The Tenants (2005)
Runtime: 1 hr 37 mins
Genre: Dramas
Starring: Dylan McDermott, Snoop Dogg, Rose Byrne, Niki J. Crawford, Aldis Hodge
Buy It On DVD
Reviews
The stripped-down production looks more like a play than a movie, but all the actors do a decent job with a script which turns increasingly preposterous at every turn.
...a thoroughly dated and hopelessly irrelevant piece of work...
The Tenants ranges from one-set character piece to race-centric speech-making to Cinemax style bedroom dealings... Well, at least it's not boring.
Alternately tedious and bombastic, the film never achieves a consistent tone, and the characters and situations, while seemingly played on a realistic level, are neither remotely credible nor satisfyingly surreal.
...a good try from a first-time director that never quite hits the mark.
[Snoop] and McDermot have a weird chemistry together and fascinating to watch.
Danny Green's adaptation of Bernard Malamud's earnest 1971 novel about art and the clash between black and white feels about as anachronistic as the New York City rents cited in the film.
Snoop Dogg and Bernard Malamud don't often pop up in the same sentence, but they make an effective combination in a quiet little indie called The Tenants.
Middle-class Jewish liberal Lesser befriends semi-homeless African-American Spearmint, and from the moment their tenuous relationship begins, you know there's going to be trouble.
This film version of 'The Tenants'is a disservice to author Bernard Malamud as well as to the audience.
The message about race relations in America conveyed by this choppy and psychologically cauterized screen adaptation of Bernard Malamud's 1971 novel is dire.
The stage is set for a full-scale racial conflict, but neither actor is really up to the task.
There's something about the no-exit, zero-sum logic of the film's rivalry that makes this dingy, grim little indie hard to look away from.
For a hip-hop icon defined by his own cartoonish gangsta-pimp persona, Snoop Dogg nonetheless turns out to be the most genuine presence in The Tenants.
[The Tenants] keeps grimly glued to its one-note premise, relieved by nary a glimmer of humor, surprise or personality.
Accurately and passionately portrays the animosity between an African-American writer and his Jewish counterpart.
A bleakly funny, quietly harrowing exploration of the confluence of race, art, and privilege in pre-gentrification Brooklyn.


Top Critic