the film focuses on a fugitive couple (Goldie Hawn, William Atherton) who kidnap a Texas state trooper (Michael Sachs) at gunpoint and force him to drive them to Sugarland to get their infant son back from a foster home. What ensues, however, is a nearly 30 hour-long chase across southern Texas involving pretty much the entire Texas law enforcement community (and some right-wing gun nuts, too), including a very sympathetic veteran peace officer (Ben Johnson), who realizes that Hawn and Atherton are "nothin' but a couple of kids."
Audiences were led to believe, based on the presence of former "Laugh-In" star Hawn, that The Sugarland Express would be a comedy. But the fact that there is gunfire and action within told them otherwise. There is humor, to be sure, much of it very Southern-fried; but Spielberg ratchets up the dramatic and tragic aspects of the story. For that reason, Sugarland was not much more than a minor box-office hit, more of a prelude to Jaws, which would come out the following year. But as an unconventional road drama and a story about love and crime taken to an extreme, The Sugarland Express is masterful. Hawn got most of the attention, and rightly so; but the really great performance here is from longtime John Ford/Sam Peckinpah veteran Johnson, who is superb as the Texas lawman sympathetic to their cause but sworn to uphold his oath to the state.
A must-see early film from master cinemagician Steven Spielberg.
I was surprised to find out this Steven Spielberg adventure-crime-drama film is based on a true story the couple plan to kidnap their own child, who was placed with foster parents. The escape is partly successful, they take a rookie Texas State trooper hostage. Really interested and excitement. The ending was sad as well, but I won't give it away.
Goldie Hawn's performance is brave, funny and wonderful. In fact, all the acting is excellent, right down to the last two-line player.
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