The Trouble with Harry (1955)
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as Capt. Albert Wiles
as Sam Marlowe
as Jennifer Rogers
as Miss Ivy Gravely
as Mrs. Wiggs
as Arnie Rogers, Harry...
as Calvin Wiggs
as Dr. Greenbow
as Art Critic
as Harry Worp
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Critic Reviews for The Trouble with Harry
This latest of Mr. Hitchcock's efforts is a curiously whimsical thing.
One of the absolute funniest movies of the 1950s, not least because it is perhaps the most puckish.
A spirited irreverence about the power of death pervades. Think of this as a relief valve compared to most of Hitchcock's other films.
Audience Reviews for The Trouble with Harry
No lost masterpiece here - slightly amusing Hitchcock black comedy. The male leads are leaden but Shirley MacClaine is smart sexy quirky cute right out of the gates.
This is a delightfully twisted film from old Mr. Hitchcock. Set in a small Vermont town during autumn, this is a mystery/comedy centered around a dead body.
A man named Harry is found dead by a small boy who immediately goes and tells his mom. As she and others happen upon the corpse, they all, for different reasons, think they are to blame in some way for his demise. What follows then are their many attempts to hide the body and cover their tracks as the threat of being caught looms over head.
This is somewhat atypical Hitch because it is the closest he ever came to overt comedy. Granted, it's about a corpse, and the bulk over the humor is of the dry, and darkly morbid variety, but still, even with some suspense, this is a rather lighthearted affair. It's got a good set up, and some wonderful moments, but I do think the ending is rather problematic, mostly because it seems rushed and tacked on. Everything else though is fine.
We get a good cast and some fine performances from this one too. A young Jerry Mathers plays the little boy, his mom is played by then 20 year-old Shirley MacLaine in her film debut, and Edmund Gwenn, John Forsyth, Mildred Natwick, and Royal Dano round out the key players and suspects. With the technical stuff, we get some good cinematography, and real nice visuals, some of which come off as really painterly and picturesque, which is fitting given that art plays a sizable role here. There's an enjoyable and playful score from Bernard Herrmann, and the overall mood and tone make this movie a real off-kilter treat.
It's not the best, and I might be somewhat inflating my grade, but this film gets a lot right, and it is supremely enjoyable, so, if it's not too much *trouble*, try to give it a watch, okay?
Hitchcock's black comedy classic is a different direction for the master and he adapts well.
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