38% The Other Woman Apr 25
—— Brick Mansions Apr 25
50% The Quiet Ones Apr 25
91% Locke Apr 25
76% The Machine Apr 25

Top Box Office

89% Captain America: The Winter Soldier $25.6M
50% Heaven Is for Real $22.5M
47% Rio 2 $22.2M
19% Transcendence $10.9M
9% A Haunted House 2 $8.8M
62% Draft Day $5.7M
40% Divergent $5.6M
71% Oculus $5.2M
77% Noah $5.0M
89% Bears $4.8M

Coming Soon

76% The Amazing Spider-Man 2 May 02
—— Walk Of Shame May 02
100% Neighbors May 09
—— Godzilla May 16
—— X-Men: Days of Future Past May 23

New Episodes Tonight

72% The 100: Season 1
97% The Americans: Season 2
100% Arrow: Season 2
—— Baby Daddy: Season 3
—— Hot in Cleveland: Season 5
100% Legit: Season 2
—— Melissa & Joey: Season 3
—— The Middle: Season 5
36% Mixology: Season 1
83% Modern Family: Season 5
—— The Soul Man: Season 3
—— Suburgatory: Season 3

Discuss Last Night's Shows

77% About a Boy: Season 1
—— Awkward: Season 4
—— Chicago Fire: Season 2
—— Faking It: Season 1
98% Fargo: Season 1
40% Glee: Season 5
36% Growing Up Fisher: Season 1
86% Marvel's Agents of S.H.I.E.L.D.: Season 1
80% The Mindy Project: Season 2
56% The Originals: Season 1
100% Supernatural: Season 9

Certified Fresh TV

77% About a Boy: Season 1
97% The Americans: Season 2
82% The Blacklist: Season 1
88% Brooklyn Nine-Nine: Season 1
98% Fargo: Season 1
98% Game of Thrones: Season 4
100% Hannibal: Season 2
86% Mad Men: Season 7
97% Orphan Black: Season 2
96% Silicon Valley: Season 1

The We and the I Reviews

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Felix Vasquez Jr.
Cinema Crazed

Director Gondry succeeds in delivering a very entertaining and compelling human study.

Full Review Source: Cinema Crazed

December 16, 2013
Chris Chang
Film Comment Magazine

Michel Gondry, working with nonprofessional actors, takes this one-location setup and-traffic conditions permitting-takes off.

Full Review Source: Film Comment Magazine

June 14, 2013
Rick Groen
Globe and Mail
Top Critic IconTop Critic

Credit Gondry, like Tocqueville before him, with at least re-examining tired clichés and scraping the rust off stereotypes.

Full Review Source: Globe and Mail | Original Score: 3/4

May 17, 2013
Radheyan Simonpillai
NOW Toronto

Gondry is like a DJ scratching a record. He puts his own touches to the sound of the Bronx while staying true to its beat.

Full Review Source: NOW Toronto | Original Score: 4/5

May 16, 2013
Bill Goodykoontz
Arizona Republic
Top Critic IconTop Critic

All of the kids are good in their roles, mostly as characters one assumes resemble themselves. And as any actor will tell you, playing yourself is one of the toughest gigs around.

Full Review Source: Arizona Republic | Original Score: 4/5

May 9, 2013
Jeffrey M. Anderson
Combustible Celluloid

Gondry's film is like a huge community, alive and -- despite a layer of protective swagger -- full of sympathy and love.

Full Review Source: Combustible Celluloid | Original Score: 3/4

May 3, 2013
Brent Simon
Shared Darkness

An artful, scrambled, energetic blend of youthful connection and hormonally charged carousing [that] works more as a caffeinated conveyance of feeling than an actual plotted story.

Full Review Source: Shared Darkness | Original Score: C+

April 18, 2013
Beverly Berning

French director Michel Gondry takes a select group of Bronx teenagers, puts them on a bus, and lets them loose. For some of us, it's a scary ride.

Full Review Source:

March 29, 2013
Kelly Vance
East Bay Express

Imagine a student video project with professional production values.

Full Review Source: East Bay Express

March 22, 2013
Marc Mohan

By the end of the line, we've been granted a privileged peek at today's youth that's intimidating and nostalgia-inducing in equal measure.

Full Review Source: Oregonian | Original Score: B+

March 21, 2013
S. Jhoanna Robledo
Common Sense Media

Realistic look at teen culture has drinking, sex, language.

Full Review Source: Common Sense Media | Original Score: 4/5

March 20, 2013
Nora Lee Mandel

Exuberantly finds the universality of adolescence. . . [in] a running theme of. . .peers vs. individual--how 1 plus 1 equals 3, when in groups, they become like someone else.

Full Review Source: | Original Score: 7/10

March 18, 2013
Michał Oleszczyk
Chicago Sun-Times
Top Critic IconTop Critic

A vivid snapshot of an interracial group of teenagers as they take a bus ride home on the last day of school.

Full Review Source: Chicago Sun-Times | Original Score: 3.5/4

March 14, 2013
Ethan Alter
Television Without Pity

Michel Gondry gets back to his low-budget roots and rediscovers his formidable formal playfulness in the process.

Full Review Source: Television Without Pity

March 8, 2013
Fr. Chris Carpenter
Movie Dearest

A return to successful form for (director Michel) Gondry after 2011's wretched "The Green Hornet"...captures the modern teen spirit, lingo and reliance on technology exceptionally well.

Full Review Source: Movie Dearest | Original Score: B

March 8, 2013
A.O. Scott
New York Times
Top Critic IconTop Critic

"The We and the I" neither scolds nor sentimentalizes its young characters. Instead the film invites viewers, of whatever age, to immerse themselves in the chaos, glee and heartache of a long ride home on the last day of school.

Full Review Source: New York Times | Original Score: 4/5

March 7, 2013
Tasha Robinson
AV Club

There's a lot to love about the film, but it can get buried under the attempts to tell everyone's story at once.

Full Review Source: AV Club | Original Score: B-

March 7, 2013
Michelle Orange
Village Voice
Top Critic IconTop Critic

At its finest and most affecting, The We and the I is a window onto youth's forever moments ...

Full Review Source: Village Voice

March 5, 2013
Mike McGranaghan
Aisle Seat

Often raucously funny and occasionally touching, with real insight into the behavior patterns of adolescents.

Full Review Source: Aisle Seat | Original Score: 3/4

March 4, 2013
Jesse Cataldo
Slant Magazine

A delirious representation of incipient personalities in bloom, its form as amorphous and reckless as the vibrant youths it portrays.

Full Review Source: Slant Magazine | Original Score: 3.5/4

March 2, 2013
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