A SMOOTH tale of murder and deception... great cast and fine film.
The Walker (2007)
Tomatometer
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Reviews Counted:59
Fresh:31
Rotten:28
Average Rating:5.3/10
Consensus: Despite a strong performance from Woody Harrelson, The Walker can be slow and dull at times, detracting from the talented cast.
Rated: R [See Full Rating] for language, some violent material and nude images.
Runtime: 1 hr 48 mins
Genre: Dramas
Theatrical Release:Dec 7, 2007 Limited
Box Office: $43,189
Synopsis: Director Paul Schrader (AMERICAN GIGOLO, AFFLICTION) has often described himself as making films with two characters: a man and his room. In THE WALKER, his lonely man is Carter Page III (Woody... Director Paul Schrader (AMERICAN GIGOLO, AFFLICTION) has often described himself as making films with two characters: a man and his room. In THE WALKER, his lonely man is Carter Page III (Woody Harrelson), a charming social accessory in the Capote vein, escorting the wives of high-powered politicians to society gatherings and offering witty rejoinders at the appropriate moment. Dressed in a peacock's assortment of tailored suits, Carter attends an exclusive, trash-talking canasta game with the wilting wives of D.C. power brokers: queen bee Natalie Van Miter (Lauren Bacall), old vet Abigail Delorean (Lily Tomlin), and newcomer Lynn Lockner (Kristin Scott Thomas). It is not unimportant that Carter, the prodigal son of a famed Southern politician, is gay and living in a city controlled by a right-wing administration. Indeed, it is Washington D.C. that provides Schrader's stifling "room," a landscape where everyone has an angle, sympathies change in a heartbeat, and lives are ruined with a whisper. The film's plot is set into motion when Carter chauffeurs Lynn to a sexual rendezvous with a Washington lobbyist; she discovers him dead, perforated by stab wounds. Fearing scandal, Carter covers up for her and soon finds himself under the spotlight of an investigation. Hounded by a self-righteous, ambitious D.A., Carter begins probing the matter himself with the help of his photographer boyfriend, a decision that puts both their lives in peril. A compelling character study disguised as a thriller, THE WALKER is anchored by Harrelson's brilliant and nuanced performance of the superficial (but exactly how superficial?) Carter Page III, and the perfect casting of Bacall and Tomlin as career wives. Though eminently watchable for its twists and turns, the film's more lasting impression is its intriguing tapestry of insular, double lives. [More]
Starring: Woody Harrelson, Kristin Scott Thomas, Lauren Bacall, Ned Beatty
Starring: Woody Harrelson, Kristin Scott Thomas, Lauren Bacall, Ned Beatty, Moritz Bleibtreu, Mary Beth Hurt, Lily Tomlin, Willem Dafoe
Director: Paul Schrader
Director: Paul Schrader
Screenwriter: Paul Schrader
Producer: Deepak Nayar
Composer: Anne Dudley
Studio: ThinkFilm
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Reviews for The Walker
In this, the third in his 'lonely man' trilogy, [writer/director Paul] Schrader's reach exceeds his grasp, but his intentions are interesting, and the artifice he creates contributes to the otherworldliness of his Washington.
The Walker seems the work of a straight movie artist trying to “do” gay. There is no reality humanising the caricatural extremes.
It looks tired, slightly soft in the middle, and yet there is a raw, hard-won honesty here that puts most contemporary US movies to shame.
A morally charged drama about the nasty games played by the rich and the powerful in Washington, D.C.
The rattling whispers of political critique come off as fledgling efforts to give the film an importance above what it is
Moody and rather pretentious, this drama at least has a handful of intriguing characters to keep our interest.
Written and directed with elegant finesse by Paul Schrader, the film is a character study wrapped in a story of political and corporate misconduct.
Wittily entertaining stuff, with the cast clearly relishing their snarky dialogue. Plus, the backdrop of political double dealing, with references to Whitewater and other D.C. shenanigans, adds an extra element of interest.
This is a serious movie and, gliding around the center of power, a stylish one. But, like its protagonist, The Walker is unable to close the deal.
By the end of The Walker a movie that begins as a dazzling round of charades has deteriorated into a plodding game of Clue.
A charismatic and charming film with lots of delightful turns of phrase but it also ends up feeling as frivolous and fleeting as its main protagonist.
There is good writing here, and Thomas is very good as always, but the movie works because of Harrelson's performance.
Harrelson is an entertaining mix of Old South camp and quiet pathos but neither he nor the script's desultory attempts at post-9/11 commentary are enough to elevate it above the level of a pretentious John Grisham adaptation.
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