On a quiet midday in New York, along the Lexington Avenue subway line, the train designated "Pelham One Two Three" -- so named for its station of origin and time of departure -- makes its way down the East Side of Manhattan. One by one, three men board the train, and at 28th Street, a fourth man approaches the motorman (James Broderick) and points a pistol at him, ordering him to unlock the door to his cab and admit the man waiting there; meanwhile, another man points a gun at the conductor and
threatens to kill him unless he holds the doors open and then closes them when the man talking to the motorman is aboard. Once on board, "Mr. Blue" (Robert Shaw) and "Mr. Green" (Martin Balsam) halt the train between stations, while "Mr. Brown" (Earl Hindeman) and "Mr. Gray" (Hector Elizondo) seal off the lead car. With Mr. Green at the controls, the front car is separated and isolated in the tunnel with 17 passengers aboard, and then Mr. Blue presents their demands over the radio: one million dollars in cash, within one hour, or they will start shooting one passenger each minute. On the other end, Transit Police Lieutenant Zachary Garber (Walter Matthau) must overcome his initial disbelief to deal with this threat, amid the confusion of a subway system that's chaotic even when it's running normally. With the mayor reluctantly aboard to pay the ransom, Garber must keep the hijackers from carrying out their threat while the money is transported, and keep the hotheads around him and on the police force under control -- and figure out how they intend to get away with a million dollars from inside a subway tunnel with police on all sides. ~ Bruce Eder, Rovi
The original version of The Taking of Pelham One Two Three was made 35 years ago, yet it retains a quality of cool that will remain long after people have forgotten the current version.
Superior exercise in urban paranoia; the superb location work of director Joseph Sargent goes a long way toward tempering the artificialities of the plot.
Smart, tense, and funny, Joseph Sargent's thriller is a product of its times, reflecting New York in the 1970s and part of a cycle of urban paranoia movie, such as French Connection and Dog Day Afternoon.
Director Sargent piles on the tension expertly, proving that sometimes the simplest plots are the most effective. Those who think that the action thriller is an invention of the last two decades would do well to check this one out.
I don't expect perfect realism in my films but even allowing for dramatic license, I found Pelham 123 just had a bit too much "Alka-Seltzer TV ad" faux authenticity for my taste. Everyone in this movie is oh, so colorful, ethnic and ready with a perfect one-liner. After a while, it just gets to feeling very scripted
to me.Still... a fun flick - beautifully paced and a great time capsule of cruddy NYC circa '74.
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