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The Walker (2007)
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Reviews Counted:59
Fresh:31
Rotten:28
Average Rating:5.3/10
Consensus: Despite a strong performance from Woody Harrelson, The Walker can be slow and dull at times, detracting from the talented cast.
Rated: R [See Full Rating] for language, some violent material and nude images.
Runtime: 1 hr 48 mins
Genre: Dramas
Theatrical Release:Dec 7, 2007 Limited
Box Office: $43,189
Synopsis: Director Paul Schrader (AMERICAN GIGOLO, AFFLICTION) has often described himself as making films with two characters: a man and his room. In THE WALKER, his lonely man is Carter Page III (Woody... Director Paul Schrader (AMERICAN GIGOLO, AFFLICTION) has often described himself as making films with two characters: a man and his room. In THE WALKER, his lonely man is Carter Page III (Woody Harrelson), a charming social accessory in the Capote vein, escorting the wives of high-powered politicians to society gatherings and offering witty rejoinders at the appropriate moment. Dressed in a peacock's assortment of tailored suits, Carter attends an exclusive, trash-talking canasta game with the wilting wives of D.C. power brokers: queen bee Natalie Van Miter (Lauren Bacall), old vet Abigail Delorean (Lily Tomlin), and newcomer Lynn Lockner (Kristin Scott Thomas). It is not unimportant that Carter, the prodigal son of a famed Southern politician, is gay and living in a city controlled by a right-wing administration. Indeed, it is Washington D.C. that provides Schrader's stifling "room," a landscape where everyone has an angle, sympathies change in a heartbeat, and lives are ruined with a whisper. The film's plot is set into motion when Carter chauffeurs Lynn to a sexual rendezvous with a Washington lobbyist; she discovers him dead, perforated by stab wounds. Fearing scandal, Carter covers up for her and soon finds himself under the spotlight of an investigation. Hounded by a self-righteous, ambitious D.A., Carter begins probing the matter himself with the help of his photographer boyfriend, a decision that puts both their lives in peril. A compelling character study disguised as a thriller, THE WALKER is anchored by Harrelson's brilliant and nuanced performance of the superficial (but exactly how superficial?) Carter Page III, and the perfect casting of Bacall and Tomlin as career wives. Though eminently watchable for its twists and turns, the film's more lasting impression is its intriguing tapestry of insular, double lives. [More]
Starring: Woody Harrelson, Kristin Scott Thomas, Lauren Bacall, Ned Beatty
Starring: Woody Harrelson, Kristin Scott Thomas, Lauren Bacall, Ned Beatty, Moritz Bleibtreu, Mary Beth Hurt, Lily Tomlin, Willem Dafoe
Director: Paul Schrader
Director: Paul Schrader
Screenwriter: Paul Schrader
Producer: Deepak Nayar
Composer: Anne Dudley
Studio: ThinkFilm
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Reviews for The Walker
Attempting to encompass too many genres dulls the overall effect but this still commands a certain fascination.
The Walker might have meant something, but it tails off into vagueness.
The rattling whispers of political critique come off as fledgling efforts to give the film an importance above what it is
The thriller plot is over-dependent on coincidence and virtually impossible to follow, still less care about. Schrader's sniping at the Bush-Cheney administration seems obtuse rather than sharp, and badtempered instead of scintillating.
Harrelson's overly pronounced southern accent doesn't come close to its alleged Virginian origin in a slight murder mystery where we care nothing for the victim, the suspect or the identity of the killer.
As slow as its title character's Southern drawl, and it falls between audience segments, being neither arty nor terribly commercial.
Harrelson is an entertaining mix of Old South camp and quiet pathos but neither he nor the script's desultory attempts at post-9/11 commentary are enough to elevate it above the level of a pretentious John Grisham adaptation.
The third (and weakest) panel in Schrader's informal trilogy of "lonely men" consists of one interesting character but it's contained in an underdeveloped political plot with too many lazy anti-conservative attacks, resulting in a lethargic experience
If Schrader was willing to enliven the pace, The Walker would easily become a riveting thriller, but the situation gets resolved with too much ease.
This is a serious movie and, gliding around the center of power, a stylish one. But, like its protagonist, The Walker is unable to close the deal.
When a good actor makes a bad choice, he can only hope to be saved by his director, and Woody Harrelson didn't get that hand from Paul Schrader while filming The Walker.
The story of an aging, self-hating homosexual who goes home alone to his lacquered town house feels ancient as well as uncomfortable for the writer-director.
If you thought the phrase 'murder mystery' is a guaranteed indicator of excitement and intrigue, well, you thought wrong.
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| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
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| 58% 58% | A Perfect Getaway |
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