The Twelve Chairs (Las doce sillas) (1963)
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Upon learning that his mother-in-law had hidden a fortune in jewels inside one of twelve identical parlor chairs taken from her villa by revolutionary authorities, a young Cuban man sets out on a frantic treasure hunt in this classic comedy from Strawberry and Chocolate director Tomás Gutiérrez Alea. The Cuban Revolution has swept through the land, and now the property of the rich is about to become nationalized. Despite a decree by the government stating that citizens are to allow revolutionary
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